
"Groupshow": Giovanna Belossi, Anne Bourse, Kaspar Ludwig, Sveta Mordovskaya, Riccardo Sala, Jordan Selophane, Vera Trachsel, Remy Ugarte Vallejos, Jessie Whiteley, Cassidy Toner
The Great in the Small
Project Info
- đ Parc Carl Sauter, Renens, CH
- đ 13 Vitrine
- đ€ "Groupshow": Giovanna Belossi, Anne Bourse, Kaspar Ludwig, Sveta Mordovskaya, Riccardo Sala, Jordan Selophane, Vera Trachsel, Remy Ugarte Vallejos, Jessie Whiteley, Cassidy Toner
- đ 13 Vitrine
- đ 13 Vitrine
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The Great in the Small, 2022, Parc Carl Sauter, Renens
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The Great in the Small, 2022 Anne Bourse. Painted fabric, thread, metal support of umbrella.

The Great in the Small, 2022 Anne Bourse. Painted fabric, thread, metal support of umbrella.

The Great in the Small, 2022, Riccardo Sala. Illuminati New World Order card.

The Great in the Small, 2022, Riccardo Sala. Illuminati New World Order card.

The Great in the Small, 2022, Jessie Whiteley. Watercolor-colored ceramics.

The Great in the Small, 2022, Jessie Whiteley. Watercolor-colored ceramics.

The Great in the Small, 2022, Jessie Whiteley. Watercolor-colored ceramics.

The Great in the Small, 2022. Installation view

The Great in the Small, 2022, Jordan Selophane. Stretchy fabric, hanger, safety pins.

The Great in the Small, 2022, Sveta Mordovskaya. Straw duck, metal mirror balls.

The Great in the Small, 2022, Sveta Mordovskaya. Straw duck, metal mirror balls.

The Great in the Small, 2022, Vera Trachsel. Glazed ceramic, sea ââbuckthorn berries.

The Great in the Small, 2022, Vera Trachsel. Glazed ceramic, sea ââbuckthorn berries.

The Great in the Small, 2022, Giovanna Belossi. Paper tape and paint.

The Great in the Small, 2022, Giovanna Belossi. Paper tape and paint.

The Great in the Small, 2022, Remy Ugarte Vallejos. Glazed ceramic.

The Great in the Small, 2022, Remy Ugarte Vallejos. Glazed ceramic.

The Great in the Small, 2022, Kaspar Ludwig and Cassidy Toner. Marble headstone, ceramic plaque, flowers, candle, pins, mushrooms.

The Great in the Small, 2022, Kaspar Ludwig and Cassidy Toner. Marble headstone, ceramic plaque, flowers, candle, pins, mushrooms.
The garden gnome is a small sculpture used to decorate gardens, representing a tiny, old-looking human being, bearded and wearing the characteristic pointed hat.
The gnome (from the Greek gnosis âknowledgeâ and genomos âinhabitant of the earthâ) is a spirit of the underground, capable of moving inside the earth as easily as humans walk on it. The gnome has superior intelligence and is the keeper of hidden treasures. This name originated in the late 1400s, attributed to the Swiss physician and alchemist Paracelsus, in his "Liber de nymphis, sylphis, pygmaeis et salamandris".
Various figures inspired the birth of garden gnomes: from medieval representations, depicting small Turkish mine workers with their peculiar colorful hats stuffed with grass and leaves to protect themselves from shocks, to ornamental hermits, used by noble English landowners to decorate their gardens and reflect on melancholy.
This unusual demonstration of richness in the Georgian age, employed in the role of stern guardian of the private flora and fauna, a man, preferably old, with a long beard, ready to renounce personal hygiene and wear Druidic garb for a salary and years of solitude in small huts or caves in their employer's garden. In those old days, melancholy was considered a sign of intelligence, as the deepest form of sadness and introspection. Observing a silent and lost existence, if not a wise and mysterious one, made it easier to associate oneself with this feeling.
In the mid-1800s, garden gnomes began to be mass-produced. Although earlier examples of gnome-like statues, made of porcelain or wood, had been used in Europe to decorate homes, Baehr & Maresch, Dresden, is credited with supplying the first ceramic garden gnomes in 1841. Early figures were often modeled on characters from local myths and were given magical powers of protection. From the German provinces of Saxony, the popularity of garden gnomes soon spread throughout Germany, Europe and the world.
The only time the production of garden gnomes decreased was during the Second World War and for some years afterwards, when the communist regime of the German Democratic Republic (GDR) was convinced that gnomes could be used for smuggling. This assault on the fearsome Polish imitations of the authentic German garden gnome was called the âgnome warâ.
Obviously, the introduction of cheap plastic models has deprived the garden gnome of any residual artistic value it might have possessed in the days when it was hand-painted.
In the 1990s, gnomes began to be stolen from the gardens of houses in and around the city. It is the Front de LibĂ©ration des Nains de Jardin (FLNJ). The first episode was found in Alençon, a small town in Normandy. This community, which still exists today, practices the theft of garden gnomes from other people's property as part of their mission to âliberateâ gnomes to âreturn them to natureâ.
âGnomingâ became a veritable practice of taking one's own garden gnome, or borrowing someone else's to return it later, on a trip and photographing it in front of famous monuments or beautiful landscapes.
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Originally Posted: 2014-07-26 12:08
By u/lopix
Gentle Lady Seeks Ornamental Hermit
Me, a gentlewoman:
Of good birth and in the bloom of youth;
Possessed of vast estates and holdings, including a natural cave under a waterfall in the midst of my Edenic gardens, ideal for hermit life;
Of refined sensibilities and a melancholy disposition.
You, an ornamental hermit:
Not younger than 30, not yet older than 50;
Possessing a great, grizzled beard;
True lover of solitude;
Unafflicted by any social diseases.
The successful candidate shall be provided with books, water, spectacles, a cape, an hourglass, and food from the house.
Terms of the Agreement include seven years of service, during which you shall not: Cut your hair or beard;
Trim your nails;
Bathe;
Leave the premises of the hermitage;
Accept money from my gentle guests.
Duties shall include:
Reminding all passersby of our shared mortality;
Living most simply, as our forefathers did;
Providing the lady of the house such entertainments as she requires;
Serving as occasional bartender at fetes and balls.
An etching of our last hermit is provided for your reference. Your response is kindly requested.
13 Vitrine