
Groupshow
¿Desde donde miras el sol?
Project Info
- 💙 CAN Centre d'art Neuchâtel
- 💚 An exhibition proposed by Helvetropicos in collaboration with Adriana Domínguez
- 🖤 Groupshow
- 💜 Adriana Domínguez
- 💛 Sebastian Verdon
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¿Desde donde miras el sol?, exhibition view, CAN Centre d'art Neuchâtel, 2023
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¿Desde donde miras el sol?, exhibition view, CAN Centre d'art Neuchâtel, 2023

Lisa Lurati, owl’s eyes, stage for the night, 2023

Leonardo Bürgi Tenorio, mirando el reflejo de nuestra sombra (el lago), 2023

Gina Proenza, After the revolution, who’s gonna pick up the garbage?, 2023

Sofia Durrieu, Mise-en-abyme, 2022, exhibition view, CAN Centre d'art Neuchâtel, 2023

Ramiro Oller, Skinny angel of dead tongues, 2023, exhibition view, CAN Centre d'art Neuchâtel, 2023

Sergio Rojas Chaves, Has anyone tried this?, 2023

¿Desde donde miras el sol?, exhibition view, CAN Centre d'art Neuchâtel, 2023

¿Desde donde miras el sol?, exhibition view, CAN Centre d'art Neuchâtel, 2023

Veronica Casellas Jimenez, Non-ordinary states of reality, 2023

Jorge Raka, Robert Smithson’s Periphery, 2023

Vicente Lesser, (El diablo va a la pega para esconderse en los escombros del presente), 2023

Diego Felix de Atucha Elsesser, Me Gusta acá, 2021-2023

Paulo Wirz, Embarcação, 2023
¿Desde donde miras el sol?
From where do you look at the sun? is the first collective experiment of Helvetropicos, a platform created in 2022 by artists Verónica Casellas, Patricio Gil Flood and Jorge Raka with the objective of fostering the exchange between artists living in Switzerland who share a genealogy of affection with Latin America.
The exhibition is based on a simple idea: “asking each artist to close their eyes and direct their imagination towards their own west, thinking of other possible ways of knowledge, evoking without specific location”. At first glance, it would seem that From where do you look at the sun? is an exhibition that asks that we orient ourselves. If we are to answer the question in the title, we would have to identify a center, position ourselves, and from there, look at the sun. We would have to know where we stand, and which direction we are facing towards. Except that it doesn’t. This exhibition is in fact the opposite: a proposal for disorientation and reorientation.
Adriana Domínguez