Groupshow

Motobody.zip

Project Info

  • đź’™ Galeria Foco
  • đź’š Eva Slabá
  • đź–¤ Groupshow
  • đź’ś Eva Slabá
  • đź’› Marco Pires

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Exhibition view (Pauline Guerrier @guerrierpauline, Diana Barbosa Gil @dianabarbosagil, Manon Harrois @manonharrois)
Exhibition view (Pauline Guerrier @guerrierpauline, Diana Barbosa Gil @dianabarbosagil, Manon Harrois @manonharrois)
Exhibition view (Pauline Guerrier @guerrierpauline, Diana Barbosa Gil @dianabarbosagil, Manon Harrois @manonharrois)
Exhibition view (Pauline Guerrier @guerrierpauline, Diana Barbosa Gil @dianabarbosagil, Manon Harrois @manonharrois)
Breastplate, 2022, Diana Barbosa Gil, Ceramic, fishing supplies, pendant, 50x23x02 cm (Diana Barbosa Gil @dianabarbosagil)
Breastplate, 2022, Diana Barbosa Gil, Ceramic, fishing supplies, pendant, 50x23x02 cm (Diana Barbosa Gil @dianabarbosagil)
Nie Ohne Seife Waschen (Oddity), 2022, Diana Barbosa Gil, sewing accessories, needle, seeds, silicone, plastic, fishing supplies, insoles, brass, plants, variable dimensions (Diana Barbosa Gil @dianabarbosagil)
Nie Ohne Seife Waschen (Oddity), 2022, Diana Barbosa Gil, sewing accessories, needle, seeds, silicone, plastic, fishing supplies, insoles, brass, plants, variable dimensions (Diana Barbosa Gil @dianabarbosagil)
Nie Ohne Seife Waschen (Oddity), 2022, Diana Barbosa Gil, sewing accessories, needle, seeds, silicone, plastic, fishing supplies, insoles, brass, plants, variable dimensions (Diana Barbosa Gil @dianabarbosagil)
Nie Ohne Seife Waschen (Oddity), 2022, Diana Barbosa Gil, sewing accessories, needle, seeds, silicone, plastic, fishing supplies, insoles, brass, plants, variable dimensions (Diana Barbosa Gil @dianabarbosagil)
Self-Isolated, 2020, Francisco Narciso, Fine art print on Hahnemuhle Baryta paper, aluminium frame, 90x70 cm (Francisco Narciso @franarciso)
Self-Isolated, 2020, Francisco Narciso, Fine art print on Hahnemuhle Baryta paper, aluminium frame, 90x70 cm (Francisco Narciso @franarciso)
Exhibition view (Tomás Jones @f.wvn, Mia Dudek @mia.dudek)
Exhibition view (Tomás Jones @f.wvn, Mia Dudek @mia.dudek)
Stretch V2, 2023, Tomás Jones, 3D render, sound design, 1 m 30 s in loop (Tomás Jones @f.wvn)
Stretch V2, 2023, Tomás Jones, 3D render, sound design, 1 m 30 s in loop (Tomás Jones @f.wvn)
Exhibition view (Mia Dudek @mia.dudek, Manon Harrois @manonharrois)
Exhibition view (Mia Dudek @mia.dudek, Manon Harrois @manonharrois)
Kiss, 2022, Manon Harrois, Latex, solid wood, air pump, tubes, variable dimensions (Manon Harrois @manonharrois)
Kiss, 2022, Manon Harrois, Latex, solid wood, air pump, tubes, variable dimensions (Manon Harrois @manonharrois)
Clepsydre, 2022, Manon Harrois, Latex, solid wood, ropes, water pump, air pump, light, water, pipes, variable dimensions (Manon Harrois @manonharrois)
Clepsydre, 2022, Manon Harrois, Latex, solid wood, ropes, water pump, air pump, light, water, pipes, variable dimensions (Manon Harrois @manonharrois)
Exhibition view (Manon Harrois @manonharrois, Francisco TrĂŞpa @franciscotrepa, Gabriel Ribeiro @gbrlrb)
Exhibition view (Manon Harrois @manonharrois, Francisco TrĂŞpa @franciscotrepa, Gabriel Ribeiro @gbrlrb)
Exhibition view (Francisco TrĂŞpa @franciscotrepa, Gabriel Ribeiro @gbrlrb)
Exhibition view (Francisco TrĂŞpa @franciscotrepa, Gabriel Ribeiro @gbrlrb)
Reflectors Nest, 2023, Francisco TrĂŞpa, Glazed ceramic, 48x27x22 cm (Francisco TrĂŞpa @franciscotrepa)
Reflectors Nest, 2023, Francisco TrĂŞpa, Glazed ceramic, 48x27x22 cm (Francisco TrĂŞpa @franciscotrepa)
Dripping Stage, 2023, Francisco TrĂŞpa, Glazed ceramic, water, 148x40x40 cm (Francisco TrĂŞpa @franciscotrepa)
Dripping Stage, 2023, Francisco TrĂŞpa, Glazed ceramic, water, 148x40x40 cm (Francisco TrĂŞpa @franciscotrepa)
Refractor Head, 2023, Gabriel Ribeiro, Cast aluminum, stainless steel, 20x25x29 cm (Gabriel Ribeiro @gbrlrbr)
Refractor Head, 2023, Gabriel Ribeiro, Cast aluminum, stainless steel, 20x25x29 cm (Gabriel Ribeiro @gbrlrbr)
Deep Tissue, 2023, Gabriel Ribeiro, Glazed ceramic, stainless steel, 263x95x50 cm ((Gabriel Ribeiro @gbrlrbr)
Deep Tissue, 2023, Gabriel Ribeiro, Glazed ceramic, stainless steel, 263x95x50 cm ((Gabriel Ribeiro @gbrlrbr)
Exhibition view (Gabriel Ribeiro @gbrlrbr, Manuel Tainha @manueltainha, Nádia Duvall @art.nadia.duvall)
Exhibition view (Gabriel Ribeiro @gbrlrbr, Manuel Tainha @manueltainha, Nádia Duvall @art.nadia.duvall)
Sprawl, 2022, Manuel Tainha, Embroidery and bleach on burned corduroy, 50Ă—70 cm (Manuel Tainha @manueltainha)
Sprawl, 2022, Manuel Tainha, Embroidery and bleach on burned corduroy, 50Ă—70 cm (Manuel Tainha @manueltainha)
Visgraat X, 2015-2023, Nádia Duvall, Led light, aluminium, paint skin, cardboard and acrylic, soil, 170x130x15 cm (Nádia Duvall @art.nadia.duvall)
Visgraat X, 2015-2023, Nádia Duvall, Led light, aluminium, paint skin, cardboard and acrylic, soil, 170x130x15 cm (Nádia Duvall @art.nadia.duvall)
Just as the space of the former car showroom and repair shop was once used to exhibit and work with the technical innards of vehicles, this winter, from January to March, Galeria Foco is transformed into an experimental space for presenting various ways of exploring the body and, by extension, the mind – psychosomatics as the backdrop for the exhibition project. The two floors connected by a car lift host ten international artists whose works feature contemplative, exploratory, imaginative or performative acts of passage into, through or, in some cases, out of the human body. The technicality of the space encourages the artworks to be situated as the results of intimate explorations using a wide range of media: on the one hand, there are pieces that operate with specific body parts or organs, and on the other hand, pieces that deal with the theme of the body on a more subliminal basis; that means with references to innovation, technology, mutations or, on the contrary, a return to ahistorical, naturally valid, gestures. Corpoliteracy (or reading the body) is interested in the way in which value systems, social practices and mechanisms that lead to attributions, constraints and exclusions emerge. As philosophical anthropologist Francois Flahault points out – the tension of perceiving one’s own body is created between our desire for absolute self-affirmation and the fact that each of us can only exist through mediation by others. However neuroscience has in recent decades emphasised a new view of the kinship between mind and body. Specific neurotransmitters carry emotional messages that alter the chemistry of the body’s cells, meaning that what happens in mental states also happens in the physique. This new bodily grammar could thus constitute a different kind of awareness of the body, a corporeal awareness. In these assumptions, the artworks are seen as acts of translating corporeal awareness into words (.txt), into sounds (.mp4), into images (.jpg), into videos (.mov), into objects (.fbx), into space (.dwg), into arrangements (.pdf). In the same way that the internal parts of a car resemble the human body, where one component is both primarily essential and a transformer of another, the artworks in this exhibition project figure as literal and metaphorical forms that invite the visitor to be plugged into the same circuit; a network of relationships. One’s own bodily experiences and narratives serve as fertile ground from which grows the quest – a questioning of the raw/staged,private/public, unique/common. Motobody.zip as the materialisation of one of the possibilities of how to represent the human bodily condition in contemporary life. Let us therefore turn to the sensory and intimate archives of our own bodies. What happens when these individual archives meet? What happens when different human bodies hum together? Let that engine of yours roar.
Eva Slabá

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