Adrian Kiss
Satin, Soil, Stomach
Satin, Soil, Stomach exhibition view
Advertisement
Leather Hole 1, 2021, leather on metal structure, 185 Ă 150 cm & Leather Hole 2, 2021, leather on metal structure, 185 Ă 150 cm
Satin, Soil, Stomach exhibition view
Sexy Dead 2, 2023, quilted polyester with pillows and motorcycle inner tube, 80 Ă 170 Ă 78 cm
Satin, Soil, Stomach exhibition view
Sunflower, 2023, found object (metal and wood), 73 Ă 73 Ă 17 cm & Short Rail 2, 2023, leather, sponge, cotton dust sheet, pillow, ceramic object, and walnuts on metal structure, 83 Ă 302 Ă 51 cmÂ
Short Rail 2 (detail), 2023, leather, sponge, cotton dust sheet, pillow, ceramic object, and walnuts on metal structure, 83 Ă 302 Ă 51 cmÂ
Short Rail 2 (detail), 2023, leather, sponge, cotton dust sheet, pillow, ceramic object, and walnuts on metal structure, 83 Ă 302 Ă 51 cmÂ
Satin, Soil, Stomach exhibition view
Short Rail 1 (detail), 2023, leather, sponge, plastic dust sheet, and motorcycle inner tube on metal structure, 64 Ă 300 Ă 51 cmÂ
Short Rail 1, 2023, leather, sponge, plastic dust sheet, and motorcycle inner tube on metal structure, 64 Ă 300 Ă 51 cmÂ
Stomach, 2023, quilted leather, tarpaulin, tires, and woven basket with pise on metal structure, 266 à 200 à 142 cm & Short Rail 1, 2023, leather, sponge, dust sheet, and motorcycle inner tube on metal structure, 64 à 300 à 51 cm
Stomach, 2023, quilted leather, tarpaulin, tires, and woven basket with pise on metal structure, 266 Ă 200 Ă 142 cm
Stomach (detail), 2023, quilted leather, tarpaulin, tires, and woven basket with pise on metal structure, 266 Ă 200 Ă 142 cm
Stomach, 2023, quilted leather, tarpaulin, tires, and woven basket with pise on metal structure, 266 Ă 200 Ă 142 cm
Stomach (detail), 2023, quilted leather, tarpaulin, tires, and woven basket with pise on metal structure, 266 Ă 200 Ă 142 cm
Stomach (detail), 2023, quilted leather, tarpaulin, tires, and woven basket with pise on metal structure, 266 Ă 200 Ă 142 cm
Sexy Dead 1, 2023, quilts, pillow, branches, and plastic basin with sponge and soil, 230 Ă 270 Ă 220 cm
Sexy Dead 1, 2023, quilts, pillow, branches, and plastic basin with sponge and soil, 230 Ă 270 Ă 220 cm
Satin, Soil, Stomach exhibition view
Adrian Kiss
Satin, Soil, Stomach
Opening: Tuesday, June 27, 2023, at 7 pm
On view: June 28 â August 30, 2023
Curated by Lilla Lipusz
The solo show Satin, Soil, Stomach by Hungarian-Romanian artist Adrian Kiss presents, alongside recent works, the artistâs new textile-based objects and metal installations that were created specifically for this exhibition at VUNU Gallery.
Kiss is one of the best-known names of his generation in Hungary, who has gained recognition for his inventive textile sculptures and installations that revolve around the human body and the hybrid, postnatural age we live in. Over the past ten years, he has developed a distinctive visual language that combines organic materials (leather, wood, etc.) and ancient techniques such as pottery with manufactured fabrics and industrial aesthetics to give a new, visceral form to subjective experience. Kiss is the only artist living and working in Budapest who has been included in Phaidonâs acclaimed survey of contemporary textile artists, Vitamin T: Threads and Textiles in Contemporary Art.
Satin, Soil, Stomach marks a new chapter in the artistâs practice. Partially breaking with the meticulous design process that has characterized his working method to date, Kiss now incorporates found household objects, second-hand personal items, and fabric scraps into his works to create a narrative scene that fills the entire exhibition space. The large-scale installation transforms the concrete underground space of the former swimming pool into a constructed, parallel reality where different sets of contrasting qualities (e.g., handcrafted and manufactured, feminine and masculine, past and future, natural and industrial) meet in an organic way.
Two black leather sculptures from the artistâs latest Dunyha (Eiderdown) series serve as an entry point to the exhibition. These black holes, evoking enlarged body orifices or hollow body parts, seem to foreshadow the kind of fragmented body image that is manifested in the new works. In the case of the small iron structures, for example, in the central part of the space, one can discover biker jacket parts among the various leftover materials (pieces of plastic and cotton dust sheets, sponge, leather scraps, etc.) that are wrapped around the metal tubes. References to the human body are also present in the two textile sculptures on view in the remote corners of the gallery. These soft torsos, however, made up of used satin quilts and feather pillows, are not representing lifeâthey are lying on the floor like long-lost corpses. The central piece of the show is Stomach, a monumental installation in which an enormous egg-shaped woven basket penetrates a curtain-like piece of tarpaulin and a black quilted leather panel featuring a car-like motif. By positioning the basket opening at eye level, the artist forces the viewers to look into the huge black hole and face the content of the gigantic âstomachâ.
Through the inclusion of commonplace objects and decomposing materials that bear evidence of past use and that draw from the artistâs childhood memories of living in the Romanian countryside, the exhibition Satin, Soil, Stomach becomes a place of encounter between bygone times and the hyperindustrial present, offering a meditation on the impermanent, transitory nature of existence.
The exhibition is realized as the winning project of VUNUâs international Open Call from 2022.
-------------
Budapest-based artist Adrian Kiss (b. 1990, Miercurea Ciuc, Romania) graduated from Central Saint Martins College of Art and Design, London. His work has been the subject of solo exhibitions in Hungary, Slovakia, and the Czech Republic, including at the Center for Contemporary Art FUTURA in Prague, Make Up Gallery in KoĆĄice, as well as TrafĂł Gallery, acb Gallery and the Hungarian University of Fine Arts in Budapest. He has also been included in group exhibitions at such institutions as CAN Centre dâart in NeuchĂątel (CH), KĂŒnstlerhaus â Halle fĂŒr Kunst&Medien in Graz (AT), Museum of Contemporary Art in Zagreb (HR), and the Ludwig Museum â Museum of Contemporary Art in Budapest (HU). His most recent group exhibitions include Crucible (2022) at Spencer Brownstone Gallery in New York (US), Intertwining Textures (2023) at Collegium Hungaricum Berlin (DE), and Responsive Matter (2023) organized by FundaÈia Triade as part of TimiÈoara European Capital of Culture 2023 (RO).
www.adriankiss.com
www.vunu.sk
Lilla Lipusz