Hauck Plümpe
Organisation von Pause
Hauck Plümpe, Organisation von Pause, installation view
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Hauck Plümpe, Flachware (1), 2026, MDF, pressboard, metal, lumber, stainless steel, styrodur, ceramics, glaze, 231 x 129 x 40 cm
Hauck Plümpe, Organisation von Pause, installation view
Hauck Plümpe, HP_M_010, HP_M_011, HP_M_017, HP_M_036, 2024, MDF, varnish, 109 x 48 x 27,5 cm
Hauck Plümpe, Organisation von Pause, installation view
Hauck Plümpe, Reinigung (2), 2024, ceramics, glaze, stainless steel, 105 x 40 x 70 cm
Hauck Plümpe, Rauchstation (1), 2026, metal, varnish, ceramics, glaze, 195,5 x 102 x 36,5 cm
Hauck Plümpe, Organisation von Pause, installation view
Hauck Plümpe, Rauchstation (2), 2026, metal, ceramics, glaze, 70,5 x 44,2 x 13,3 cm
Hauck Plümpe, Organisation von Pause, installation view
Hauck Plümpe, HP_M_042, HP_O_AA_001, 2026, MDF, varnish, anodized aluminium, ceramics, glaze, 84 x 94 x 33,5 cm
Hauck Plümpe, HP_M_042, HP_O_AA_001 (Detail) , 2026, MDF, varnish, anodized aluminium, ceramics, glaze, 84 x 94 x 33,5 cm
Hauck Plümpe, HP_M_043, HP_O_W_002, 2026, MDF, varnish, anodized aluminium, ceramics, glaze, 121,5 x 48,5 x 42 cm
Hauck Plümpe, HP_M_043, HP_O_W_002 (Detail), 2026, MDF, varnish, anodized aluminium, ceramics, glaze, 121,5 x 48,5 x 42 cm
Alice Hauck (born in 1990 in Hoyerswerda) and Amelie Plümpe (born in 1993 in Bremen),
live and work in Berlin. In 2018, they founded the artists duo HAUCK PLÜMPE.
In their art they focus conceptually, sculpturally, and performatively on exploring the interfaces
between model and architecture, and with industrial logistics systems and everyday life.
HAUCK PLÜMPE have devised a modular system of building blocks with which they
interrogatively produce permanently changing spatial installations and sculptures.
The results are walk-through architectural references to places of transit, to production, work break, and
to what is often invisible labor.
The duo research human routines and behavior-based actions within various work structures
and professional groups. They stage their observations by means of performative actions and video works, using their
spatial installations and sculptures as fictional venues in the process. They view the continual
expansion of their collection of sculptures as forming a microcosm and narrative strategy within
their overall artistic practice.