Archive 2022 KubaParis

The Problem with Tricksters

Lucile Martin and Rachel Magnan, Bless this mess, 2022 ; photo ©Lola Pertsowsky
Lucile Martin and Rachel Magnan, Bless this mess, 2022 ; photo ©Lola Pertsowsky
Scenography detail, Clément Hébert and Rachel Magnan ; photo ©Lola Pertsowsky
Scenography detail, Clément Hébert and Rachel Magnan ; photo ©Lola Pertsowsky
Justin Somjen, Two Pigeons, 2022 ; photo ©Lola Pertsowsky
Justin Somjen, Two Pigeons, 2022 ; photo ©Lola Pertsowsky
Wall lamp) Stéphane Barbier-Bouvet, Authority, 2019 ; photo ©Lola Pertsowsky 		- (Doors) Scenography detail, Clément Hébert and Rachel Magnan ; photo ©Lola Pertsowsky 		  - (Ceramic) Nicolas Valckenaere, Greffe kiss, 2021 ; photo ©Lola Pertsowsky
Wall lamp) Stéphane Barbier-Bouvet, Authority, 2019 ; photo ©Lola Pertsowsky - (Doors) Scenography detail, Clément Hébert and Rachel Magnan ; photo ©Lola Pertsowsky - (Ceramic) Nicolas Valckenaere, Greffe kiss, 2021 ; photo ©Lola Pertsowsky
Wall lamp) Stéphane Barbier-Bouvet, Illusions, 2019 ; photo ©Lola Pertsowsky 		- Déborah Bowmann, Study for umbrellas, 2018 ; photo ©Lola Pertsowsky 		  - Héloïse Colrat, Gratte botte, 2021 ; photo ©Lola Pertsowsky
Wall lamp) Stéphane Barbier-Bouvet, Illusions, 2019 ; photo ©Lola Pertsowsky - Déborah Bowmann, Study for umbrellas, 2018 ; photo ©Lola Pertsowsky - Héloïse Colrat, Gratte botte, 2021 ; photo ©Lola Pertsowsky
Nicolas Valckenaere, Chemises d’après news, 2018 ; photo ©Lola Pertsowsky 		- Victoria Palacios, Mis zapatos de falso labor, 2022 ; photo ©Lola Pertsowsky
Nicolas Valckenaere, Chemises d’après news, 2018 ; photo ©Lola Pertsowsky - Victoria Palacios, Mis zapatos de falso labor, 2022 ; photo ©Lola Pertsowsky
Mario Melis, Archives, 2017-2022 ; photo ©Lola Pertsowsky 		- Nicholas Goudket, Extraits, 2020-2021 ; photo ©Lola Pertsowsky
Mario Melis, Archives, 2017-2022 ; photo ©Lola Pertsowsky - Nicholas Goudket, Extraits, 2020-2021 ; photo ©Lola Pertsowsky
Victoria Palacios, Mis zapatos de falso labor, 2022 ; photo ©Lola Pertsowsky
Victoria Palacios, Mis zapatos de falso labor, 2022 ; photo ©Lola Pertsowsky
Nicolas Valckenaere, Chemises d’après news, 2018 ; photo ©Lola Pertsowsky
Nicolas Valckenaere, Chemises d’après news, 2018 ; photo ©Lola Pertsowsky
Lucile Martin and Rachel Magnan, Bless this mess, 2022 ; photo ©Lola Pertsowsky
Lucile Martin and Rachel Magnan, Bless this mess, 2022 ; photo ©Lola Pertsowsky
Stéphane Barbier-Bouvet, Illusions, 2019 ; photo ©Clément Hebert
Stéphane Barbier-Bouvet, Illusions, 2019 ; photo ©Clément Hebert
Heloïse Colrat, Les deux tirants, 2022 ; photo ©Rachel Magnan
Heloïse Colrat, Les deux tirants, 2022 ; photo ©Rachel Magnan
Mario Melis, Archives, 2017-2022 ; photo ©Rachel Magnan
Mario Melis, Archives, 2017-2022 ; photo ©Rachel Magnan
Scenography detail, Clément Hebert and Rachel Magnan ; photo ©Rachel Magnan
Scenography detail, Clément Hebert and Rachel Magnan ; photo ©Rachel Magnan
Nicolas Valckenaere, Greffe kiss, 2021 ; photo ©Rachel Magnan
Nicolas Valckenaere, Greffe kiss, 2021 ; photo ©Rachel Magnan
Nicholas Goudket, Extraits, 2020-2021 ; photo ©Rachel Magnan
Nicholas Goudket, Extraits, 2020-2021 ; photo ©Rachel Magnan

Location

After Howl Studio

Date

27.04 –07.05.2022

Curator

Clément Hébert and Rachel Magnan

Photography

Lola Pertsowsky

Subheadline

Collective exhibition with the participation of : Stephane Barbier-Bouvet Deborah Bowmann Heloïse Colrat Nicholas Goudket Lucile Martin Mario Melis Chloé Momi Victoria Palacios Justin Somjen Nicolas Valckenaere Curation and stage design by : Clément Hébert Rachel Magnan « He spends his time getting tangled up in all sorts of situations where he becomes a laughingstock. He's not really bad, but sometimes he does atrocious things, out of sheer consciousness and a total lack of sense of relationship to others. » The trickster is both a figure of ancient Native American myths, as well as mass entertainment, a double meaning also makes the trickster a crook, a rascal.

Text

« He spends his time getting tangled up in all sorts of situations where he becomes a laughingstock. He's not really bad, but sometimes he does atrocious things, out of sheer consciousness and a total lack of sense of relationship to others. » The trickster is both a figure of ancient Native American myths, as well as mass entertainment, a double meaning also makes the trickster a crook, a rascal.

Clément Hébert and Rachel Magnan