James Bantone, bleed, Giulia Essyad, Mona Filleul, Victoria Holdt, Milena Mihajlović, Noemi Pfister, Thalles Piaget and Noah Ismael

Of Bodies in Digital Life

Project Info

  • 💙 Kunsthaus Langenthal
  • 💚 Raffael Dörig and Eva-Maria Knüsel
  • 🖤 James Bantone, bleed, Giulia Essyad, Mona Filleul, Victoria Holdt, Milena Mihajlović, Noemi Pfister, Thalles Piaget and Noah Ismael
  • 💜 Raffael Dörig
  • 💛 Cedric Mussano

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bleed, follow me, “ok”, 2024, Exhibition View “Of Bodies in Digital Life”, Kunsthaus Langenthal, 2024. Photo: Cedric Mussano, Courtesy of the artists.
bleed, follow me, “ok”, 2024, Exhibition View “Of Bodies in Digital Life”, Kunsthaus Langenthal, 2024. Photo: Cedric Mussano, Courtesy of the artists.
bleed, follow me, “ok”, 2024 / Noemi Pfister, Chrashing Sky, 2023 Exhibition View “Of Bodies in Digital Life”, Kunsthaus Langenthal, 2024. Photo: Cedric Mussano, Courtesy of the artists.
bleed, follow me, “ok”, 2024 / Noemi Pfister, Chrashing Sky, 2023 Exhibition View “Of Bodies in Digital Life”, Kunsthaus Langenthal, 2024. Photo: Cedric Mussano, Courtesy of the artists.
Noemi Pfister, Chrashing Sky, 2023 Exhibition View “Of Bodies in Digital Life”, Kunsthaus Langenthal, 2024. Photo: Cedric Mussano, Courtesy of the artist.
Noemi Pfister, Chrashing Sky, 2023 Exhibition View “Of Bodies in Digital Life”, Kunsthaus Langenthal, 2024. Photo: Cedric Mussano, Courtesy of the artist.
bleed, follow me, “ok”, 2024, Exhibition View “Of Bodies in Digital Life”, Kunsthaus Langenthal, 2024. Photo: Cedric Mussano, Courtesy of the artists.
bleed, follow me, “ok”, 2024, Exhibition View “Of Bodies in Digital Life”, Kunsthaus Langenthal, 2024. Photo: Cedric Mussano, Courtesy of the artists.
James Bantone, Entrepreneur of the Self, 2023 / bleed, follow me, “ok”, 2024, Exhibition View “Of Bodies in Digital Life”, Kunsthaus Langenthal, 2024. Photo: Cedric Mussano, Courtesy of the artists / Karma International, Zurich.
James Bantone, Entrepreneur of the Self, 2023 / bleed, follow me, “ok”, 2024, Exhibition View “Of Bodies in Digital Life”, Kunsthaus Langenthal, 2024. Photo: Cedric Mussano, Courtesy of the artists / Karma International, Zurich.
James Bantone, Child's Play 03, 2022, Exhibition View “Of Bodies in Digital Life”, Kunsthaus Langenthal, 2024. Photo: Cedric Mussano, Courtesy of the artist & Karma International, Zurich.
James Bantone, Child's Play 03, 2022, Exhibition View “Of Bodies in Digital Life”, Kunsthaus Langenthal, 2024. Photo: Cedric Mussano, Courtesy of the artist & Karma International, Zurich.
Thalles Piaget, Gleichzeitig zwei Zeiten, 2023, Exhibition View “Of Bodies in Digital Life”, Kunsthaus Langenthal, 2024. Photo: Cedric Mussano, Courtesy of the artist.
Thalles Piaget, Gleichzeitig zwei Zeiten, 2023, Exhibition View “Of Bodies in Digital Life”, Kunsthaus Langenthal, 2024. Photo: Cedric Mussano, Courtesy of the artist.
Giulia Essyad, Chapel, 2023, Exhibition View “Of Bodies in Digital Life”, Kunsthaus Langenthal, 2024. Photo: Cedric Mussano, Courtesy of the artist.
Giulia Essyad, Chapel, 2023, Exhibition View “Of Bodies in Digital Life”, Kunsthaus Langenthal, 2024. Photo: Cedric Mussano, Courtesy of the artist.
Giulia Essyad, Chapel, 2023 / James Bantone, Child's Play 03, 2022, Exhibition View “Of Bodies in Digital Life”, Kunsthaus Langenthal, 2024. Photo: Cedric Mussano, Courtesy of the artist / Karma International, Zurich.
Giulia Essyad, Chapel, 2023 / James Bantone, Child's Play 03, 2022, Exhibition View “Of Bodies in Digital Life”, Kunsthaus Langenthal, 2024. Photo: Cedric Mussano, Courtesy of the artist / Karma International, Zurich.
Noah Ismael Wyss, Untitled (Menu> Shop>Skins), 2024, Exhibition View “Of Bodies in Digital Life”, Kunsthaus Langenthal, 2024. Photo: Cedric Mussano, Courtesy of the artist.
Noah Ismael Wyss, Untitled (Menu> Shop>Skins), 2024, Exhibition View “Of Bodies in Digital Life”, Kunsthaus Langenthal, 2024. Photo: Cedric Mussano, Courtesy of the artist.
Noah Ismael Wyss, Untitled (Menu> Shop>Skins), 2024 / Skin of a Transhumanist, 2022, Exhibition View “Of Bodies in Digital Life”, Kunsthaus Langenthal, 2024. Photo: Cedric Mussano, Courtesy of the artist.
Noah Ismael Wyss, Untitled (Menu> Shop>Skins), 2024 / Skin of a Transhumanist, 2022, Exhibition View “Of Bodies in Digital Life”, Kunsthaus Langenthal, 2024. Photo: Cedric Mussano, Courtesy of the artist.
Noah Ismael Wyss, Untitled (Menu> Shop>Skins), 2024, Exhibition View “Of Bodies in Digital Life”, Kunsthaus Langenthal, 2024. Photo: Cedric Mussano, Courtesy of the artist.
Noah Ismael Wyss, Untitled (Menu> Shop>Skins), 2024, Exhibition View “Of Bodies in Digital Life”, Kunsthaus Langenthal, 2024. Photo: Cedric Mussano, Courtesy of the artist.
Giulia Essyad, Monument, 2020, Exhibition View “Of Bodies in Digital Life”, Kunsthaus Langenthal, 2024. Photo: Cedric Mussano, Courtesy of the artist.
Giulia Essyad, Monument, 2020, Exhibition View “Of Bodies in Digital Life”, Kunsthaus Langenthal, 2024. Photo: Cedric Mussano, Courtesy of the artist.
Milena Mihajlović, Race Me Through, 2023, Exhibition View “Of Bodies in Digital Life”, Kunsthaus Langenthal, 2024. Photo: Cedric Mussano, Courtesy of the artist.
Milena Mihajlović, Race Me Through, 2023, Exhibition View “Of Bodies in Digital Life”, Kunsthaus Langenthal, 2024. Photo: Cedric Mussano, Courtesy of the artist.
Noemi Pfister, Border Sunset, 2022, Exhibition View “Of Bodies in Digital Life”, Kunsthaus Langenthal, 2024. Photo: Cedric Mussano, Courtesy of the artist.
Noemi Pfister, Border Sunset, 2022, Exhibition View “Of Bodies in Digital Life”, Kunsthaus Langenthal, 2024. Photo: Cedric Mussano, Courtesy of the artist.
bleed, follow me, “ok”, 2024, Exhibition View “Of Bodies in Digital Life”, Kunsthaus Langenthal, 2024. Photo: Cedric Mussano, Courtesy of the artists.
bleed, follow me, “ok”, 2024, Exhibition View “Of Bodies in Digital Life”, Kunsthaus Langenthal, 2024. Photo: Cedric Mussano, Courtesy of the artists.
Noah Ismael Wyss, Quest for Data, 2023, Exhibition View “Of Bodies in Digital Life”, Kunsthaus Langenthal, 2024. Photo: Cedric Mussano, Courtesy of the artist.
Noah Ismael Wyss, Quest for Data, 2023, Exhibition View “Of Bodies in Digital Life”, Kunsthaus Langenthal, 2024. Photo: Cedric Mussano, Courtesy of the artist.
Mona Filleul, Bonnie 2019-24 / Kuromi, 2023, Exhibition View “Of Bodies in Digital Life”, Kunsthaus Langenthal, 2024. Photo: Cedric Mussano, Courtesy of the artist & Air de Paris.
Mona Filleul, Bonnie 2019-24 / Kuromi, 2023, Exhibition View “Of Bodies in Digital Life”, Kunsthaus Langenthal, 2024. Photo: Cedric Mussano, Courtesy of the artist & Air de Paris.
Mona Filleul, Bonnie 2019-24 / Kuromi, 2023, Exhibition View “Of Bodies in Digital Life”, Kunsthaus Langenthal, 2024. Photo: Cedric Mussano, Courtesy of the artist & Air de Paris.
Mona Filleul, Bonnie 2019-24 / Kuromi, 2023, Exhibition View “Of Bodies in Digital Life”, Kunsthaus Langenthal, 2024. Photo: Cedric Mussano, Courtesy of the artist & Air de Paris.
Victoria Holdt, Sugar Tits, 2023, Exhibition View “Of Bodies in Digital Life”, Kunsthaus Langenthal, 2024. Photo: Cedric Mussano, Courtesy of the artist.
Victoria Holdt, Sugar Tits, 2023, Exhibition View “Of Bodies in Digital Life”, Kunsthaus Langenthal, 2024. Photo: Cedric Mussano, Courtesy of the artist.
The exhibition features young artists whose work engages with the body in digital life. Since the dawn of the internet era, the topic has continued to be a subject of discussion as well as of artistic exploration: Utopian visions of transcending the body and becoming cyborg confront the sober reality of swiping over smooth, cold surfaces for hours on end, causing aching joints and disrupted sleep. The dream of a free, democratic network has given way to the mechanisms of the attention economy and commercialization. Virtual spaces and online platforms offer diverse opportunities for self-representation, artistic practice, as well as networking and community-building. The past few years have seen the growth of emancipatory movements surrounding questions of body images and norms, particularly in regard to gender and race. At the same time, virtual spaces beyond these niches continue to be dominated by bodies that peddle normative and gender-stereotypical conceptions of beauty as erotic capital within platform capitalism. How does the youngest generation of artists, which was born in the 1990s, the decade that saw the launch of the World Wide Web, and grew up with the internet, respond to these developments? How do they bring their everyday experience and critical reflection of media-saturated life to bear on an artistic tradition of representing bodies, which, after all, is one of the great topics in art history?
Raffael Dörig

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