Bolliger, Braun, Castro Lema, Dobrowitz, Gawęda and Kulbokaitė, Horn, Krebs , Kummer, Lachkar, Diel, Léonard-Contant, Libertad Morales Délano, Mazenauer, Morocho, Niedermeier, Okujeni, Pommé, Raso, Ritzmann, Saluz, Sjöstedt, Steiner, Z’Brun

REGIONALE 25

Project Info

  • 💙 Kunsthaus Baselland
  • 💚 Ines Tondar, Ines Goldbach
  • 🖤 Bolliger, Braun, Castro Lema, Dobrowitz, Gawęda and Kulbokaitė, Horn, Krebs , Kummer, Lachkar, Diel, Léonard-Contant, Libertad Morales Délano, Mazenauer, Morocho, Niedermeier, Okujeni, Pommé, Raso, Ritzmann, Saluz, Sjöstedt, Steiner, Z’Brun
  • 💜 Ines Goldbach, Ines Tondar
  • 💛 Gina Folly

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Julia Steiner, into the blue I-V, 2022; Welten, 2023. Courtesy the artist and Galerie Urs Meile, Luzern. Installation view Kunsthaus Baselland 2024. Photo: Gina Folly
Julia Steiner, into the blue I-V, 2022; Welten, 2023. Courtesy the artist and Galerie Urs Meile, Luzern. Installation view Kunsthaus Baselland 2024. Photo: Gina Folly
Regionale Internationale
Marion Ritzmann, Free-Floating, 2023; Belongers Chapter #1, 2024. Courtesy the artist; Julia Steiner, into the blue I-V, 2022; Welten, 2023. Courtesy the artist and Galerie Urs Meile, Luzern. Installation view Kunsthaus Baselland 2024. Photo: Gina Folly
Marion Ritzmann, Free-Floating, 2023; Belongers Chapter #1, 2024. Courtesy the artist; Julia Steiner, into the blue I-V, 2022; Welten, 2023. Courtesy the artist and Galerie Urs Meile, Luzern. Installation view Kunsthaus Baselland 2024. Photo: Gina Folly
Katrin Niedermeier, Contamination in Obsolescence, 2024. Courtesy the artist. Installation view Kunsthaus Baselland 2024. Photo: Gina Folly
Katrin Niedermeier, Contamination in Obsolescence, 2024. Courtesy the artist. Installation view Kunsthaus Baselland 2024. Photo: Gina Folly
Anja Braun, Windows (Klingental 1-5), 2022; Variations of Presence, 2021.Courtesy of the artist. Installation view Kunsthaus Baselland 2024. Photo: Gina Folly
Anja Braun, Windows (Klingental 1-5), 2022; Variations of Presence, 2021.Courtesy of the artist. Installation view Kunsthaus Baselland 2024. Photo: Gina Folly
Vital Z’Brun, Jardin à la française, 2024. Courtesy the artist; Tim Kummer, Nice little cooing doves, 2023. Courtesy the artist. Installation view Kunsthaus Baselland 2024. Photo: Gina Folly
Vital Z’Brun, Jardin à la française, 2024. Courtesy the artist; Tim Kummer, Nice little cooing doves, 2023. Courtesy the artist. Installation view Kunsthaus Baselland 2024. Photo: Gina Folly
Céline Lachkar, Forêt. Voir à travers ensemble 2, 2024. Courtesy the artist. Installation view Kunsthaus Baselland 2024. Photo: Gina Folly
Céline Lachkar, Forêt. Voir à travers ensemble 2, 2024. Courtesy the artist. Installation view Kunsthaus Baselland 2024. Photo: Gina Folly
Tim Kummer, Nice little cooing doves, 2023. Courtesy the artist. Installation view Kunsthaus Baselland 2024. Photo: Gina Folly
Tim Kummer, Nice little cooing doves, 2023. Courtesy the artist. Installation view Kunsthaus Baselland 2024. Photo: Gina Folly
Moa Sjöstedt, Aufzeichnung aus dem Lichtloch, 2023. Courtesy the artist.; Céline Lachkar, Forêt. Voir à travers ensemble 2, 2024. Courtesy the artist. Installation view Kunsthaus Baselland 2024. Photo: Gina Folly
Moa Sjöstedt, Aufzeichnung aus dem Lichtloch, 2023. Courtesy the artist.; Céline Lachkar, Forêt. Voir à travers ensemble 2, 2024. Courtesy the artist. Installation view Kunsthaus Baselland 2024. Photo: Gina Folly
Charlotte Horn, Arrow, 2024; Cathexis, 2024. Courtesy the artist. Installation view Kunsthaus Baselland 2024. Photo: Gina Folly
Charlotte Horn, Arrow, 2024; Cathexis, 2024. Courtesy the artist. Installation view Kunsthaus Baselland 2024. Photo: Gina Folly
Manuela Libertad Morales Délano, Manito de Guagua: Economics of the Clock, 2023. Courtesy the artist and Gallery Kendra Jayne Patrick, Bern. Installation view Kunsthaus Baselland 2024.  Photo: Gina Folly
Manuela Libertad Morales Délano, Manito de Guagua: Economics of the Clock, 2023. Courtesy the artist and Gallery Kendra Jayne Patrick, Bern. Installation view Kunsthaus Baselland 2024. Photo: Gina Folly
Jorge Morocho, Every relic hast he power to speak underwater, 2024. Courtesy the artist. Installation view Kunsthaus Baselland 2024. Photo: Gina Folly
Jorge Morocho, Every relic hast he power to speak underwater, 2024. Courtesy the artist. Installation view Kunsthaus Baselland 2024. Photo: Gina Folly
Maude Léonard-Contant, Sauvage fraise; The night rules; Poppy pâmoison, 2023. Courtesy the artist. Pia-Rosa Dobrowitz, RGB_black1, 2022. Courtesy the artist. Installation view Kunsthaus Baselland 2024. Photo: Gina Folly.
Maude Léonard-Contant, Sauvage fraise; The night rules; Poppy pâmoison, 2023. Courtesy the artist. Pia-Rosa Dobrowitz, RGB_black1, 2022. Courtesy the artist. Installation view Kunsthaus Baselland 2024. Photo: Gina Folly.
Lena Laguna Diel, A Body in Fragments, 2023-2024; Dorota Gawęda and Eglė Kulbokaitė, Enclosure (...), 2023-2024. Courtesy the artists and Thaddaeus Ropac Gallery, Paris Installation view Kunsthaus Baselland 2024. Photo: Gina Folly.
Lena Laguna Diel, A Body in Fragments, 2023-2024; Dorota Gawęda and Eglė Kulbokaitė, Enclosure (...), 2023-2024. Courtesy the artists and Thaddaeus Ropac Gallery, Paris Installation view Kunsthaus Baselland 2024. Photo: Gina Folly.
Therese Bolliger, Correspondences (Meret), 1998. Courtesy the artist.; Installation view Kunsthaus Baselland 2024. Photo: Gina Folly.
Therese Bolliger, Correspondences (Meret), 1998. Courtesy the artist.; Installation view Kunsthaus Baselland 2024. Photo: Gina Folly.
Margherita Raso, Lentezza No. 5; Lentezza No. 4, 2021. Courtesy the artist and Fanta-MLN, Milan. Installation view Kunsthaus Baselland 2024. Photo: Gina Folly
Margherita Raso, Lentezza No. 5; Lentezza No. 4, 2021. Courtesy the artist and Fanta-MLN, Milan. Installation view Kunsthaus Baselland 2024. Photo: Gina Folly
At first glance, “regional” and “international” seem like contradictory terms. But wouldn’t this be easy for artists and their creative spheres to resolve? After all, the specific, unique and local often goes hand in hand with global networking, significance and impact. Many artists immerse themselves in new settings for extended periods of time, resulting in new collaborations, ideas and works. They bring their diverse personal backgrounds with them, which can then grow and flourish. But what does it mean to work outside your own cultural and social context? And how do artists approach global issues and crises that, now more than ever, require strong international collaboration and, above all, a strong international perspective? The twenty-fifth anniversary of the Regionale, which is taking place in the new Kunsthaus Baselland in Dreispitz for the first time this year, demonstrates that artists from all over the world are working here. By the same token, artists from the region travel internationally for residency programs, exhibitions and research trips, taking their knowledge and art to distant locations. They are all active on both a regional and international level and their artistic ideas and contribute to a rich and fruitful exchange. The tremendous gift of learning from one another and the quality of artists that enrich the tri-national region of Germany, France and Switzerland with their constant movement will be highlighted in this edition of the Regionale. For this year's Regionale, in cooperation with the Masterstudio Design of the Hochschule für Gestaltung und Kunst, the Master's students will explicitly develop new objects with highly creative approaches for the Kunsthaus shop. The Regionale is an annual group exhibition developed in the context of a cross-border cooperation of 18 institutions in Germany, France, and Switzerland with a focus on local contemporary art production in the three-country region around Basel.
Ines Goldbach, Ines Tondar

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