
Jason Yates
Hurts to Walk

Installation view of Jason Yates' solo exhibition "Hurts to Walk"
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Installation view of Jason Yates' solo exhibition "Hurts to Walk"

Installation view of Jason Yates' solo exhibition "Hurts to Walk"

Jason Yates, OK, 2025 graphite on cotton rag, framed with museum glass 14 x 17 inches framed

Jason Yates, Iâll be Right Here, 2017 Mixed media 78 x 78 x 18 inches

Jason Yates, Iâll be Right Here, 2017 Mixed media 78 x 78 x 18 inches

Jason Yates, The Playdate of Purgatory, 2023 Mixed media on canvas 72 x 72 inches

Jason Yates, The Playdate of Purgatory, 2023 Mixed media on canvas 72 x 72 inches

Jason Yates, The Things We Do for Friends, 2017 Mixed media Dimensions variable

Jason Yates, Uneasy Feeling by My Side, 2017 Mixed media 88 x 86 x 36 inches

Jason Yates, Uneasy Feeling by My Side, 2017 Mixed media 88 x 86 x 36 inches

Jason Yates, Smile Everyone, 2016 Mixed media 89 x 78 x 24 inches

Jason Yates, Smile Everyone, 2016 Mixed media 89 x 78 x 24 inches
Gattopardo is thrilled to present Jason Yates: Hurts to Walk â Selections from 2015-2025, an exhibition foregrounding a decade of the artistâs dense and deeply considered mode of image-making. This selection of works, brought together for the first time in Los Angeles, offers a concise look into Yatesâ discursive, ever evolving practice within the city he has called home for decades.
Yatesâ monolithic, wall-mounted sculptural works unfurl within the gallery space as chimeras of the American vernacular, substrating a fondness for the familiar. The artistâs sublime perversion of material renders fabric tersely and wood softly, as the Raggedy Ann dollâs impervious gaze looks through us, refusing sentimentality. A pile of cartoonish legs suggests the presence of an unseen crowd, figures who seem to waver between arrival and departure, limp yet insistently there. Buttons, meanwhile, punctuate the compositions like deliberate marks. The arrangement of works places us dizzyingly between the car, the house and the throng of dolls, uncertain in our position as either audience or performer. Hurts to Walk not only surveys the past decade of Yatesâ artistic output, but also serves as a prescient syntax of our times.
Alex Nazari