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AUTONOMOUS FRAGMENTS

Project Info

  • 💙 LAGE EGAL
  • 💚 Pierre Granoux, Samuel Henne
  • 🖤 Groupshow

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Installation view, „Autonomous Fragments”, 2022
Installation view, „Autonomous Fragments”, 2022
with Nadine Fecht, Samuel Henne, Nina Maria Küchler, Tim Plamper
Installation view, „Autonomous Fragments”, 2022
Installation view, „Autonomous Fragments”, 2022
Tim Plamper, „Snake Charmer II“, 2021, Coke bottles, wood and packaging tape, 60 × 22,5 × 6 cm
Tim Plamper, „Snake Charmer II“, 2021, Coke bottles, wood and packaging tape, 60 × 22,5 × 6 cm
Tim Plamper, „Snake Charmer II“, (detail), 2021
Tim Plamper, „Snake Charmer II“, (detail), 2021
Nadine Fecht, „Surplus“, 2021, Found price tags on paper, framed, 5-part, each 43,50 x 25,20 cm
Nadine Fecht, „Surplus“, 2021, Found price tags on paper, framed, 5-part, each 43,50 x 25,20 cm
Nadine Fecht, „Surplus“, (detail), 2021
Nadine Fecht, „Surplus“, (detail), 2021
Nadine Fecht, „Surplus“, (detail), 2021
Nadine Fecht, „Surplus“, (detail), 2021
Nina Maria Küchler, „Die fragilen Städte“ #2 and #3, 2022, Sublimation prints on chiffon, each 300 x 150 cm, 90 cm
Nina Maria Küchler, „Die fragilen Städte“ #2 and #3, 2022, Sublimation prints on chiffon, each 300 x 150 cm, 90 cm
Nina Maria Küchler, „Die fragilen Städte“ #2 and #3, (detail), 2022
Nina Maria Küchler, „Die fragilen Städte“ #2 and #3, (detail), 2022
Installation view, „Autonomous Fragments”, 2022
Installation view, „Autonomous Fragments”, 2022
Tim Plamper, „Financial Times“, 2019, floor paint on newspaper, 217 x 160 cm
Tim Plamper, „Financial Times“, 2019, floor paint on newspaper, 217 x 160 cm
Tim Plamper, „Financial Times“, (detail), 2019
Tim Plamper, „Financial Times“, (detail), 2019
Samuel Henne, „hand to hand“, 2019 – 2021, framed Fine Art Prints, wall paint
Samuel Henne, „hand to hand“, 2019 – 2021, framed Fine Art Prints, wall paint
Samuel Henne, „untitled (bronze age no more #1“, (detail), from „hand to hand“, 2 Fine Art Prints, framed in wooden frames, each 56 x 42 cm
Samuel Henne, „untitled (bronze age no more #1“, (detail), from „hand to hand“, 2 Fine Art Prints, framed in wooden frames, each 56 x 42 cm
Samuel Henne, „hand to hand“, 2019 – 2021, framed Fine Art Prints, wall paint
Samuel Henne, „hand to hand“, 2019 – 2021, framed Fine Art Prints, wall paint
Samuel Henne, „untitled (bronze age no more #02 a“, (detail), from „hand to hand“, Fine Art Print, framed in wooden frame, 56 x 42 cm
Samuel Henne, „untitled (bronze age no more #02 a“, (detail), from „hand to hand“, Fine Art Print, framed in wooden frame, 56 x 42 cm
Nina Maria Küchler, „untitled (Façade Series)“, 2022, Polychromos on colored paper, framed,  each 34 x 26 cm
Nina Maria Küchler, „untitled (Façade Series)“, 2022, Polychromos on colored paper, framed, each 34 x 26 cm
Nina Maria Küchler, „untitled (Façade Series)“, (detail), 2022
Nina Maria Küchler, „untitled (Façade Series)“, (detail), 2022
Tim Plamper, „Ausnahme der Gewissheit 001“, 2014, Pencil on paper, framed, 105 x 75,50 cm
Tim Plamper, „Ausnahme der Gewissheit 001“, 2014, Pencil on paper, framed, 105 x 75,50 cm
Tim Plamper, „Ausnahme der Gewissheit 001“, (detail), 2014
Tim Plamper, „Ausnahme der Gewissheit 001“, (detail), 2014
AUTONOMOUS FRAGMENTS is a collaborative curatorship between AD/AD – Project Space (Hannover) and LAGE EGAL (Berlin) and brings together the artistic positions of NADINE FECHT, SAMUEL HENNE, NINA MARIA KÜCHLER and TIM PLAMPER. AUTONOMOUS FRAGMENTS on the one hand, refers to the idea that a fragment is a part of a whole; on the other hand, it can be a remnant of something that once was or is in its process of being created. As with the works exhibited, they each pose different questions in terms of content and media, but they are always concerned with "fragments" and "fragmentation" in the context of their own works. They explore a variety of aesthetic approaches and techniques such as abstract drawing, collage or installation. They may include found objects or paper that have been assembled into a new meaning, elements of the body that challenge the viewer to think about what has been left out, or architectural structures that can be seen as ruins or incomplete surfaces. NINA MARIA KÜCHLER deals in her work with the fragmentary state of our collective, such as incomplete images from our memory or materials that are in the process of decomposition. Also the drawings and collages of TIM PLAMPER addresses questions such as what is visible, what is lost and what remains? His abstract and playful interactions with traces reveal a connection to that which is no longer visible. The work by NADINE FECHT shows found price tags that she has placed together on a grid. In her work, she refers to the in-between state and the instability in our society. This can range from changing value concepts within society, the subjectivity of individual perception or inter-subjective communication. SAMUEL HENNE, on the other hand, questions the production conditions and constructions of images and their interpretation in collage-like techniques. By taking found objects and images and assembling them as individual fragments, his work questions concepts of misinterpretation and originality. (Sarie Nijboer)

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