
Ewelina Figarska, Paweł Marcinek
One long day
Project Info
- 💙 Jak Zapomnieć Gallery
- 💚 Karolina Jarzębak, Tomek Nowak
- 🖤 Ewelina Figarska, Paweł Marcinek
- 💜 Ewelina Figarska, Paweł Marcinek
- 💛 Michał Maliński
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Ewelina Figarska, Kołatka II, mixed technique, 17,5cm x 9,5cm, 2022
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exhibition view, One long day, Ewelina Figarska,Paweł Marcinek

exhibition view, One long day, Ewelina Figarska,Paweł Marcinek

exhibition view, One long day, Ewelina Figarska,Paweł Marcinek

exhibition view, One long day, Ewelina Figarska,Paweł Marcinek

exhibition view, One long day, Ewelina Figarska,Paweł Marcinek

One long day, Ewelina Figarska,Paweł Marcinek, plywood,162x101 cm,2023

detail, Ewelina Figarska, The plates are spinning on the hill, 76x30 cm, 2023

Paweł Marcinek, Lost keyhole, 40x39,5 cm, 2023

Ewelina Figarska, A clock multiplier of something, 32x33x60 cm, 2023

exhibition view, One long day, Ewelina Figarska,Paweł Marcinek

detail, Paweł Marcinek, Clones, 84,5x 54,5 cm, 2023

detail , One long day, Ewelina Figarska,Paweł Marcinek, plywood,162x101 cm,2023

exhibition view, One long day, Ewelina Figarska,Paweł Marcinek

Ewelina Figarska, The baked wheel ,29cm circuit, 2023

Ewelina Figarska, The stooge restrained himself, 30x30x36 cm, 2023

exhibition view, One long day, Ewelina Figarska,Paweł Marcinek

Ewelina Figarska, A clock multiplier of something, 32x33x60 cm, 2023

detail, Ewelina Figarska, A clock multiplier of something, 32x33x60 cm, 2023

detail, Ewelina Figarska, The stooge restrained himself, 30x30x36 cm, 2023
The day is really long, with no end in sight. P and E traverse miles of tracts of their brainpans and find only big lumps to carve. On this day they might face endless disasters. As usual, all that is left behind are objects, wood chips and text lying on the windowsill. The exhibition is a story about the clash of everyday life of fictional characters but also a little real ones. It is also a presentation of board works by Pawel Marcinek and objects by Ewelina Figarska. The artists often create objects, drawings and texts together. They share similar materials and poetic thinking, constructing humorous and acidic scenarios and sculptures. A Beckett-like day like in Endgame cannot end and instead of diminishing, it prolongs itself. Thoughts begin to escalate and morph, Cronenberg-like mutating into ever more difficult to interpret constructs. One would like to escape for a while from the meaty mystery and observation of the surroundings. With this perspective, it might be nice to lie in the chipboard sands of the studio for a while.
Ewelina Figarska, Paweł Marcinek