Paul Spendier

Ghosts don't like New Things

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Ghosts don‘t like New Things: Exhibition view, Krinzinger Schottenfeld
Ghosts don‘t like New Things: Exhibition view, Krinzinger Schottenfeld
The Alive Show, 2023: mannequin parts, silicone, wig, wood, steel, plastic, mechanical parts, H&M sweater and modified Carhartt shorts
The Alive Show, 2023: mannequin parts, silicone, wig, wood, steel, plastic, mechanical parts, H&M sweater and modified Carhartt shorts
The Alive Show, Detail
The Alive Show, Detail
The Alive Show, Detail
The Alive Show, Detail
Left: Prop 2, 2023: LED candle, 2023 Right: Prop 3, 2023: old movie posters, cardboard, steel, plastic
Left: Prop 2, 2023: LED candle, 2023 Right: Prop 3, 2023: old movie posters, cardboard, steel, plastic
Ghosts don‘t like New Things: Exhibition view, Krinzinger Schottenfeld
Ghosts don‘t like New Things: Exhibition view, Krinzinger Schottenfeld
Prop 4, 2023: cotton, vinyl
Prop 4, 2023: cotton, vinyl
Left: Prop 5, 2023: spare mannequin hand, wood. Right: Prop 6, 2023: LED candle
Left: Prop 5, 2023: spare mannequin hand, wood. Right: Prop 6, 2023: LED candle
Ghosts don‘t like New Things: Exhibition view, Krinzinger Schottenfeld
Ghosts don‘t like New Things: Exhibition view, Krinzinger Schottenfeld
Haunted House, 2023: wood, acrylic resin, paper
Haunted House, 2023: wood, acrylic resin, paper
Haunted House: Detail
Haunted House: Detail
Haunted House: Detail
Haunted House: Detail
Prop 1, 2023: old movie posters, cardboard, steel, plastic
Prop 1, 2023: old movie posters, cardboard, steel, plastic
Prop 5, 2023: spare mannequin hand, wood
Prop 5, 2023: spare mannequin hand, wood
I stopped thinking about what could have been, and feel the gentle touch of sun warmed plastics. My silicone skin is slowly stretching and releasing. My very essence is tuned to the average rhythm of existence. I’m doing the bare minimum. I am playing the Alive show. The installation “Ghosts don’t like New Things” brings together a series of sculptural works exploring the remains of past futures in the now. They hint at a bygone era of movie special effects and are objects that don’t stand for themselves but try to invoke carefully crafted illusions. They are props of a greater narrative that seems to have been lost somewhere along the way. Although the futures they were once intended to be included in didn’t fulfill themselves, they refuse to go away, like haunting specters. By using clichĂ© horror movie tropes like puppets, abandoned houses and ghosts, they evoke a new storyline about past utopias, lost futures and feelings of disillusionment.

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