Groupshow

Crying until laughing

Project Info

  • 💙 Trafó Gallery
  • 💚 Johan Gustavsson & Clara Pallí Monguilod | 1646, The Hague
  • 🖤 Groupshow
  • 💜 Johan Gustavsson & Clara Pallí Monguilod
  • 💛 Dávid Biró

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Crying until laughing | exhibition view | Trafó Gallery, 2022
Crying until laughing | exhibition view | Trafó Gallery, 2022
Crying until laughing | exhibition view | On the left: Afra Eisma: So are our joy, softness and love, 2022 (yarn, backing, latex)
Crying until laughing | exhibition view | On the left: Afra Eisma: So are our joy, softness and love, 2022 (yarn, backing, latex)
Crying until laughing | exhibition view | In the middle: Pauline Curnier Jardin: Qu’un Sang Impur (Bled Out), 2019 (video, 16’05”); on the right and left: Afra Eisma: So are our joy, softness and love, 2022
Crying until laughing | exhibition view | In the middle: Pauline Curnier Jardin: Qu’un Sang Impur (Bled Out), 2019 (video, 16’05”); on the right and left: Afra Eisma: So are our joy, softness and love, 2022
Ghita Skali: Ambition for the best, 2020 (video, 2’38”)
Ghita Skali: Ambition for the best, 2020 (video, 2’38”)
Afra Eisma: So are our joy, softness and love, 2022 (yarn, backing, latex)
Afra Eisma: So are our joy, softness and love, 2022 (yarn, backing, latex)
Afra Eisma: So are our joy, softness and love, 2022, detail (yarn, backing, latex)
Afra Eisma: So are our joy, softness and love, 2022, detail (yarn, backing, latex)
Marnix van Uum: And then the next morning, 2022 (color pencil, paper)
Marnix van Uum: And then the next morning, 2022 (color pencil, paper)
Marnix van Uum: And on the threshold of balance, 2022 (color pencil, paper)
Marnix van Uum: And on the threshold of balance, 2022 (color pencil, paper)
Crying until laughing | exhibition view | Trafó Gallery, 2022
Crying until laughing | exhibition view | Trafó Gallery, 2022
 Marnix van Uum: Untitled, 2022 (color pencil, canvas)
Marnix van Uum: Untitled, 2022 (color pencil, canvas)
Marnix van Uum: Head at age 21, 2022 (plaster, self-hardening clay, styrofoam, plastic, acrylic paint)
Marnix van Uum: Head at age 21, 2022 (plaster, self-hardening clay, styrofoam, plastic, acrylic paint)
Pauline Curnier Jardin: Qu’un Sang Impur (Bled Out), 2019 (video, 16’05”)
Pauline Curnier Jardin: Qu’un Sang Impur (Bled Out), 2019 (video, 16’05”)
Pauline Curnier Jardin: Qu’un Sang Impur (Bled Out), 2019 (video, 16’05”) | video still
Pauline Curnier Jardin: Qu’un Sang Impur (Bled Out), 2019 (video, 16’05”) | video still
Shana Moulton: MindPlace ThoughtStream, 2014 (video, 23’08”)
Shana Moulton: MindPlace ThoughtStream, 2014 (video, 23’08”)
Afra Eisma: So are our joy, softness and love, 2022, detail (yarn, backing, latex)
Afra Eisma: So are our joy, softness and love, 2022, detail (yarn, backing, latex)
Afra Eisma: So are our joy, softness and love, 2022, detail (yarn, backing, latex), detail
Afra Eisma: So are our joy, softness and love, 2022, detail (yarn, backing, latex), detail
Carmen Roca Igual: Novel, 2020 (video, 20’)
Carmen Roca Igual: Novel, 2020 (video, 20’)
Crying until laughing | exhibition view with artworks by Marnix van Uum | Trafó Gallery, 2022
Crying until laughing | exhibition view with artworks by Marnix van Uum | Trafó Gallery, 2022
Marnix van Uum: Beep (Bip) Beep (Bip) Buzz (Zzz) Beep (Bip) Buzz (Zzz), 2022 (video, 19’28”)
Marnix van Uum: Beep (Bip) Beep (Bip) Buzz (Zzz) Beep (Bip) Buzz (Zzz), 2022 (video, 19’28”)
Crying until laughing | Trafó Gallery, 2022
Crying until laughing | Trafó Gallery, 2022
Crying until laughing Exhibiting artists: Afra Eisma, Ghita Skali, Marnix van Uum, Shana Moulton, Pauline Curnier Jardin, Carmen Roca Igual Curated by Johan Gustavsson & Clara Pallí Monguilod | 1646, The Hague In our fascinating but unfortunately, harsh, and unfair world, it can be difficult to cope with situations or conditions that force us to confront our own and other’s vulnerability. Such situations can be overwhelming or leave us feeling powerless. The exhibition Crying until laughing brings together artists for whom humour is a catalyst to push beyond normative limitations and our perceived realities. These artists work with topics going from the everyday humdrum to geopolitics, from the simple embarrassment of blushing to the corporate imposed interests in our body and wellbeing, from the overwhelming pressures of social media to the burdens of having to succeed in life. They touch upon complex matters that most of us deal with. The exhibition is a collaboration between Trafó Gallery and 1646 Experimental Art Space, The Hague.
Johan Gustavsson & Clara Pallí Monguilod

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