kubaparis studio sh

Group show

Angel Dust

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Angel Dust, 2022. Installation view Photo: AEPH / Simon Veres
Angel Dust, 2022. Installation view Photo: AEPH / Simon Veres
Angel Dust, 2022. Installation view Photo: AEPH / Simon Veres
Angel Dust, 2022. Installation view Photo: AEPH / Simon Veres
Angel Dust, 2022. Installation view Photo: AEPH / Simon Veres
Angel Dust, 2022. Installation view Photo: AEPH / Simon Veres
Angel Dust, 2022. Installation view Photo: AEPH / Simon Veres
Angel Dust, 2022. Installation view Photo: AEPH / Simon Veres
Angel Dust, 2022. Installation view Photo: AEPH / Simon Veres
Angel Dust, 2022. Installation view Photo: AEPH / Simon Veres
Clockwise: Dejan Dukic, Untitled, 2022, Magic Foam on canvas, 40h x 25w cm / 25h x 21w cm / 26h x 23w cm Photo: AEPH / Simon Veres
Clockwise: Dejan Dukic, Untitled, 2022, Magic Foam on canvas, 40h x 25w cm / 25h x 21w cm / 26h x 23w cm Photo: AEPH / Simon Veres
From left to right: Titania Seidl, Connection Cravings-after Paradise by Giovanni di Paolo, 2021 / bananenblÀtter, 2022 / through the filter of our eyes, 2021. All: Oil on panel, 24h x 18w cm. Photo: AEPH / Simon Veres
From left to right: Titania Seidl, Connection Cravings-after Paradise by Giovanni di Paolo, 2021 / bananenblÀtter, 2022 / through the filter of our eyes, 2021. All: Oil on panel, 24h x 18w cm. Photo: AEPH / Simon Veres
Marlon Wobst, Freunde mit Bier, 2018, Felted wool, 132h x 201w cm. Photo: AEPH / Simon Veres
Marlon Wobst, Freunde mit Bier, 2018, Felted wool, 132h x 201w cm. Photo: AEPH / Simon Veres
Clockwise: Marlon Wobst, Nachlauf, 2022 Felted wool / Dejan Dukic, Sketches for Summer, 2022 Magic Foam on canvas / Marlon Wobst Ringelpietz, 2022, Felted wool / Marlon Wobst, Daisy, 2021, Felted wool. Photo: AEPH / Simon Veres
Clockwise: Marlon Wobst, Nachlauf, 2022 Felted wool / Dejan Dukic, Sketches for Summer, 2022 Magic Foam on canvas / Marlon Wobst Ringelpietz, 2022, Felted wool / Marlon Wobst, Daisy, 2021, Felted wool. Photo: AEPH / Simon Veres
Norman Hildebrandt, Owl of Olaz, 2019, Sharpie, felt-tip pen, colored pencil on paper, 42h x 30w cm. Courtesy of the artist
Norman Hildebrandt, Owl of Olaz, 2019, Sharpie, felt-tip pen, colored pencil on paper, 42h x 30w cm. Courtesy of the artist
Esben Weile KjĂŠr, Tinker Bell, 2020, Neon tubes, mirror, 260h x 210w cm. Photo: AEPH / Simon Veres
Esben Weile KjĂŠr, Tinker Bell, 2020, Neon tubes, mirror, 260h x 210w cm. Photo: AEPH / Simon Veres
Minda Andrén, Gheisterfische, 2022, Oil on canvas, 120 x 85 cm Photo: Palasciano Gelardo Edit
Minda Andrén, Gheisterfische, 2022, Oil on canvas, 120 x 85 cm Photo: Palasciano Gelardo Edit
Press a button – make him hungry. Press a button – make him horny. Press a button – make him angry. Press a button – make him happy. —The Politics of Ecstasy, Timothy Leary, 1980. To close this rollercoastering year, we are happy to present Angel Dust, a cheeky group show around partying and altered states of mind.

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