Hudson Cooke, Ana Ionescu, Rafael Soto Acebal, Yiwen Ma, Yuri Hwang, Youwei Luo, Jennifer Cha, Yibo Wan, Giacomo Layet, Zepu Li, Pei, Maria Helena Toscano, Anya Mokhova, Xiao Zhang, Jan Mioduchowski

THE SIGNAL. THE NOISE.

Project Info

  • 💙 Greatorex
  • 💚 Pai_32
  • đŸ–€ Hudson Cooke, Ana Ionescu, Rafael Soto Acebal, Yiwen Ma, Yuri Hwang, Youwei Luo, Jennifer Cha, Yibo Wan, Giacomo Layet, Zepu Li, Pei, Maria Helena Toscano, Anya Mokhova, Xiao Zhang, Jan Mioduchowski
  • 💜 Pai_32 team
  • 💛 @plus1ap

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Xiao Zhang ,POST-CONTACT GYM, 2025 3D printed resin, spray paint, metal, PU foam, yoga bricks, video, 200 x 200 x 150cm
Xiao Zhang ,POST-CONTACT GYM, 2025 3D printed resin, spray paint, metal, PU foam, yoga bricks, video, 200 x 200 x 150cm
Curated by Pat_32 platform, Greatorex gallery, London
THE SIGNAL. THE NOISE. Curated by Pat_32 platform, Greatorex gallery, London
THE SIGNAL. THE NOISE. Curated by Pat_32 platform, Greatorex gallery, London
THE SIGNAL. THE NOISE. Curated by Pat_32 platform, Greatorex gallery, London
THE SIGNAL. THE NOISE. Curated by Pat_32 platform, Greatorex gallery, London
THE SIGNAL. THE NOISE. Curated by Pat_32 platform, Greatorex gallery, London
THE SIGNAL. THE NOISE. Curated by Pat_32 platform, Greatorex gallery, London
THE SIGNAL. THE NOISE. Curated by Pat_32 platform, Greatorex gallery, London
THE SIGNAL. THE NOISE. Curated by Pat_32 platform, Greatorex gallery, London
Giacomo Layet, Grounding Attempt, 2024, Crab Shell, concrete, radio antennas, Dimensions variable
Giacomo Layet, Grounding Attempt, 2024, Crab Shell, concrete, radio antennas, Dimensions variable
Giacomo Layet, Grounding Attempt, 2024, Crab Shell, concrete, radio antennas, Dimensions variable, fragment
Giacomo Layet, Grounding Attempt, 2024, Crab Shell, concrete, radio antennas, Dimensions variable, fragment
Hudson Cooke, Strapped Up (2025), Dyed upholstery foam and sewn plastic sheet, 100 x 60 x 30 cm
Hudson Cooke, Strapped Up (2025), Dyed upholstery foam and sewn plastic sheet, 100 x 60 x 30 cm
Maria Helena Toscano, Antenna, 2025, Stainless Steel, wire, resonance speakers, glass beads.
Maria Helena Toscano, Antenna, 2025, Stainless Steel, wire, resonance speakers, glass beads.
Yiwen Ma, The Signal of Nonhumans, 2025, Persimmons, sunlight, rainwater, trees, mould, insects, cotton and linen 91.44 x 111.76 cm
Yiwen Ma, The Signal of Nonhumans, 2025, Persimmons, sunlight, rainwater, trees, mould, insects, cotton and linen 91.44 x 111.76 cm
Anya Mokhova, Pink Cosmos II, 2023, Beeswax, gelatin, lingerie, tallow, lipstick, 25 x 13 x 11 cm
Anya Mokhova, Pink Cosmos II, 2023, Beeswax, gelatin, lingerie, tallow, lipstick, 25 x 13 x 11 cm
Yibo Wan, Almost Sentient_2025, Digital print on banner, 38 x 27cm and Jennifer Cha, Running002, 2023, Video, 1920x1080 px
Yibo Wan, Almost Sentient_2025, Digital print on banner, 38 x 27cm and Jennifer Cha, Running002, 2023, Video, 1920x1080 px
Yibo Wan, Almost Sentient_2025, Digital print on banner, 38 x 27cm
Yibo Wan, Almost Sentient_2025, Digital print on banner, 38 x 27cm
Rafael Soto Acebal, Phoretic, 2025,‹ Sculptural installation with mixed media, 220 x 30 x 30 cm, photo by the artist
Rafael Soto Acebal, Phoretic, 2025,‹ Sculptural installation with mixed media, 220 x 30 x 30 cm, photo by the artist
Rafael Soto Acebal, Phoretic, 2025,‹ Sculptural installation with mixed media, 220 x 30 x 30 cm, photo by the artist
Rafael Soto Acebal, Phoretic, 2025,‹ Sculptural installation with mixed media, 220 x 30 x 30 cm, photo by the artist
Rafael Soto Acebal, Phoretic, 2025,‹ Sculptural installation with mixed media, 220 x 30 x 30 cm, photo by the artist
Rafael Soto Acebal, Phoretic, 2025,‹ Sculptural installation with mixed media, 220 x 30 x 30 cm, photo by the artist
Ana Ionescu, Untitled (self-portrait), 2024, Silicone, aluminium, oil paint, 15 x 18 x 4 cm
Ana Ionescu, Untitled (self-portrait), 2024, Silicone, aluminium, oil paint, 15 x 18 x 4 cm
Youwei Luo, Grid, Grain, Growth, 2024,‹ Interactive installation, sand, scree, bone object, fabric, Dimensions are variable
Youwei Luo, Grid, Grain, Growth, 2024,‹ Interactive installation, sand, scree, bone object, fabric, Dimensions are variable
Jan Mioduchowski, No Title, 2025, Acrylic paint, photo collage on canvas, 120 x 120 cm
Jan Mioduchowski, No Title, 2025, Acrylic paint, photo collage on canvas, 120 x 120 cm
Yuri Hwang, Screen (Diptych), 2025, Backlit film, UV print on acrylic, plywood, steel, chalk, LED strip bars, 80 x 60 cm
Yuri Hwang, Screen (Diptych), 2025, Backlit film, UV print on acrylic, plywood, steel, chalk, LED strip bars, 80 x 60 cm
“We came looking for meaning. We found distortion instead.” In an age of endless messages, blurred truths, and constant noise, how do we really connect? THE SIGNAL. THE NOISE. is an exhibition exploring the chaotic, fragmented landscape of communication in the digital era. It reflects on what happens when clarity collapses, when messages glitch, and when interference becomes the message itself. ‹ ‹The title draws inspiration from Nate Silver’s influential book, The Signal and the Noise, which explores our struggle to make accurate predictions in a world overflowing with data. Silver writes, “The signal is the truth. The noise is what distracts us from the truth.” But in today’s culture, the boundary between the two has blurred—what once distracted us now defines us. We are no longer decoding meaning—we are submerged in an environment where meaning itself is unstable, fleeting, or simulated.
Pai_32 team

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