Lotus L. Kang

In Cascades

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Lotus L. Kang, "In Cascades" (exhibition view), 2023. Courtesy of the Contemporary Art Gallery, Vancouver. Photo: Rachel Topham Photography.
Lotus L. Kang, "In Cascades" (exhibition view), 2023. Courtesy of the Contemporary Art Gallery, Vancouver. Photo: Rachel Topham Photography.
Lotus L. Kang, "In Cascades" (exhibition view), 2023. Courtesy of the Contemporary Art Gallery, Vancouver. Photo: Rachel Topham Photography.
Lotus L. Kang, "In Cascades" (exhibition view), 2023. Courtesy of the Contemporary Art Gallery, Vancouver. Photo: Rachel Topham Photography.
Lotus L. Kang, "In Cascades" (exhibition detail), 2023. Courtesy of the Contemporary Art Gallery, Vancouver. Photo: Rachel Topham Photography.
Lotus L. Kang, "In Cascades" (exhibition detail), 2023. Courtesy of the Contemporary Art Gallery, Vancouver. Photo: Rachel Topham Photography.
Lotus L. Kang, "In Cascades" (exhibition view), 2023. Courtesy of the Contemporary Art Gallery, Vancouver. Photo: Rachel Topham Photography.
Lotus L. Kang, "In Cascades" (exhibition view), 2023. Courtesy of the Contemporary Art Gallery, Vancouver. Photo: Rachel Topham Photography.
Lotus L. Kang, "In Cascades" (installation detail), 2023. Courtesy of the Contemporary Art Gallery, Vancouver. Photo: Rachel Topham Photography.
Lotus L. Kang, "In Cascades" (installation detail), 2023. Courtesy of the Contemporary Art Gallery, Vancouver. Photo: Rachel Topham Photography.
Unfolding across sculpture, installation, drawing, and photography, the practice of Lotus L. Kang takes up questions of “becoming” on expansive terms. Known for her use of unstable, continuously sensitive materials and a visual language that melds structural, organic and entropic forms, Kang’s dexterously layered works explore self and environment as contingent, continuous and inseparable. At the Contemporary Art Gallery, Kang presents her most recent installation, In Cascades, a scaffold of industrial steel joists sheathed with lengths of unfixed photographic films. Presented in a palette of visceral hues, these films — described by the artist as “skins” — remain sensitive to their environment, developing over the course of the exhibition as they’re exposed to the light and humidity of the gallery. A series of intimate sculptures punctuate the installation, provisional, often changeable forms in arrangements that nod to processes of reproduction, exchange, inheritance, and transformation.

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