
Roman Khimei & Yarema Malashchuk, Ăstov Collective, Anna Potyomkina, Mykola Ridnyi, Iza Tarasewicz, Tobias Zielony
Dance, Dance, Revolution
Project Info
- đ Kunsthaus Hamburg
- đ Anna Nowak
- đ€ Roman Khimei & Yarema Malashchuk, Ăstov Collective, Anna Potyomkina, Mykola Ridnyi, Iza Tarasewicz, Tobias Zielony
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Installation view: foreground: Anna Potyomkina, Dances at the Dead. Archive., 2023, ongoing; background: Tobias Zielony, Rynok from the series Maskirovka, 2017, © VG Bild-Kunst, Bonn 2024, Courtesy the artist and KOW, Berlin; Photo: Jaewon Kim
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Installation view Dance, Dance, Revolution, Kunsthaus Hamburg 2024, Photo: Jaewon Kim; Tobias Zielony, Maskirovka, 2016â2017, © VG Bild-Kunst, Bonn 2024, Courtesy the artist and KOW, Berlin

Installation view: Iza Tarasewicz, Revelation of Powers, 2022, Courtesy the artist and Gunia Nowik Gallery; background: Tobias Zielony, Maskirovka, 2016â2017, © VG Bild-Kunst, Bonn 2024, Courtesy the artist and KOW, Berlin, Photo: Jaewon Kim

Installation view; left: Iza Tarasewicz, Looped Processions II, 2022, Courtesy the artist and Gunia Nowik Gallery; Roman Khimei & Yarema Malashchuk, Dedicated to the Youth of the World II & III, 2019 and 2023, Courtesy the artists, Photo: Jaewon Kim

Installation view Dance, Dance, Revolution, Kunsthaus Hamburg 2024, Photo: Jaewon Kim; foreground: Iza Tarasewicz, Looped Processions II, 2022, Courtesy the artist and Gunia Nowik Gallery, Warsaw

Installation view: Iza Tarasewicz, Looped Processions II, 2022, Courtesy the artist and Gunia Nowik Gallery, Warsaw; background: Tobias Zielony, Maskirovka, 2016-17, © VG Bild-Kunst, Bonn 2024, Courtesy the artist and KOW, Berlin, Photo: Jaewon Kim

Installation view Dance, Dance, Revolution, Kunsthaus Hamburg 2024, Photo: Jaewon Kim; foreground: Mykola Ridnyi, The Battle over Mazepa, 2023, Courtesy the artist

Installation view Dance, Dance, Revolution, Kunsthaus Hamburg 2024, Photo: Jaewon Kim; Iza Tarasewicz, Revelation of Powers, 2022, Courtesy the artist and Gunia Nowik Gallery, Warsaw

Installation view: Iza Tarasewicz, Revelation of Powers, 2022, Courtesy the artist and Gunia Nowik Gallery, Warsaw; background: Tobias Zielony, Maskirovka, 2016-17, © VG Bild-Kunst, Bonn 2024, Courtesy the artist and KOW, Berlin, Photo: Jaewon Kim

Installation view Dance, Dance, Revolution, Kunsthaus Hamburg 2024, Photo: Jaewon Kim; Anna Potyomkina, Dances at the Dead. Archive, 2023, ongoing

Installation view Dance, Dance, Revolution, Kunsthaus Hamburg 2024, Photo: Jaewon Kim;

Installation view: Iza Tarasewicz, Revelation of Powers, 2022, Courtesy the artist and Gunia Nowik Gallery, Warsaw; background: Tobias Zielony, Maskirovka, 2016-17, © VG Bild-Kunst, Bonn 2024, Courtesy the artist and KOW, Berlin, Photo: Jaewon Kim

Roman Khimei & Yarema Malashchuk, Dedicated to the Youth of the World II, 2019, video still

Roman Khimei & Yarema Malashchuk, Dedicated to the Youth of the World II & III, 2019 and 2923, Split-Screen- video still

Roman Khimei & Yarema Malashchuk, Dedicated to the Youth of the World II, 2019, video still

Anna Potyomkina, Dances at the Dead. Archive., (2023, ongoing), video still

Mykola Ridnyi, The Battle over Mazepa, 2023, video still

Tobias Zielony, Anastasia, 2017, © VG Bild-Kunst, Bonn 2024, Courtesy the artist and KOW, Berlin

Tobias Zielony, Mask, 2017, © VG Bild-Kunst, Bonn 2024, Courtesy the artist and KOW, Berlin

Tobias Zielony, Shine, 2017, © VG Bild-Kunst, Bonn 2024, Courtesy the artist and KOW, Berlin
Dance, Dance, Revolution
Roman Khimei & Yarema Malashchuk, Ăstov Collective, Anna Potyomkina, Mykola Ridnyi, Iza Tarasewicz, Tobias Zielony
10.8.â13.10. 2024
The majority of people in Western societies are living in relative freedom from sufferingâand thus in a bizarre contrast to those who find themselves in areas dominated by crisis or war. For many, the resulting discrepancy gives rise to a feeling of powerlessness, while at the same time we resort to escapism in order to cope with the disparity between these two worlds. The sense of moral obligation stands in stark contrast to exuberant celebrations, and yet they have always been socially binding and liberating.
The group exhibition Dance, Dance, Revolution at Kunsthaus Hamburg explores dance as a dynamic form of protest. Against the backdrop of the ongoing Russian full-scale war in Ukraine, the participating artists negotiate dance, rhythm and sound as an emancipatory act of collective resistance. From traditional folk dances to contemporary ravesâthe expressive power inherent in movement symbolizes lived feelings, a sense of belonging and cohesion. Dance allows us to escape reality for some fleeting moments, to feel a connection with others and to strengthen a conscious response to injustice and war through solidarity.
Curated by Anna Nowak