
Eleni Bagaki, Alex Cecchetti, Alexandru Chira, Mary Beth Edelson, Hypercomf, Martin Kippenberger, Ana Maria Millan, Jonny Niesche, Maria Papadimitriou, Angelo Plessas, Vessel (Navine G.Dossos and James Bridle)
PHENOMENA EVOKING THEOSIS
Project Info
- đ Zeller van Almsick
- đ Angelo Plessas
- đ€ Eleni Bagaki, Alex Cecchetti, Alexandru Chira, Mary Beth Edelson, Hypercomf, Martin Kippenberger, Ana Maria Millan, Jonny Niesche, Maria Papadimitriou, Angelo Plessas, Vessel (Navine G.Dossos and James Bridle)
- đ Angelo Plessas
- đ Simon Veres
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Last year I started living in an isolated house somewhere
in rural Greece. My idea at the beginning was to escape
from a complicated urban activity that was entwined
with a hyper-social artistâs life. Then one could think I
wanted to escape as much as possible the long-lasting
effects of economic and environmental systems of late
neoliberalism which is also true but deeper, it was more
of a reaction to the existing facts of human existence and
exploration for its new potentials. In this remote setting
I longed to be working without distractions, but also
to walk, read, write, or just do nothing and listen to the
splendid âsoundâ of silence.
In my new lifeâs quest for silence and purification, I had
indeed fewer thoughts competing for my attention. I
know it is impossible to be truly and authentically âoff the
gridâ nowadays. It is impossible to escape the attention
economy as it is strongly rooted in capitalism and I
am quoting writer Jenny Oddell who says âespecially
technologies that encourage a capitalist perception
of time, place, self, and communityâ. So located in
this setting with the only exception of my Starlink
connection-Elon Muskâs satellite internet, the closeness
to other people is mirrored there in closeness to nature
and its frequent mysteries. The strong peace of mind I
feel there cannot be dependent on anything and nobody.
Being silent is a romantic idea, it is an addictive quest for
something profound that barely exists anymore, the sense
of the eternal even if thatâs temporal, the fixation on a
cathartic ritual that enhances the well- being from the
ânoiseâ of our hyper-connected life. Is silence a healing
process against compulsive narcissistic individuation,
especially towards technocratic singularities? Does a
move towards the âlandâ a form of ecological resistance?
In a broader sense Is this an action to resign this world or
to reform it? Do similar gestures suggest another kind of
communication more psychic or esoteric?
For Phenomena Evoking Theosis I choose works
and artists whose work and lives blend with the idea
of a quiet pastoral counterculture expanding with
different media and spanning across different eras.
physical or immaterial, non-gender specific or queer/
feminist, biographical or contrived, and spiritual or
technological. The show becomes a means to re- consider
and re-imagine a momentary or a lifelong place of
isolation considering different angles and themes like
contemporary spirituality, technological decay, and social
resilience.
There is no anxiety, no analysis, no happiness or sadness.
The show becomes a space of pure contemplation.
Silence in this way becomes another song of life.
Angelo Plessas