
Groupshow
Exhibition
Project Info
- 💙 Halle für Kunst Lüneburg
- 💚 Ann-Kathrin Eickhoff & Elisa R. Linn
- 🖤 Groupshow
- 💜 Ann-Kathrin Eickhoff & Elisa R. Linn
- 💛 Fred Dott
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Exhibition view, Courtesy of Halle für Kunst Lüneburg. Photo: Fred Dott.
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Exhibition view, Courtesy of Halle für Kunst Lüneburg. Photo: Fred Dott.

Patrick Nation, Terre Thaemlitz: Give Up On Hopes And Dreams, 2021, documentary, 1h 15min, Courtesy of the artist and Halle für Kunst Lüneburg. Photo: Fred Dott.

Exhibition view, Courtesy of Halle für Kunst Lüneburg. Photo: Fred Dott.

Exhibition view, Courtesy of Halle für Kunst Lüneburg. Photo: Fred Dott.

Exhibition view, Courtesy of Halle für Kunst Lüneburg. Photo: Fred Dott.

Vera Lutz, Verdunkelungssystem, 2023, curtain tracks, aluminium, 578 x 369 x 2,5 cm, Courtesy of the artist and Halle für Kunst Lüneburg. Photo: Fred Dott.

KAYA (Kerstin Braetsch & Debo Eilers), Se Harn Hunger_Bodybag, 2017–2022, acrylic, patch, UV-print linen on linen, 175 x 130 cm, Courtesy of the artists and Halle für Kunst Lüneburg. Photo: Fred Dott.

Georgie Nettell & Freya Field-Donovan don‘t be evil (wallpainting) 2023, Courtesy of the artists and Halle für Kunst Lüneburg. Photo: Fred Dott.

Georgie Nettell & Freya Field-Donovan, notes 2023, Courtesy of the artists and Halle für Kunst Lüneburg. Photo: Fred Dott.

KAYA (Kerstin Braetsch & Debo Eilers), Dummkoh_Bodybag, 2017–2022, acrylic, patch, UV print, linen on linen, 175 x 130 cm, Courtesy of the artists and Halle für Kunst Lüneburg. Photo: Fred Dott.

Alexandra Symons-Sutcliffe with MayDay Rooms Archive & The Jo Spence Memorial, Library Archive, 2023, Courtesy of MayDay Rooms Archive and Halle für Kunst Lüneburg. Photo: Fred Dott.

Installation view, Kathryn Pell, 2023, painted ceramic, mounted, Courtesy of the artist and Halle für Kunst Lüneburg. Photo: Fred Dott.

Alexandra Symons-Sutcliffe, An Empty but Repeatable Space, Publication, Courtesy of the artist and Halle für Kunst Lüneburg. Photo: Fred Dott.

Detail view, Vera Lutz, Verdunklungssystem, 2023, Vorhangschienen, Aluminium, Courtesy of the artist and Halle für Kunst Lüneburg. Photo: Fred Dott.

Free Home University, Free Home University Drifting Library: Station Lüneburg, 2023 firefly frequencies, Listening membrane, 2023, Courtesy of the artist and Halle für Kunst Lüneburg. Photo: Fred Dott.

Materials/Materialien, Booktable, 2023, Chapbooks, Tisch, Courtesy of the artists and Halle für Kunst Lüneburg. Photo: Fred Dott.

Exhibition view, Courtesy of Halle für Kunst Lüneburg. Photo: Fred Dott.

Detail view, Alexandra Symons-Sutcliffe with MayDay Rooms Archive & The Jo Spence Memorial, Library Archive, 2023, Courtesy of MayDay Rooms Archive and Halle für Kunst Lüneburg. Photo: Fred Dott.

Installation view, Courtesy of Halle für Kunst Lüneburg. Photo: Fred Dott.
The exhibition Georgie Nettell & Freya Field-Donovan, KAYA(Kerstin
Brätsch & Debo Eilers), Vera Lutz, Materials/Materialien, Maque Pereyra
& Portrait XO, Alexandra Symons-Sutcliffe mit MayDay Rooms Archive &
The Jo Spence Memorial Library Archive, „Terre Thaemlitz: Give Up On
Hopes And Dreams“ von Patrick Nation, firefly frequencies, Free Home
University departs from a collaboration with cultural producers and their
research interests. With research-based, discursive, and object-based
contributions, the exhibition is dedicated to free artistic research, which
manifests not only in completed artworks, but also processually, in
fragmented and idiosyncratic ideas, concepts, conversations, and the
written word—in the “in-between.” At the Halle für Kunst, contributions
by artists, curators, musicians, writers, poets, educators, and publishers
will be presented, aiming at the visibility of a “work on forms” and artistic
states of production.
Here, potential narratives are negotiated in the moment of exhibition:
What does research about/for/through art look like, and respectively,
what does art about/for/through research look like? How can aesthetic
and social orthodoxies in contemporary culture be overcome through new
transdisciplinary language and artistic vocabularies as well as a co-
production of archives? That dealing with material could itself become an
art form was already demonstrated by a historical generation of artists,
for whom creation stood for liberation, deconditioning, conviviality, and
“non-teaching.” At the Halle für Kunst, it will be probed how far art and
cultural production, even in its provisional, incomplete form, goes hand in
hand today with a new form-finding of (re)presenting, theorizing, writing,
and archiving—a formfinding that is “committed to cultivate and reclaim
knowledge, relationships, and imagination” (Alessandra Pomarico, Free
Home University), in order to eventually maybe also learn how to learn.
Ann-Kathrin Eickhoff & Elisa R. Linn