Lu Cheng, Diogo da Cruz

WHAT HOLDS, WHAT LEAKS

Project Info

  • 💙 Kunstverein Augsburg
  • 💚 Christian Thöner
  • 🖤 Lu Cheng, Diogo da Cruz
  • 💜 Christian Thöner
  • 💛 Sebastian Bühler

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exhibition views, collaborative installations by Lu Cheng and Diogo da Cruz at Kunstverein Augsburg
exhibition views, collaborative installations by Lu Cheng and Diogo da Cruz at Kunstverein Augsburg
Biber, 2026, ceramic and steel, 220 x 220 x 150 cm, collaborative installations by Lu Cheng and Diogo da Cruz
Biber, 2026, ceramic and steel, 220 x 220 x 150 cm, collaborative installations by Lu Cheng and Diogo da Cruz
After the Overflow, 2026, ceramic and steel, 240 x 240 x 200 cm, collaborative installations by Lu Cheng and Diogo da Cruz
After the Overflow, 2026, ceramic and steel, 240 x 240 x 200 cm, collaborative installations by Lu Cheng and Diogo da Cruz
Splashdown, 2026, Diogo da Cruz, fiberglass, 60 x 40 x 400 cm
Splashdown, 2026, Diogo da Cruz, fiberglass, 60 x 40 x 400 cm
exhibition views, works by Diogo da Cruz and Lu Cheng at Kunstverein Augsburg
exhibition views, works by Diogo da Cruz and Lu Cheng at Kunstverein Augsburg
Chaetosisters, 2025 (I & II), Diogo da Cruz, ceramic and steel, 240 × 70 × 75 cm and 160 × 60 × 90 cm
Chaetosisters, 2025 (I & II), Diogo da Cruz, ceramic and steel, 240 × 70 × 75 cm and 160 × 60 × 90 cm
Chaetosisters, 2025 (I & II), Diogo da Cruz, ceramic and steel, 240 × 70 × 75 cm and 160 × 60 × 90 cm
Chaetosisters, 2025 (I & II), Diogo da Cruz, ceramic and steel, 240 × 70 × 75 cm and 160 × 60 × 90 cm
Fossilized becoming, 2026, Lu Cheng, ceramic and steel, 95 x 56 x 52 cm
Fossilized becoming, 2026, Lu Cheng, ceramic and steel, 95 x 56 x 52 cm
Fossilized becoming, 2026, Lu Cheng, ceramic and steel, 95 x 56 x 52 cm
Fossilized becoming, 2026, Lu Cheng, ceramic and steel, 95 x 56 x 52 cm
exhibition views, works by Diogo da Cruz and Lu Cheng at Kunstverein Augsburg
exhibition views, works by Diogo da Cruz and Lu Cheng at Kunstverein Augsburg
Expansion (Wall Series #1), 2026, Lu Cheng, ceramic, dimensions and size variable
Expansion (Wall Series #1), 2026, Lu Cheng, ceramic, dimensions and size variable
Expansion (Wall Series #1), 2026, Lu Cheng, ceramic, dimensions and size variable
Expansion (Wall Series #1), 2026, Lu Cheng, ceramic, dimensions and size variable
messengers from the deep, 2026, Diogo da Cruz, Aluminium, Ca. 80 x 80 x 120 cm each
messengers from the deep, 2026, Diogo da Cruz, Aluminium, Ca. 80 x 80 x 120 cm each
messengers from the deep, 2026, Diogo da Cruz, Aluminium, Ca. 80 x 80 x 120 cm each
messengers from the deep, 2026, Diogo da Cruz, Aluminium, Ca. 80 x 80 x 120 cm each
Closer, 2026, Lu Cheng, ceramic and steel, 50 x 34 x 18 cm and 21 x 24 x 15 cm
Closer, 2026, Lu Cheng, ceramic and steel, 50 x 34 x 18 cm and 21 x 24 x 15 cm
Closer, 2026, Lu Cheng, ceramic and steel, 50 x 34 x 18 cm and 21 x 24 x 15 cm
Closer, 2026, Lu Cheng, ceramic and steel, 50 x 34 x 18 cm and 21 x 24 x 15 cm
Magna, 2025, Diogo da Cruz, ceramic and steel, 150 × 130 × 220 cm

Magna, 2025, Diogo da Cruz, ceramic and steel, 150 × 130 × 220 cm

Magna, 2025, Diogo da Cruz, ceramic and steel, 150 × 130 × 220 cm

Magna, 2025, Diogo da Cruz, ceramic and steel, 150 × 130 × 220 cm

zoti aleyu (strange fish), 2025, Diogo da Cruz, Aluminium, 150 x 200 x 300 cm
zoti aleyu (strange fish), 2025, Diogo da Cruz, Aluminium, 150 x 200 x 300 cm
zoti aleyu (strange fish), 2025, Diogo da Cruz, Aluminium, 150 x 200 x 300 cm
zoti aleyu (strange fish), 2025, Diogo da Cruz, Aluminium, 150 x 200 x 300 cm
With What Holds, What Leaks, Lu Cheng and Diogo da Cruz present a site-specific duo exhibition at Kunstverein Augsburg that engages with permeability, stability, and transformation. In a collaborative working phase, both artists developed a hybrid, processual structure of ceramic and steel. The exhibition unfolds as a spatial ensemble that understands itself as an open system: a structure that bears and yields, that condenses and dissolves again. Organic and architectural logics interpenetrate one another — fragile ceramic elements meet load-bearing metal scaffolds and branch into biomorphic formations. While Lu Cheng develops bodily, growing structures, Diogo da Cruz constructs speculative, aquatically inflected ecosystems in which alternative forms of coexistence become visible. A sound work moves through the space, connecting the collaborative work to the acoustic reality of the city: condensed, filtered, and modulated recordings of water held back and released — among them from Augsburg's Hochablass — translate holding and permeability into urban flows, making them perceptible as an audible layer. What gives structure, what escapes control? Which forms preserve, which let through? In the exhibition, material appears not as static substance but as an active carrier of relationships. The exhibition thus becomes a temporary ecosystem that continuously transforms in the interplay of space, material and audience. With Augsburg as the exhibition site, the project gains an additional resonance: the city's historically rooted yet living water system — a UNESCO World Heritage Site since 2019 — forms a context in which questions of circulation and ecological entanglement take on particular urgency.
Christian Thöner

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