Groupshow

Fire Sermon

Project Info

Share on

Installation view
Installation view
Public Gallery is pleased to present Fire Sermon curated by Adriana Blidaru, a group exhibition of works by Ashley Bickerton, Lito Kattou, Cole Lu, Christian Quin Newell, Clementine Keith-Roach & Christopher Page and Rachel Rose.
Lito Kattou, Body VII (detail), 2020, Aluminum, permanent ink, electroformed copper, nickel, 191 × 148 × 0.5 cm. Courtesy of the Artist and Galeria Duarte Sequeira, Braga
Lito Kattou, Body VII (detail), 2020, Aluminum, permanent ink, electroformed copper, nickel, 191 × 148 × 0.5 cm. Courtesy of the Artist and Galeria Duarte Sequeira, Braga
Rachel Rose, Egg, 2018, Clear resin, 27.6 × 34.9 × 27.6 cm. Courtesy of the artist and Pilar Corrias
Rachel Rose, Egg, 2018, Clear resin, 27.6 × 34.9 × 27.6 cm. Courtesy of the artist and Pilar Corrias
Installation view
Installation view
Installation view
Installation view
Clementine Keith-Roach and Christopher Page, Hearth, 2022, Jesmonite, steel and wood armature, 135 x 145 x 32 cm. Courtesy the artists and Ben Hunter
Clementine Keith-Roach and Christopher Page, Hearth, 2022, Jesmonite, steel and wood armature, 135 x 145 x 32 cm. Courtesy the artists and Ben Hunter
Installation view
Installation view
Rachel Rose, Colore (1845) (detail), 2022, Color pigment, metallic powders, giclée print of Francis Danby’s Hampstead Heath, Sunset ca. 1845, 54.9 × 65.1 × 2.5 cm. Courtesy of the artist and Pilar Corrias
Rachel Rose, Colore (1845) (detail), 2022, Color pigment, metallic powders, giclée print of Francis Danby’s Hampstead Heath, Sunset ca. 1845, 54.9 × 65.1 × 2.5 cm. Courtesy of the artist and Pilar Corrias
Christian Quin Newell, Forgetfulness and the act of returning_ Part I, 2022, Charcoal, acrylic, oil on canvas, 170 × 120 × 6 cm
Christian Quin Newell, Forgetfulness and the act of returning_ Part I, 2022, Charcoal, acrylic, oil on canvas, 170 × 120 × 6 cm
Cole Lu On, the seventeen-day he awoke..., 2021, Burnt hardboard, silver plate, stereoscope, stereo card, marble, metal, concrete, 122 × 32.5 × 48.7 cm. Courtesy the artist and Chapter NY
Cole Lu On, the seventeen-day he awoke..., 2021, Burnt hardboard, silver plate, stereoscope, stereo card, marble, metal, concrete, 122 × 32.5 × 48.7 cm. Courtesy the artist and Chapter NY
Cole Lu Here, I go back to my black forest...(detail), 2022, Burnt birch, 35.6 × 27.9 × 3.8 cm. Courtesy of the artist and Chapter NY
Cole Lu Here, I go back to my black forest...(detail), 2022, Burnt birch, 35.6 × 27.9 × 3.8 cm. Courtesy of the artist and Chapter NY
Installation view
Installation view
“The river bears no empty bottles, sandwich papers, Silk handkerchiefs, cardboard boxes, cigarette ends Or other testimony of summer nights. The nymphs have departed.” Washing ashore are capsules of human civilization. The sea debris are all but burnt bodies. In deep time, things move in a great migration, swirling, slowly, smoothly: be it trash, eels, or monarch butterflies. Inside, on the walls of the cave, you name the dancing shadows of animals and humans; some speak, some are silent. A delicate prey and a crackling fire put the world in motion. The divine cyclops work relentlessly with fire to bend reflective armours, pitchers and other objects of desire; they melt sand for crystalware and blow eggs of glass to hatch. There were critical questions that we missed together. Where does a landscape begin and where does a body end? A celestial life spills mystery like dark oil: swirling, slowly, smoothly. He goes back to his black forest. Every day he pours his question into her, like his grandfather poured bucket after bucket of water over their burning shed. “What is a normal life? What is a normal life? What is a normal life?” She answers: “The great pixelated flames licking across the Earth’s vegetative surface are one with the intimate fire under the cooking pot, one with the flames of Bosch’s hell, one with Prometheus’ theft. The fire in your belly is the ancient food of heroes. Nothing burns like clay.”

More KUBAPARIS