Submission
Pia Ferm, Maximilian Arnold, Elisaveta Braslavskaja, Hilda Stammarnäs, Immanuel Birkert

Time Flies in This Pending Space


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Time Flies in This Pending Space, Installation View
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Pia Ferm, 50/50, 2020, Woven Tapestry, 31x25 cm
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Immanuel Birkert, First Sun (1), 2020, Ceramic, 50x25x15cm
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Maximilian Arnold, PrePost (1), 2020, Acrylic and Sublimation Print on Polyester, 50x30 cm
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Elisaveta Braslavskaja, Bud of Pale Lips (III), 2020, Ceramic, Drawing on Paper, 27x38x8 cm
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Time Flies in This Pending Space, Installation View
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Maximilian Arnold, PrePost (2), 2020, Acrylic and Sublimation Print on Polyester, 30x50 cm
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Maximilian Arnold, PrePost (4), 2020, Acrylic and Sublimation Print on Polyester, 30x50 cm
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Immanuel Birkert, First Sun (2), 2020, Ceramic, 50x30x30cm
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Elisaveta Braslavskaja, Bud of Pale Lips (III), 2020, Ceramic, Aquarelle on Paper, 46x70x9 cm
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Hilda Stammarnäs, Slanted Eugenia, 2020, Acrylic on Canvas, 100x120 cm

Time Flies in This Pending Space

Echoes from the new opera: the sound of the plays
and claps from the crowd still resonating behind the bay
windows, present in their absence.
The missing ladder leading to the roof-top, from which
twelve skyscrapers regulate the orange light onto the city,
now replaced by a sign reading ‘Betreten der Dachfläche
verboten’, black on white.
Sofa skeletons, broken bottles, cracks in the walls, dried
plants and moss in every corner.
Red-striped sunshades flapping in the wind, torn under
the weight of those puddles of water collected from the
rain, pressing on and dripping through the material.
An ecology of ants and nails, aphids and cigarette butts,
beer capsules and caterpillars gathering in dust heaps and
resting in flowerpots.
Spray paint mixing with the shadow of the baluster,
plastic ornaments of sparkling water melting in the sun,
boiling surfaces.
Re-dried wet carboard, rotten rugs.
The silence of a giant vacuum on the roof of the building
opposite, revealing its incessant noise when finally turning off,
at 9 o’clock sharp.