Jędrzej Bieńko, Kinga Dobosz, Agata Popik, Amelia Woroszył

Stress Hygiene

Project Info

  • 💙 Przeciąg Gallery
  • 💚 Katarzyna Piskorz
  • 🖤 Jędrzej Bieńko, Kinga Dobosz, Agata Popik, Amelia Woroszył
  • 💜 Katarzyna Piskorz
  • 💛 Bartosz Górka

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View of the exhibition: Jędrzej Bieńko, „Untitled”, acrylic on paper, Jędrzej Bieńko, „Untitled”, acrylic on paper, Kinga Dobosz, “Reason I can’t sleep” #1088", stainless steel, pencil on paper
View of the exhibition: Jędrzej Bieńko, „Untitled”, acrylic on paper, Jędrzej Bieńko, „Untitled”, acrylic on paper, Kinga Dobosz, “Reason I can’t sleep” #1088", stainless steel, pencil on paper
Kinga Dobosz, “Reason I can’t sleep” #1088", 2025, stainless steel, pencil on paper, 121 x 80 cm
Kinga Dobosz, “Reason I can’t sleep” #1088", 2025, stainless steel, pencil on paper, 121 x 80 cm
Kinga Dobosz, “Reason I can’t sleep” #1088", 2025, stainless steel, pencil on paper, 121 x 80 cm, detail
Kinga Dobosz, “Reason I can’t sleep” #1088", 2025, stainless steel, pencil on paper, 121 x 80 cm, detail
View of the exhibition: Kinga Dobosz, „Remember That Film Pi from 1998?”, Amelia Woroszył, “Noon”, Kinga Dobosz, „No Time Left”, Amelia Woroszył, “A postcard from the Sandman”
View of the exhibition: Kinga Dobosz, „Remember That Film Pi from 1998?”, Amelia Woroszył, “Noon”, Kinga Dobosz, „No Time Left”, Amelia Woroszył, “A postcard from the Sandman”
Kinga Dobosz, „Remember That Film Pi from 1998?”, 2025, stainless steel, pencil on paper, variable dimensions
Kinga Dobosz, „Remember That Film Pi from 1998?”, 2025, stainless steel, pencil on paper, variable dimensions
Kinga Dobosz, „Remember That Film Pi from 1998?”, 2025, stainless steel, pencil on paper, variable dimensions, detail
Kinga Dobosz, „Remember That Film Pi from 1998?”, 2025, stainless steel, pencil on paper, variable dimensions, detail
View of the exhibition, from the left: Amelia Woroszył, “Untitled Panel (The Walk)”, oil on canvas,  Amelia Woroszył, “Noon”, oil on canvas, Amelia Woroszył, “A postcard from the Sandman”, oil on canvas
View of the exhibition, from the left: Amelia Woroszył, “Untitled Panel (The Walk)”, oil on canvas, Amelia Woroszył, “Noon”, oil on canvas, Amelia Woroszył, “A postcard from the Sandman”, oil on canvas
Amelia Woroszył, “Untitled Panel (The Walk)”, 2025, oil on canvas, 150 x 50 cm, Amelia Woroszył, “A postcard from the Sandman”, 2025, oil on canvas, 54 x 73 cm
Amelia Woroszył, “Untitled Panel (The Walk)”, 2025, oil on canvas, 150 x 50 cm, Amelia Woroszył, “A postcard from the Sandman”, 2025, oil on canvas, 54 x 73 cm
Amelia Woroszył, “A postcard from the Sandman”, 2025, oil on canvas, 54 x 73 cm
Amelia Woroszył, “A postcard from the Sandman”, 2025, oil on canvas, 54 x 73 cm
Kinga Dobosz, „No Time Left”, Jędrzej Bieńko, „Untitled”, Kinga Dobosz, „Remember That Film Pi from 1998?”, Agata Popik, “Not enough”, Agata Popik, “Don’t tread on me”
Kinga Dobosz, „No Time Left”, Jędrzej Bieńko, „Untitled”, Kinga Dobosz, „Remember That Film Pi from 1998?”, Agata Popik, “Not enough”, Agata Popik, “Don’t tread on me”
Kinga Dobosz, „No Time Left”, 2025, stainless steel, 59 x 39 x 11 cm
Kinga Dobosz, „No Time Left”, 2025, stainless steel, 59 x 39 x 11 cm
Kinga Dobosz, „No Time Left”, 2025, stainless steel, 59 x 39 x 11 cm, detail
Kinga Dobosz, „No Time Left”, 2025, stainless steel, 59 x 39 x 11 cm, detail
Agata Popik, “Don’t tread on me”, 2025, charcoal on cotton, wood stain, wooden frame, clay, 62 x 82 cm
Agata Popik, “Don’t tread on me”, 2025, charcoal on cotton, wood stain, wooden frame, clay, 62 x 82 cm
Agata Popik, “Not enough”, 2025, charcoal on cotton, wood stain, wooden frame, 24 x 17 cm
Agata Popik, “Not enough”, 2025, charcoal on cotton, wood stain, wooden frame, 24 x 17 cm
Kinga Dobosz, „When an Unstoppable Force Meets a Sensitive Object”, stainless steel , Jędrzej Bieńko, „Untitled”, acrylic on paper, Jędrzej Bieńko, „Untitled”, acrylic on canvas
Kinga Dobosz, „When an Unstoppable Force Meets a Sensitive Object”, stainless steel , Jędrzej Bieńko, „Untitled”, acrylic on paper, Jędrzej Bieńko, „Untitled”, acrylic on canvas
Jędrzej Bieńko, „Untitled”, 2025, acrylic on canvas, 80 x 140 cm
Jędrzej Bieńko, „Untitled”, 2025, acrylic on canvas, 80 x 140 cm
Kinga Dobosz, „When an Unstoppable Force Meets a Sensitive Object”, 2025, stainless steel , 68 x 87 cm
Kinga Dobosz, „When an Unstoppable Force Meets a Sensitive Object”, 2025, stainless steel , 68 x 87 cm
Agata Popik, “Didn’t find me well”, 2025, wood, cotton, graphite, stain, 80 x 88 x 83 cm
Agata Popik, “Didn’t find me well”, 2025, wood, cotton, graphite, stain, 80 x 88 x 83 cm
Agata Popik, „Personal Income Tax”, 2025, graphite on canvas,15 x 21 cm
Agata Popik, „Personal Income Tax”, 2025, graphite on canvas,15 x 21 cm
Kinga Dobosz, „A view of the regulation of the Minister of Infrastructure on the technical conditions that buildings and their location must meet”, 2025, stainless steel, 70 x 89 x 19 cm
Kinga Dobosz, „A view of the regulation of the Minister of Infrastructure on the technical conditions that buildings and their location must meet”, 2025, stainless steel, 70 x 89 x 19 cm
It started innocently enough. Daily life was training our nerves, and we were running on fumes—of energy and psychological endurance. We processed stimuli while inhaling 10,000 liters of air a day, as nerve impulses rushed through us at 350 km/h. Then the world trembled with a faint pulse—yet the tension hadn't yet ignited our muscles, and breath was still uncounted. Until came the clenched jaw, the inability to take a full breath, micro-shaking hands, sweating, a twitching nerve in the eye. Hysteria? Or perhaps simply a systemic overload? Artists don’t waste their pain—they examine ways of existing within a reality of overstimulation, controlled productivity, and unspoken anxiety, essentially in the face of everything. Stress Hygiene is a story about survival strategies in a world of chronic tension. As Audre Lorde wrote, “Caring for myself is not self-indulgence, it is self-preservation, and that is an act of political warfare”*, especially in a reality that leaves no space to breathe. Stress Hygiene not only diagnoses the overload, but subtly points to strategies that escape the logic of the system: withdrawal, tenderness, attentiveness. Sleep, relinquishing excess, turning inward—this is not escapism, but resistance in its purest, if least spectacular, form. *Audre Lorde, A Burst of Light: and Other Essays, Ixia Press, New York, 2017, p. 130. First published in 1988.
Katarzyna Piskorz

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