Submission
Tea Strazicic

Vermillion

Artist: Tea Stražičić Text: Tea Stražičić, Nicholas Zhu, poem by D. Dukat Animation: Ana Sagadin Calligraphic book object: Jean-Baptiste Normand Curation: Madalina Stanescu


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Tea Strazicic - Vermillion, 2021 - Trauma Bar und Kino - installation view
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Tea Strazicic - Vermillion, 2021 - Trauma Bar und Kino - installation view 2
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Tea Strazicic - Lukas , 2021 Acrylic on paper 146.5 x 393.5 x 4.5 cm
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Tea Strazicic - Voycek, 2021 Acrylic on paper, 152.5 x 362.5
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Tea Strazicic - The Triad, 2021 Acrylic on paper 146.5 x 357.5
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Tea Strazicic - The Ride, 2021 Acrylic on canvas 180 x 340.5 x 5 cm
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Tea Strazicic, Nicholas Zhu, D. Dukat, calligraphy Jean-Baptiste Normand Vermillion, 2021 ink on paper 50 x 32.5 x 3 cm, display/ 149 x 83 x 67 cm
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Tea Strazicic, Nicholas Zhu, D. Dukat, calligraphy Jean-Baptiste Normand Vermillion, 2021 ink on paper 50 x 32.5 x 3 cm, display/ 149 x 83 x 67 cm (detail)
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Tea Strazicic - Second Blue, 2021 Acrylic on paper 160.5 x 72.5 cm
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Tea Strazicic - Melkior, 2021 Mammoth resin, Acrylic paint 80 x 28 x 26 cm, display/ 183.5 x 42 x 40 cm
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Tea Strazicic - Melkior, 2021 Mammoth resin, Acrylic paint 80 x 28 x 26 cm, display/ 183.5 x 42 x 40 cm (detail 2)
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Tea Strazicic - Melkior, 2021 Mammoth resin, Acrylic paint 80 x 28 x 26 cm, display/ 183.5 x 42 x 40 cm (detail)
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Tea Strazicic - Orsat, 2021 Mammoth resin, Acrylic paint 40 x 42 x 36 cm, display / 163.5 x 56 x 50 cm
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Tea Strazicic - Orsat, 2021 Mammoth resin, Acrylic paint 40 x 42 x 36 cm, display/ 163.5 x 56 x 50 cm (detail1)
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Tea Strazicic - Machine fairy, 2021 Acrylic on canvas 122.5 x 97.5 cm
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Tunnel vision, 2021 4K video loop, digital 2D animation by Tea Strazicic, Animation/ Ana Sagadin dimensions variable and airbrushed drum kit
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Tea Strazicic -Airbrushed Drum Kit

Trauma Bar und Kino is pleased to present Vermillion, a solo exhibition by the Croatian-born, Berlin based Tea Stražičić (b. 1990). The exhibition shows for the first time large-format drawings and paintings by the artist, who has mainly worked in the fields of video art and animation until now. The individual works reinterpret the story Vermillion, which Stražičić co-authored with Nicholas Zhu, as an oversized graphic novel in exhibition format. In the story, the “horsemen of the apocalypse,” a chaotic group of friends on their way to a doomsday party, set out on a journey to deliver “Behemot” to an “Anti-Diluvian Club.” The characters are striking skeletal creatures who behave like vampires, while their appearances change as they travel through a surreal landscape of apps, add-ons, and architecture. Over the course of their journey, they gradually lose their sense of self as well as their need for self-determination and individuality. They come to understand individuality as a trap that humans have created for themselves, one that prevents real communication. Stražičić thus touches on broader themes such as individuality and individual self-determination.
In addition to large-format drawings, paintings, and objects, the exhibition is also supplemented by an animated film from Ana Sagadin. Furthermore, the narrative of Vermillion is also presented in a calligraphic book-object, made by Jean-Baptiste Normand specifically for the exhibition.

Curated by Madalina Stanescu.