
Paul Spendier
Ghosts don't like New Things

Ghosts donât like New Things: Exhibition view, Krinzinger Schottenfeld
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The Alive Show, 2023: mannequin parts, silicone, wig, wood, steel, plastic, mechanical parts, H&M sweater and modified Carhartt shorts

The Alive Show, Detail

The Alive Show, Detail

Left: Prop 2, 2023: LED candle, 2023 Right: Prop 3, 2023: old movie posters, cardboard, steel, plastic

Ghosts donât like New Things: Exhibition view, Krinzinger Schottenfeld

Prop 4, 2023: cotton, vinyl

Left: Prop 5, 2023: spare mannequin hand, wood. Right: Prop 6, 2023: LED candle

Ghosts donât like New Things: Exhibition view, Krinzinger Schottenfeld

Haunted House, 2023: wood, acrylic resin, paper

Haunted House: Detail

Haunted House: Detail

Prop 1, 2023: old movie posters, cardboard, steel, plastic

Prop 5, 2023: spare mannequin hand, wood
I stopped thinking about what
could have been, and feel the gentle
touch of sun warmed plastics.
My silicone skin is slowly stretching and
releasing. My very essence is tuned to
the average rhythm of existence.
Iâm doing the bare minimum.
I am playing the Alive show.
The installation âGhosts donât like New Thingsâ brings together a series of sculptural works exploring the remains of past futures in the now. They hint at a bygone era of movie special effects and are objects that donât stand for themselves but try to invoke carefully crafted illusions. They are props of a greater narrative that seems to have been lost somewhere along the way. Although the futures they were once intended to be included in didnât fulfill themselves, they refuse to go away, like haunting specters. By using clichĂ© horror movie tropes like puppets, abandoned houses and ghosts, they evoke a new storyline about past utopias, lost futures and feelings of disillusionment.