Groupshow

Instant Rumor

Project Info

  • 💙 Ausstellungsraum Klingental
  • đŸ–€ Groupshow
  • 💜 Amélie Bodenman, Leonardo Bürgi Tenorio, Lara & Noa Castro Lema, Margherita Raso, Nina Rieben
  • 💛 Nina Rieben

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exhibition view, Instant Rumor at Ausstellungsraum Klingental, 2024
exhibition view, Instant Rumor at Ausstellungsraum Klingental, 2024
installation view, Nina Rieben maybe (Lange Ärmel fĂŒr die Intention), 62 x 51 x 5 cm, Margherita Raso Sidesteps 130 x 122 x 7 cm
installation view, Nina Rieben maybe (Lange Ärmel fĂŒr die Intention), 62 x 51 x 5 cm, Margherita Raso Sidesteps 130 x 122 x 7 cm
detail view, Nina Rieben maybe (Lange Ärmel fĂŒr die Intention), artist’s garments, appliquĂ©s, pins, foam, 62 x 51 x 5 cm, 2024
detail view, Nina Rieben maybe (Lange Ärmel fĂŒr die Intention), artist’s garments, appliquĂ©s, pins, foam, 62 x 51 x 5 cm, 2024
exhibition view, Instant Rumor at Ausstellungsraum Klingental, 2024
exhibition view, Instant Rumor at Ausstellungsraum Klingental, 2024
installation view, Leonardo BĂŒrgi Tenorio, soil memories, glazed ceramic, water, aroma diffusor, hydrolate, variable dimensions 2024
installation view, Leonardo BĂŒrgi Tenorio, soil memories, glazed ceramic, water, aroma diffusor, hydrolate, variable dimensions 2024
detail view, Leonardo BĂŒrgi Tenorio, soil memories, glazed ceramic, water, aroma diffusor, hydrolate, variable dimensions 2024
detail view, Leonardo BĂŒrgi Tenorio, soil memories, glazed ceramic, water, aroma diffusor, hydrolate, variable dimensions 2024
installation view, Noa & Lara Castro Lema Notas sobre flotar e caer (Notes on floating and falling) with Leonardo BĂŒrgi, AmĂ©lie Bodenmann, Nina Rieben, Margherita Raso single channel video projection, sound, 15’48’’, 2024
installation view, Noa & Lara Castro Lema Notas sobre flotar e caer (Notes on floating and falling) with Leonardo BĂŒrgi, AmĂ©lie Bodenmann, Nina Rieben, Margherita Raso single channel video projection, sound, 15’48’’, 2024
detail view, Noa & Lara Castro Lema Notas sobre flotar e caer & subtĂ­tulos (Notes on floating and falling) with Leonardo, AmĂ©lie, Nina and Margherita single channel video projection, sound, 15’48’’, 2024
detail view, Noa & Lara Castro Lema Notas sobre flotar e caer & subtĂ­tulos (Notes on floating and falling) with Leonardo, AmĂ©lie, Nina and Margherita single channel video projection, sound, 15’48’’, 2024
detail view, Noa & Lara Castro Lema Notas sobre flotar e caer & subtĂ­tulos (Notes on floating and falling) with Leonardo, AmĂ©lie, Nina and Margherita single channel video projection, sound, 15’48’’, 2024
detail view, Noa & Lara Castro Lema Notas sobre flotar e caer & subtĂ­tulos (Notes on floating and falling) with Leonardo, AmĂ©lie, Nina and Margherita single channel video projection, sound, 15’48’’, 2024
close-up view, Noa & Lara Castro Lema, SubtĂ­tulos (Subtitles), pencil writing on the floor, variable dimensions, 2024
close-up view, Noa & Lara Castro Lema, SubtĂ­tulos (Subtitles), pencil writing on the floor, variable dimensions, 2024
exhibition view, Instant Rumor at Ausstellungsraum Klingental, 2024
exhibition view, Instant Rumor at Ausstellungsraum Klingental, 2024
exhibition view, Instant Rumor at Ausstellungsraum Klingental, 2024
exhibition view, Instant Rumor at Ausstellungsraum Klingental, 2024
installation view, Leonardo BĂŒrgi Tenorio, end of summer glazed, ceramic, ruderal flowers, water, variable dimensions, Margherita Raso Sidesteps, metal shelves, 266 x 40 x 10 cm, 2024
installation view, Leonardo BĂŒrgi Tenorio, end of summer glazed, ceramic, ruderal flowers, water, variable dimensions, Margherita Raso Sidesteps, metal shelves, 266 x 40 x 10 cm, 2024
installation view, Leonardo BĂŒrgi Tenorio, from wind to lung, glazed ceramics, variable dimensions, Margherita Raso, Sidesteps, metal shelves, 160 x 160 x 3.5 cm, 2024
installation view, Leonardo BĂŒrgi Tenorio, from wind to lung, glazed ceramics, variable dimensions, Margherita Raso, Sidesteps, metal shelves, 160 x 160 x 3.5 cm, 2024
detail view, Leonardo BĂŒrgi Tenorio, from wind to lung, glazed ceramics, variable dimensions, Margherita Raso, Sidesteps, metal shelves, 160 x 160 x 3.5 cm, 2024
detail view, Leonardo BĂŒrgi Tenorio, from wind to lung, glazed ceramics, variable dimensions, Margherita Raso, Sidesteps, metal shelves, 160 x 160 x 3.5 cm, 2024
installation view, Leonardo BĂŒrgi Tenorio, end of summer, Nina Rieben, intention walks with Leonardo BĂŒrgi Tenorio, AmĂ©lie Bodenmann, Lara Castro, Noa Castro, Margherita Raso, c-printed scans, each A3, 2024
installation view, Leonardo BĂŒrgi Tenorio, end of summer, Nina Rieben, intention walks with Leonardo BĂŒrgi Tenorio, AmĂ©lie Bodenmann, Lara Castro, Noa Castro, Margherita Raso, c-printed scans, each A3, 2024
detail view, Nina Rieben, intention walks with AmĂ©lie Bodenmann Floating with your shoes on my feet trying to understand where you are (time in between) Linda’s shoes and Jove’s flowers
detail view, Nina Rieben, intention walks with AmĂ©lie Bodenmann Floating with your shoes on my feet trying to understand where you are (time in between) Linda’s shoes and Jove’s flowers
installation view, Amélie Bodenmann, Slipstream, glass tables, ice (waterglas, beer bottle, candleholder, ashtray, chair) Installation variable, Margherita Raso, duck (down), aluminum, 35 x 26 x 21.5 cm, 2024
installation view, Amélie Bodenmann, Slipstream, glass tables, ice (waterglas, beer bottle, candleholder, ashtray, chair) Installation variable, Margherita Raso, duck (down), aluminum, 35 x 26 x 21.5 cm, 2024
detail view, Amélie Bodenmann, Slipstream, glass tables, ice (waterglas, beer bottle, candleholder, ashtray, chair) Installation variable, 2024
detail view, Amélie Bodenmann, Slipstream, glass tables, ice (waterglas, beer bottle, candleholder, ashtray, chair) Installation variable, 2024
detail view, Margherita Raso, duck (down), aluminum, 35 x 26 x 21.5 cm, 2024
detail view, Margherita Raso, duck (down), aluminum, 35 x 26 x 21.5 cm, 2024
Instant Rumor started last year as an encounter between the six of us and our works, our objects and our actions, in an improvised show situation that was meant as an exercise, and led to questions that we wished to pursue together. We’ve been thinking of ways to develop a collective process based on improvisation exercises which involve voice, rhythm, text, walking, and a lot of talking and listening. This has been a project meant to delve into the implications of what it means to think as a group, about our individual practice in relation to others, about what we share and where we differ. This exhibition then becomes a glimpse, an environment born from our time spent together that brings back parts of the working process to generate poetic suggestions in the present: Ice objects carry and mark time, slowly dripping and trans- forming into a trace. They disappear to appear in a different form. Pre-existing shelving units suggest walking a space side- ways. The shelves hint at the inherent failure of accumulation and play in the dynamic between functionality and uselessness, embodied by the act of hoarding and, in this case, displaying. A scent is impregnating the space. Flowers are slowly decaying and spreading the smell of summer end, converting to the pungent odor of the stagnant water in the vase. The aroma diffusers are dark as they come from the ground. These vessels carry the water and the hydrolates, as delicate and volatile as the plants want them to be. Clothing and shoes become carriers of intentions, traces of past or future actions, and objects suspended between longing, projection, and everyday life. They transform into expressions, embodying the tension between personal narratives and collective experiences, evoking emotions that resonate beyond their everyday utility. Coming in audiovisual, performative and sculptural ways, thoughts on floating and falling appear: passing time, whistling, having one‘s feet in water, holding a bottle, calling a friend, and singing a song, creating a moment of relief, a moment in between, a moment off time. Instant Rumor is a compendium of notes which work as stories coming in waves, like thermal currents or the ripples of water. It talks about hearts, about moments of affection and rest, and about the silent transformations that happen behind the interactions of small things. Supported by Abteilung Kultur Basel-Stadt and the Hans und Renée Müller Meylan Stiftung. The year‘s program is supported by Kanton Basel-Stadt and the Schweizer Kulturstiftung Pro Helvetia.
Amélie Bodenman, Leonardo Bürgi Tenorio, Lara & Noa Castro Lema, Margherita Raso, Nina Rieben

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