Markus Heller & Tobi Keck

CHAMBER

Project Info

  • 💙 Kunstraum Ortloff
  • 🖤 Markus Heller & Tobi Keck
  • 💜 Philip K. Dick
  • 💛 Markus Heller

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Markus Heller (l.) 'OWL', 2024, Tobi Keck (r.) 'In Real Life', 2025
Markus Heller (l.) 'OWL', 2024, Tobi Keck (r.) 'In Real Life', 2025
Markus Heller, 'Let it be', 2025
Markus Heller, 'Let it be', 2025
Markus Heller, 'Let it be', 2025
Markus Heller, 'Let it be', 2025
Markus Heller, 'Let it be', 2025
Markus Heller, 'Let it be', 2025
Markus Heller, Tobi Keck
Markus Heller, Tobi Keck
Tobi Keck, 'In Real Life', 2025
Tobi Keck, 'In Real Life', 2025
Tobi Keck, 'Armatur No. 3', 2025
Tobi Keck, 'Armatur No. 3', 2025
Markus Heller (l., r.), Tobi Keck (m.)
Markus Heller (l., r.), Tobi Keck (m.)
Markus Heller, 'WoOoF', 2025
Markus Heller, 'WoOoF', 2025
Tobi Keck, 'Armatur No. 2', 2025
Tobi Keck, 'Armatur No. 2', 2025
Tobi Keck, 'Armatur No. 2', 2025
Tobi Keck, 'Armatur No. 2', 2025
Markus Heller, 'Smear the hare', 2025
Markus Heller, 'Smear the hare', 2025
Markus Heller, 'Smear the hare pt. 01', 2025
Markus Heller, 'Smear the hare pt. 01', 2025
Tobi Keck (l.), Markus Heller (r.)
Tobi Keck (l.), Markus Heller (r.)
Markus Heller, 'There is a dog watching you from the other side of the room', 2024
Markus Heller, 'There is a dog watching you from the other side of the room', 2024
Markus Heller (l.), Tobi Keck (r.)
Markus Heller (l.), Tobi Keck (r.)
Tobi Keck, 'Armatur No. 1', 2025; 'DOPE HOPE', 2024
Tobi Keck, 'Armatur No. 1', 2025; 'DOPE HOPE', 2024
Tobi Keck, 'Health', 2019
Tobi Keck, 'Health', 2019
Surveillance system in the backroom
Surveillance system in the backroom
Die Ausstellung wurde von einem Textauszug aus Philip K. Dicks Roman „A Scanner Darkly“ begleitet, welcher am Schaufenster zur Straße heraus angebracht war. Neben der realen Ausstellung gab es ein gezielt installiertes Überwachungssystem mit vier Kameras, um zusätzlich eine gefilterte Realitätsversion der Ausstellung auf Bildschirm zu zeigen, die im Hinterraum der Galerie und damit ausserhalb des Ausstellungsbereichs zu sehen war. It was midday, in June of 1994. In California, in a tract area of cheap but durable plastic houses, long ago vacated by the straights. Jerry had at an earlier date sprayed metal paint over all the windows, though, to keep out the light; the illumination for the room came from a pole lamp into which he had screwed nothing but spot lamps, which shone day and night, so as to abolish time for him and his friends. He liked that; he liked to get rid of time. By doing that he could concentrate on important things without interruption. Like this: two men kneeling down on the shag rug, finding bug after bug and putting them into jar after jar. — Philip K. Dick „A Scanner Darkly“, 1977
Philip K. Dick

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