
Groupshow
Ashes to Lashes, Dust to Lust.
Project Info
- đ GROVE Berlin, Greifswalder Str. 5, 10405 Berlin
- đ Hannah Weidner
- đ€ Groupshow
- đ Jacob Barnes
- đ GROVE
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Artists: Marlon De Azambuja, Jason Gringler
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Artists: Billie Clarken, Jason Gringler, Monika Grabuschnigg, Nils Köpfer

Artists: Nils Köpfer, Brittany Shepherd, Allan Gardner, Marlon De Azambuja

Artists: Jason Gringler, Marlon De Azambuja, Brittany Shepherd, Allan Gardner, Mark Corfield-Moore

Artist: Marlon De Azambuja
GROVE is pleased to present the upcoming exhibition Ashes to Lashes, Dust to
Lust, a group exhibition featuring Jason Gringler, Brittany Shepherd, Nils Köpfer,
Monika Grabuschnigg, Allan Gardner, Marlon De Azambuja, Billie Clarken, and Mark
Corfield-Moore, on view at GROVEâs Berlin location from Saturday, March 25th to
Wednesday, April 19th, 2023. This is GROVEâs first exhibition at their Greifswalderstr.
space, and marks the first time the gallery has worked with Gringler, Shepherd,
Grabuschnigg, Azambuja, and Corfield-Moore.
As the inaugural exhibition at GROVE Berlin, Ashes to Lashes, Dust to Lust can be
understood as a âhousewarming.â Of course, in literal terms, this has an inherent
connection to both heat and fire, making the focus of the show an appropriate, if not
sly turn of phrase. But, as Marlon De Azambujaâs fire-based sculpture suggests, this
inflection can be doubled-edged: literal combustion has the capacity for danger and
destruction. Likewise, the subtle eroticism of Brittany Shepherdâs work can turn up
the âheatâ in the room, but the artistâs work also gestures towards a precarious balance
â as always, love is never far from war.
Indeed, this thinking carries over to others. Jason Gringlerâs brutal sculptures are
covered in burning candles, while Mark Corfield-Mooreâs birthday cake image suggests
another, perhaps more comfortable instantiation of a similar, candle-laden object.
This duality, and the insouciant humour that underscores it, bears the mark of
much of GROVEâs work to date, while reflecting the eye and sensibility of the
galleryâs Berlin director, Hannah Weidner.
This duality extends to the galleryâs work more broadly. As GROVE embarks on a
new chapter, opening its space in Berlin, the exhibition embraces the newâs both
positivistic and negativistic qualities: the beginning of a new moment requires the end of the last, and new identities require the dismantling of the old. Additionally,
Ashes to Lashes, Dust to Lust presents an opportunity to usher in a new cadre of local
artists into the galleryâs program. Marking the galleryâs first major expansion since
opening up in London in 2021, the gallery hopes this to be the start of a new, international
era for its program and artists.
Jacob Barnes