
Ana-Maria Bozdog, Miruna CopÄcel, Darius Iova, Raluca Pavelescu, Victor Seiche
With the Heaviest Weight On
Project Info
- đ MATCA artspace (Cluj Napoca, Romania)
- đ Andreea GoĆŁa
- đ€ Ana-Maria Bozdog, Miruna CopÄcel, Darius Iova, Raluca Pavelescu, Victor Seiche
- đ Andreea GoĆŁa
- đ Madalin Margaritescu / YAP studio
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Exhibition view - With the Heaviest Weight On
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Exhibition view - With the Heaviest Weight On
Miruna Copacel, We all come to an end, 2024
Miruna Copacel, We all come to an end, 2024
Miruna Copacel, We all come to an end, 2024
Exhibition view - With the Heaviest Weight On
Darius Iova, with respect to before and aferness, 2025
Ana-Maria Bozdog, My Files, 2024
Ana-Maria Bozdog, My Files, 2024
Ana-Maria Bozdog, My Files, 2024
Exhibition view - With the Heaviest Weight On
Victor Seiche, Lâapelle du vide, 2022
Victor Seiche, Lâapelle du vide, 2022
Victor Seiche, Lâapelle du vide, 2022
Exhibition view - With the Heaviest Weight On
Exhibition view - With the Heaviest Weight On
Darius Iova, with respect to before and aferness, 2025
Darius Iova, with respect to before and aferness, 2025
Raluca Pavelescu, I used to fall on my feet... now... at least I can slide, 2025
Raluca Pavelescu, I used to fall on my feet... now... at least I can slide, 2025
Weight pulls us towards the ground, reminds us where we stand, and forces us to carry ourselves forward. Sometimes, itâs the weight of memory or loss. Other times, itâs something smallâa misplaced object, a lingering regret, or a stubborn habit.
We collect memories, objects, and stories, often unconsciously, and they quietly pile up. The real challenge is figuring out whatâs worth holding onto and whatâs better left behind. Letâs be honest, weâre not always good at that. I know Iâm not. I still keep that bunny-shaped pen with three different ink colors from 12 years ago. And, of course, thereâs that cardboard box from who-knows-where that I swear Iâll need someday. And donât even get me started on feelings.
Each artist approaches weight through different lenses. Some capture time slipping away, while others challenge our perception of materiality or confront the weight of mortality. Despite their varied approaches, they share a common goal: to grasp the intangible aspects of existenceâmemory, presence, and the unrelenting passage of time. How do we hold on to what constantly shifts?
Perhaps itâs about controlâthe illusion that we get to choose when and how we remember, instead of being blindsided by the past or, indeed, the future.
Andreea GoĆŁa