Bruno Silva

flor da pele

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View of the exhibition "flor da pele"
View of the exhibition "flor da pele"
View of the exhibition "flor da pele"
View of the exhibition "flor da pele"
View of the exhibition "flor da pele"
View of the exhibition "flor da pele"
View of the exhibition "flor da pele"
View of the exhibition "flor da pele"
f, 2025 - inkjet print transfers on white glue, epoxy resin, anti-UV varnish, found objects, 36 x 52 x 43,5 cm
f, 2025 - inkjet print transfers on white glue, epoxy resin, anti-UV varnish, found objects, 36 x 52 x 43,5 cm
o, 2025 - inkjet print transfers on white glue, epoxy resin, anti-UV varnish, found objects, 33 x 43 x 40 cm
o, 2025 - inkjet print transfers on white glue, epoxy resin, anti-UV varnish, found objects, 33 x 43 x 40 cm
r, 2025 - inkjet print transfers on white glue, epoxy resin, anti-UV varnish, found objects, 28 x 44,5 x 34,5 cm
r, 2025 - inkjet print transfers on white glue, epoxy resin, anti-UV varnish, found objects, 28 x 44,5 x 34,5 cm
t, 2025 - inkjet print transfers on white glue, epoxy resin, anti-UV varnish, found objects, 23 x 30 x 31 cm
t, 2025 - inkjet print transfers on white glue, epoxy resin, anti-UV varnish, found objects, 23 x 30 x 31 cm
u, 2025 - inkjet print transfers on white glue, epoxy resin, anti-UV varnish, found objects, 19 x 31,5 x 26 cm
u, 2025 - inkjet print transfers on white glue, epoxy resin, anti-UV varnish, found objects, 19 x 31,5 x 26 cm
u, 2025 - inkjet print transfers on white glue, epoxy resin, anti-UV varnish, found objects, 19 x 31,5 x 26 cm
u, 2025 - inkjet print transfers on white glue, epoxy resin, anti-UV varnish, found objects, 19 x 31,5 x 26 cm
n, 2025 - inkjet print transfers on white glue, epoxy resin, anti-UV varnish, found objects, 17 x 23 x 21 cm
n, 2025 - inkjet print transfers on white glue, epoxy resin, anti-UV varnish, found objects, 17 x 23 x 21 cm
a, 2025 - inkjet print transfers on white glue, epoxy resin, anti-UV varnish, found objects, 10 x 13,5 x 16 cm
a, 2025 - inkjet print transfers on white glue, epoxy resin, anti-UV varnish, found objects, 10 x 13,5 x 16 cm
View of the exhibition "flor da pele"
View of the exhibition "flor da pele"
page de route 23, 2025 - Text transferred to the wall using hectographic paper for tattoos
page de route 23, 2025 - Text transferred to the wall using hectographic paper for tattoos
page de route 24, 2025 - Text transferred to the wall using hectographic paper for tattoos
page de route 24, 2025 - Text transferred to the wall using hectographic paper for tattoos
dr. contente, 2025 - Orange peel preserved in white glue, 20x14x2 cm
dr. contente, 2025 - Orange peel preserved in white glue, 20x14x2 cm
baba boca, 2025 - kitchen snail container, plastic teeth, 4,5x4x3 cm
baba boca, 2025 - kitchen snail container, plastic teeth, 4,5x4x3 cm
amargura, 2025 - Dehydrated grapefruit peels
amargura, 2025 - Dehydrated grapefruit peels
In Flor da Pele, Bruno Silva has the unusual and involuntary collaboration of Augustin Cabanès (1862-1928), a French doctor and lover of the arts who studied its relationship with medicine. Taking Esculape chez les Artistes as his starting point, a book published by Cabanès in 1928, Bruno Silva goes beyond the obvious relationships established in this essay and expounds on the skin, not just as a casing or a thin translucent film that hides the inside and protects it from the outside, but also as a plastic support, moldable and capable of holding images. These ambivalences are, in fact, common in Bruno Silva's practice and are often highlighted through assemblages of unusual materials and free associations, similar to the digestive process in which disparate ingredients are ingested, digested and transformed. A multiple was released by esculápio artist editions.
Esculápio Manuel

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