
Erik Thörnqvist
Maria Bonnier Dahlin Foundation Grant
Project Info
- 💙 Bonniers Konsthall
- 💚 Yuvinka Medina
- 🖤 Erik Thörnqvist
- 💜 Yuvinka Medina
- 💛 Jean-Baptiste Béranger
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Un chant d’amour, 2024 12x1x1 cm, Aluminum tube, diffuser
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Installation view

Politics of a Hole, 2024 270x330x50 cm, Ceramic tiles, grout, PLA, acrylics, lacquer

Standmaschine II, 2022 185x80x40 cm, Cast aluminium, Scaffolding joints, Chaise longue basculante by Charlotte Perriand, Private collection

Étant Donnés: 1. Le Prêtre 2. Le Fermier 3. Le Fenouil, 2024 33x30x27 cm, Oak, pine, MDF, PLA, mosaic, steel, glass, moss, acrylics, lacquer, ink

Installation view

Krasch, 2024 350x300x300 cm, Steel, galvanized steel, PLA, plaster, scaffolds

Krasch, 2024 350x300x300 cm, Steel, galvanized steel, PLA, plaster, scaffolds

Other Dead Giveaways, 2024, Dimensions variable, Navy handkerchief, plaster pineapple, silver earring, faux mustache, green carnations, metal funnel, striped tube socks, Oscar Wilde green

Standmaschine I, 2023 220x80x60 cm, Birch, steel, Collection of Public Art Agency Sweden

Natural Born Sitter, 2024 210x60x55 cm, Stainless steel, scaffolds, jesmonite Courtesy the artist and Galerie Nordenhake Berlin / Stockholm / Mexico City.

Raum Planner, 2024 450x350x50 cm, Galvanized steel, scaffolds, jesmonite, wax

Abseiling to a Gay Beach, 2024, Dimensions variable, Rope, PLA, acrylics, lacquer

Finook (Twice), 2023 15x50x10 cm, Plaster, acrylics, lacquer

Before / After, 2024 30x10x5 cm, Cardboard, MFD

Detail Raum Planner

Detail Krasch

Detail Other Dead Giveaways

Detail Politics of a Hole

Installation view
The Maria Bonnier Dahlin Foundation annually awards grants to young artists to support and promote their work. As part of the grant, an extensive exhibition is produced at Bonniers Konsthall where their works are shown to a large audience, often for the first time. The 2024 grant recipients explore in their artistry the human relationship to the world around them through sculpture and installation. They share an interest in architecture and a fascination with found objects. Anastasia Savinova transforms these materials into unique sculptural constructions that reflect on our ecology, while Erik Thörnqvist explores how abstract ideas and ideologies can take physical form through objects and social structures.
By reshaping traditional objects, Erik Thörnqvist (b. 1994) gives them new symbolic meaning that express agency and freedom, beyond their original functions. Particularly interested in the role of ornamentation within modernism, he questions its place in designed environments and explores how these aesthetic expressions can create space for subversive interpretations and queer representation. Deliberately coded and ambiguous, Thörnqvist’s works resist easy interpretations and defy norms in a powerful way, engaging the viewer to confront social issues and creating new narratives where body and identity can be renegotiated and redefined.
About Erik Thörnqvist
Erik Thörnqvist grew up in Luleå and graduated from the Royal Institute of Art in 2023 with a Master’s degree in Fine Arts. Through sculpture, Thörnqvist explores how abstract ideas become concrete forms in our world. One aspect of Thörnqvist’s artistic practice is to redefine the modernist view of ornamentation within designed environments. He explores how this aesthetic ideal has reshaped our relationship to the body, and how it can provide a site for subversion and queer identity. By appropriating and re-evaluating the ornamental, he explores its potential as a vehicle for other narratives. Thörnqvist has previously exhibited at the Luleå Biennial 2020 – Time on Earth, SOMA (Mexico City), Lunds Konsthall, Final Hot Desert (Salt Lake City), KIN Museum of Contemporary Art (Kiruna), Konstnärshuset and Luleå Konsthall. He lives and works in Stockholm.
Yuvinka Medina