
DIS
Big Beat Disaster
Project Info
- đ Project Native Informant, London
- đ€ DIS
- đ Ada OâHiggins
- đ Stephen James
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Installation view: DIS, Big Beat Disaster, 2023 at Project Native Informant, London. Courtesy of the artist and Project Native Informant, London
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Installation view: DIS, Big Beat Disaster, 2023 at Project Native Informant, London. Courtesy of the artist and Project Native Informant, London

Installation view: DIS, Big Beat Disaster, 2023 at Project Native Informant, London. Courtesy of the artist and Project Native Informant, London

Installation view: DIS, Big Beat Disaster, 2023 at Project Native Informant, London. Courtesy of the artist and Project Native Informant, London

Installation view: DIS, Big Beat Disaster, 2023 at Project Native Informant, London. Courtesy of the artist and Project Native Informant, London

Installation view: DIS, Big Beat Disaster, 2023 at Project Native Informant, London. Courtesy of the artist and Project Native Informant, London

Installation view: DIS, Big Beat Disaster, 2023 at Project Native Informant, London. Courtesy of the artist and Project Native Informant, London

Installation view: DIS, Big Beat Disaster, 2023 at Project Native Informant, London. Courtesy of the artist and Project Native Informant, London

Installation view: DIS, Big Beat Disaster, 2023 at Project Native Informant, London. Courtesy of the artist and Project Native Informant, London

DIS, Eighth Grade World History., 2023, Giclée print on cotton rag, burnt walnut storm shutter frame, 146 x 112 x 77.5 cm (57 1/2 x 44 1/8 x 30 1/2 in). Courtesy of the artist and Project Native Informant, London

DIS, Read it again, Daddy., 2023, GiclĂ©e print on cotton rag, burnt walnut storm shutter frame, 146 x 112 x 77.5 cm (57 1/2 x 44 1/8 x 30 1/2 in). Courtesy of the artist and Project Native Informant, London âš

DIS, Sheâs lying, 2023, GiclĂ©e print on cotton rag, burnt walnut storm shutter frame, 146 x 112 x 77.5 cm (57 1/2 x 44 1/8 x 30 1/2 in). Courtesy of the artist and Project Native Informant, London

DIS, So sad, 2023, Giclée print on cotton rag, pen on Post-It notes, burnt walnut frame, 146 x 112 x 7.5 cm (57 1/2 x 44 1/8 x 3 in). Courtesy of the artist and Project Native Informant, London

DIS, I look cute tonight, 2023, Giclée print on cotton rag, pen on Post-It notes, burnt walnut frame, 146 x 112 x 7.5 cm (57 1/2 x 44 1/8 x 3 in). Courtesy of the artist and Project Native Informant, London

DIS, Big beat disaster, 2023, Giclée print on cotton rag, pen on Post-It notes, burnt walnut frame, 146 x 226 x 14 cm (57 1/2 x 89 x 5 1/2 in). Courtesy of the artist and Project Native Informant, London
Big Beat Disaster is a misquotation from Britney Spearsâ 2013 classic âWork Bitch,â which Leilah Weinraub
references while singing, speaking and ranting in the 2021 DIS film, Everything But The World.
The original song is a delusional meritocratic anthem for Soulcycle moms, young gays, sigma male grindset
hustlers and twitch streaming egirls who think anyone can just work their way to a Bugatti, a hot body and a
mansion in France. But given her conservatorship, âWork Bitchâ becomes less a message of self-emancipation
and more an echo of the jeering words of Britneyâs masters, words repeated until they became a refrain of
her own unconscious. In the film the song is reimagined by the narrator, as an early human 1 enacts repetitive
movements of labor throughout time.
Big Beat Disaster presents a group of images taken during the filming of Everything But the World: a pilot for a docu-sci-fi series about humanityâs obsession with our place in a world which âdoesnât even know we exist.â Prepare for scenes of neolithic abandon, White Castle employees turned aggressive rogue activists, and BDSM witchcraft guided tours of Medieval Italian castles, all of it edited into a surreal narrative filtered through the prism of the internet, an infinite reservoir for apocalyptic thoughtââjust like the Bible.
The derangement of scale 2 caused by the huge gap between the immensity of humanityâs global existence
and the smallness of your own private everyday life 3 are like the post-its 4 strewn across the photographs.Thoughts so important we canât forget, but not so important that we wonât toss them in the trash. Like a remnant of our egoistic apocalypse fantasies, the hurricane shutters that encase the images may have resisted the 2500°C flames they were subjected to, but not without getting burnt.
Here comes the big beat.
Fields of strawberry.
Big beat disaster.
Or the repeat actions of the assembly line.
Folding boxes in the fulfillment centers, reaching for a product, cutting poultry.
You wanna live fancy?
Swiping, typing, picking, packing.
Live in a big mansion?
Party in France?
For what?
Pick up what I put down.
The âoin.
Pick up what I put down.
Girl, it was the dollar.
1 Early Human played by Omahyra Mota in mud paint designed by Donna Huanca.
2 Timothy Clark essay âDerangements of Scaleâ, Published by Open Humanities Press, 2012
3 Daisy Hildyard, âThe Second Bodyâ, Published November, 2017
4 Like embers after a fire, the post-its nonchalantly bear witness to what was once urgent and immediate. Some were made by Leilah Weinraub, the filmâs prophetic narrator, and are featured in the film, others are from the writerâs room held in 2019 with DIS and collaborators Leilah Weinraub, Ava Tomasula y Garcia, Nora Khan, Rob Horning, Huw Lemmey, and Adrian Samuel Massey III.
Ada OâHiggins