Patrycja Płóciennik

The last drawer on the left

Project Info

  • 💙 Przeciąg Gallery
  • 💚 Przeciąg Gallery
  • 🖤 Patrycja Płóciennik
  • 💜 Tomek Paszkowicz
  • 💛 Bartosz Górka

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"Exhibition Text", embroidery on linen canvas, text by Tomek Paszkowicz, 2025
"Exhibition Text", embroidery on linen canvas, text by Tomek Paszkowicz, 2025
"Hut on a Chicken Leg", wood, felt, thread, lightbulb, 136 x 53 x 40 cm, 2025
"Hut on a Chicken Leg", wood, felt, thread, lightbulb, 136 x 53 x 40 cm, 2025
"The Last Drawer on the Left", wood, canvases dyed with natural dyes, 80 x 30 x 37 cm, 2025
"The Last Drawer on the Left", wood, canvases dyed with natural dyes, 80 x 30 x 37 cm, 2025
"Logic Puzzle", embroidery on linen, 45 x 30 cm, 2025
"Logic Puzzle", embroidery on linen, 45 x 30 cm, 2025
View of exhibition - wallpapered hallway
View of exhibition - wallpapered hallway
"A gate that didn’t exist", cotton dyed with natural dyes: magnolia flowers and coffee, 30 x 30 cm, 2025
"A gate that didn’t exist", cotton dyed with natural dyes: magnolia flowers and coffee, 30 x 30 cm, 2025
"Boxes, Piles of Boxes Everywhere", cotton dyed with natural dyes, embroidery, 85 x 120 cm, 2025
"Boxes, Piles of Boxes Everywhere", cotton dyed with natural dyes, embroidery, 85 x 120 cm, 2025
"After Someone", papier-mâché, 107 x 67 x 84 cm, 2025
"After Someone", papier-mâché, 107 x 67 x 84 cm, 2025
"After Someone", papier-mâché, 107 x 67 x 84 cm, 2025, "Tableware for Six People", cotton dyed with natural dyes: magnolia flowers and coffee, 170 x 280 cm, 2025
"After Someone", papier-mâché, 107 x 67 x 84 cm, 2025, "Tableware for Six People", cotton dyed with natural dyes: magnolia flowers and coffee, 170 x 280 cm, 2025
"Tableware for Six People", cotton dyed with natural dyes: magnolia flowers and coffee, 170 x 280 cm, 2025, close-up
"Tableware for Six People", cotton dyed with natural dyes: magnolia flowers and coffee, 170 x 280 cm, 2025, close-up
"Sudoku", embroidery on linen, 30 x 30 cm, 2025
"Sudoku", embroidery on linen, 30 x 30 cm, 2025
"Crossword", dyed cotton, interfacing, embroidery, 2024, "A Lot of Time and Pens", 147 crosswords, metal, 2025, "Worn Spots", glazed ceramics, 2025, "After Someone", papier-mâché, 2025
"Crossword", dyed cotton, interfacing, embroidery, 2024, "A Lot of Time and Pens", 147 crosswords, metal, 2025, "Worn Spots", glazed ceramics, 2025, "After Someone", papier-mâché, 2025
"Worn Spots", glazed ceramics, 46 x 24 x 7 cm, 2025
"Worn Spots", glazed ceramics, 46 x 24 x 7 cm, 2025
"Crossword", dyed cotton, interfacing, embroidery, 123 x 79 cm, 2024
"Crossword", dyed cotton, interfacing, embroidery, 123 x 79 cm, 2024
"A Lot of Time and Pens", 147 crosswords, metal, 101 x 30 x 30 cm, 2025, close-up
"A Lot of Time and Pens", 147 crosswords, metal, 101 x 30 x 30 cm, 2025, close-up
"Drawer of Trinkets", wood, linen, 36 x 12 x 9 cm, 2025, "Frutti di Mare", beeswax casts, 4.5 x 2 cm each, 2025
"Drawer of Trinkets", wood, linen, 36 x 12 x 9 cm, 2025, "Frutti di Mare", beeswax casts, 4.5 x 2 cm each, 2025
"Memory. Home Edition", cotton, thread, embroidery, 160 x 110 cm, 2025
"Memory. Home Edition", cotton, thread, embroidery, 160 x 110 cm, 2025
„Memory. Home Edition”, cotton, thread, embroidery, 160 x 110 cm, 2025, close-up
„Memory. Home Edition”, cotton, thread, embroidery, 160 x 110 cm, 2025, close-up
„Wall Unit”, cotton dyed with natural and synthetic dyes, 203 x 230 cm and „Clock”, plastic wall clock, cotton dyed with natural dyes, 34 x 34 cm, 2025
„Wall Unit”, cotton dyed with natural and synthetic dyes, 203 x 230 cm and „Clock”, plastic wall clock, cotton dyed with natural dyes, 34 x 34 cm, 2025
View of exhibition
View of exhibition
Supposedly about home, and yet time is everywhere. Supposedly about things that hold memory, and yet about people who are no longer there. Aside from a few distinct sculptures - everything here is subtle, faded, as if it might disappear any moment. And it does. The further we go, the less we see. And yet the longer we look, the more is revealed - not details, but effort. Painstaking effort. What the artist calls home, memory, nostalgia - is oppressively material here. Like an object repaired to the limits of its endurance. Remembering is not a gesture or an accident. It’s a labor. Even if memory is selfless, without care a part of it can easily be overwritten - by other things, other people, another home.
Tomek Paszkowicz

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