
Gianfranco Baruchello, Binta Diaw, Gina Fischli, Pauline Julier, Oz Oderbolz, Sergio Rojas Chaves, Virginie Sistek, Milva Stutz
Con lo zucchero in bocca
Project Info
- đ Istituto Svizzero
- đ Lucrezia CalabrĂČ Visconti
- đ€ Gianfranco Baruchello, Binta Diaw, Gina Fischli, Pauline Julier, Oz Oderbolz, Sergio Rojas Chaves, Virginie Sistek, Milva Stutz
- đ Daniele Molajoli
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Con lo zucchero in bocca, Installation view at Istituto Svizzero, Roma, 2025. Works in the image by Oz Oderbolz and Milva Stutz.
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Con lo zucchero in bocca, Installation view at Istituto Svizzero, Roma, 2025. Works in the image by Oz Oderbolz and Milva Stutz.

Oz Oderbolz, These Boots Are Made for Walkinâ (2023). Group exhibition Con lo zucchero in bocca, Istituto Svizzero, Roma, 2025. Wellington boots, metal, spurs, variable dimensions.

Virginie Sistek, Resurrection Ranch (2024). Group exhibition Con lo zucchero in bocca, Istituto Svizzero, Roma, 2025. MP3 / Wood, burlap, jeans, plaster, paint, transfer stickers, butterfly clasp brooch, MPS sound chip module, Variable dimensions.

Con lo zucchero in bocca, Installation view at Istituto Svizzero, Roma, 2025. Works in photo by Gianfranco Baruchello.

Con lo zucchero in bocca, Installation view at Istituto Svizzero, Roma, 2025. First room Virginie Sistek, Second room Oz Oderbolz.

Con lo zucchero in bocca, Installation view at Istituto Svizzero, Roma, 2025. At the center works by Gina Fischli, on the left Gianfranco Baruchello.

Con lo zucchero in bocca, Installation view at Istituto Svizzero, Roma, 2025. Works in photo by Gianfranco Baruchello and Gina Fischli.

Gina Fischli, Can the phantom of life step in the same river twice (2025), Group exhibition Con lo zucchero in bocca, Istituto Svizzero, Roma, 2025. Bronze, iron, 30x43 cm.

Virginie Sistek, Bienpeureuse (2021). Group exhibition Con lo zucchero in bocca, Istituto Svizzero, Roma, 2025. Fabric, foam, 140x160x930 cm.

Binta Diaw, Nero Sangue, (2020/2025). Group exhibition Con lo zucchero in bocca, Istituto Svizzero, Roma, 2025. Vitrified tomatoes, acrylic paint, transfer of xerox ink on cotton, variable dimensions.

Con lo zucchero in bocca, Installation view at Istituto Svizzero, Roma, 2025. First room Virginie Sistek, Second room Binta Diaw.

Virginie Sistek, Il est plus facile de trouver un compagnon que de sâen dĂ©barrasser (2022). Group exhibition Con lo zucchero in bocca, Istituto Svizzero, Roma, 2025. Fabric, strings, PU, 1/5, 5x40x40 cm.

Milva Stutz, Have I Been Here Before? (2025). Group exhibition Con lo zucchero in bocca, Istituto Svizzero, Roma, 2025. Charcoal on paper, 150x220 cm.

Pauline Julier, A Million-Year Picnic (2024-2025). Group exhibition Con lo zucchero in bocca, Istituto Svizzero, Roma, 2025. Video 4K, 16:9, colour, stereo sound, 45â.

Pauline Julier, My battery is low and itâs getting dark (2024). Group exhibition Con lo zucchero in bocca, Istituto Svizzero, Roma, 2025. Tapestry, 120x220 cm.

Sergio Rojas Chaves, Tools for Bird Hospitality (2025). Group exhibition Con lo zucchero in bocca, Istituto Svizzero, Roma, 2025. Bird feed, seeds, chairs, coffee table, variable dimensions.

Sergio Rojas Chaves, Neighbourhood Birdfeed (2025). Group exhibition Con lo zucchero in bocca, Istituto Svizzero, Roma, 2025. Bird feed, gloves, variable dimensions.

Sergio Rojas Chaves, Tools for Bird Hospitality (2025). Group exhibition Con lo zucchero in bocca, Istituto Svizzero, Roma, 2025. Bird feed, seeds, hat, variable dimensions.

Group exhibition Con lo zucchero in bocca editorial project, Istituto Svizzero, Roma, 2025.
Con lo zucchero in bocca
Gianfranco Baruchello, Binta Diaw, Gina Fischli, Pauline Julier, Oz Oderbolz, Sergio Rojas Chaves, Virginie Sistek, Milva Stutz
The group exhibition Con lo zucchero in bocca (With Sugar in Oneâs Mouth) explores the relationship between resource extraction and sweetness. The project is inspired by the villa that now houses the Istituto Svizzero in Rome, formerly owned by Carolina Maraini-Sommaruga and Emilio Maraini, a Ticino pioneer of the beet sugar industry. Taking sugar and the history of its production as a starting point, the exhibition addresses the imagery associated with the exploitation of resources, exposing how notions of sweetness, romance and desire often contribute to softening narratives of domestication and conquest.
The exhibition presents both new and existing works by artists working with sculpture, painting, installation and film. Through historical accounts, autobiography, or fiction, the protagonists of these works grapple with the human-constructed concept of nature, questioning the narrative strategies concealing the exploitation of animals, resources, land, and communities. The works in the exhibition address the narrative motifs and images to which we are accustomed in this field, breaking away from the naive, escapist and conciliatory gaze that often characterises them.
The title of the exhibition evokes the feeling of sugar in oneâs mouth, emphasising the embodiment of grand narratives through personal stories. Spanning from the microscopic to the macroscopicâfrom something as small as sugar dust to something as vast as a galaxyâthe works on display subvert expectations around ecological discourse, offering new and urgent forms of storytelling.
Curated by Lucrezia CalabrĂČ Visconti (Head Curator Istituto Svizzero)
With the support of: Ernst Göhner Stiftung, RICOLA ITALIA srl, FERRARI TRENTO, Prometeo Gallery Ida Pisani for the realisation of Binta Diawâs work