
Ibrahim Mahama
TRANSFER(S)
Project Info
- 💙 Kunsthalle Osnabrück
- 💚 Bettina Klein & Kwasi Ohene-Ayeh
- 🖤 Ibrahim Mahama
- 💜 Bettina Klein & Kwasi Ohene-Ayeh
- 💛 Lucie Marsmann, Angela von Brill & Friso Gentsch
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Ibrahim Mahama, “TRANSFER(S)”, installation view, wrapping of former Galeria Kaufhof building in Osnabrück, 2023. Courtesy Ibrahim Mahama and Kunsthalle Osnabrück. Photo: Lucie Marsmann
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Ibrahim Mahama, “TRANSFER(S)”, installation view, wrapping of former Galeria Kaufhof building in Osnabrück, 2023. Courtesy Ibrahim Mahama and Kunsthalle Osnabrück. Photo: Lucie Marsmann

Ibrahim Mahama, “TRANSFER(S)”, installation view, wrapping of former Galeria Kaufhof building in Osnabrück, 2023. Courtesy Ibrahim Mahama and Kunsthalle Osnabrück. Photo: Lucie Marsmann

Ibrahim Mahama, “TRANSFER(S)”, installation view, wrapping of former Galeria Kaufhof building in Osnabrück, 2023. Courtesy Ibrahim Mahama and Kunsthalle Osnabrück. Photo: Lucie Marsmann

Ibrahim Mahama, “TRANSFER(S)”, installation view, wrapping of former Galeria Kaufhof building in Osnabrück, 2023. Courtesy Ibrahim Mahama and Kunsthalle Osnabrück. Photo: Friso Gentsch

Ibrahim Mahama, “TRANSFER(S)”, installation view, wrapping of former Galeria Kaufhof building in Osnabrück, 2023. Courtesy Ibrahim Mahama and Kunsthalle Osnabrück. Photo: Lucie Marsmann

Ibrahim Mahama, “TRANSFER(S)”, installation view, wrapping of former Galeria Kaufhof building in Osnabrück, 2023. Courtesy Ibrahim Mahama and Kunsthalle Osnabrück. Photo: Lucie Marsmann

Ibrahim Mahama, “TRANSFER(S)”, installation view, wrapping of former Galeria Kaufhof building in Osnabrück, 2023. Courtesy Ibrahim Mahama and Kunsthalle Osnabrück. Photo: Lucie Marsmann

Ibrahim Mahama, “TRANSFER(S)”, installation view, wrapping of former Galeria Kaufhof building in Osnabrück, 2023. Courtesy Ibrahim Mahama and Kunsthalle Osnabrück. Photo: Lucie Marsmann

Ibrahim Mahama, “TRANSFER(S)”, installation view, wrapping of former Galeria Kaufhof building in Osnabrück, 2023. Courtesy Ibrahim Mahama and Kunsthalle Osnabrück. Photo: Lucie Marsmann

Ibrahim Mahama, “TRANSFER(S)”, installation view, wrapping of former Galeria Kaufhof building in Osnabrück, 2023. Courtesy Ibrahim Mahama and Kunsthalle Osnabrück. Photo: Angela von Brill

Ibrahim Mahama, “TRANSFER(S)”, installation view, wrapping of former Galeria Kaufhof building in Osnabrück, 2023. Courtesy Ibrahim Mahama and Kunsthalle Osnabrück. Photo: Lucie Marsmann

Ibrahim Mahama, “TRANSFER(S)”, installation view, wrapping of former Galeria Kaufhof building in Osnabrück, 2023. Courtesy Ibrahim Mahama and Kunsthalle Osnabrück. Photo: Friso Gentsch

Ibrahim Mahama, “TRANSFER(S)”, installation view, wrapping of former Galeria Kaufhof building in Osnabrück, 2023. Courtesy Ibrahim Mahama and Kunsthalle Osnabrück. Photo: Lucie Marsmann

Ibrahim Mahama, “TRANSFER(S)”, installation view, wrapping of former Galeria Kaufhof building in Osnabrück, 2023. Courtesy Ibrahim Mahama and Kunsthalle Osnabrück. Photo: Angela von Brill

Ibrahim Mahama, “TRANSFER(S)”,workshop at the former Galeria Kaufhof building in Osnabrück with Ibrahim Mahama, 2023. Courtesy Ibrahim Mahama and Kunsthalle Osnabrück. Photo: Angela von Brill

Ibrahim Mahama, “TRANSFER(S)”,workshop at the former Galeria Kaufhof building in Osnabrück with Ibrahim Mahama, 2023. Courtesy Ibrahim Mahama and Kunsthalle Osnabrück. Photo: Angela von Brill

Ibrahim Mahama, “TRANSFER(S)”,workshop at the former Galeria Kaufhof building in Osnabrück with Ibrahim Mahama, 2023. Courtesy Ibrahim Mahama and Kunsthalle Osnabrück. Photo: Angela von Brill
On the occasion of the city of Osnabrück's anniversary celebrating 375 years of the Peace of Westphalia, artist Ibrahim Mahama is dedicating himself to Osnabrück’s history of linen in his new production initiated in cooperation with the Kunsthalle Osnabrück. From 8 July to 1 October, the Ghanaian artist covers the former Galeria Kaufhof building in Osnabrück's city centre monumentally with hand-woven cotton fabrics and recycled jute sacks.
The research and exhibition project explores a variety of historical and contemporary transfer circuits between Central Europe and West Africa. Thematically, it ties in with Osnabrück's historical importance as one of the most important textile production regions in Westphalia, among others for linen fabric, which became known as "true born Osnaburghs" and dates back to the fourteenth century. This linen was also used as a means of exchange for prisoners from the coastal regions of Africa and to make clothing for the forced labourers working on the plantations of the West Indies.
The former Galeria Kaufhof building with its equally diverse history and future realignment is ideal for these debates. As early as 1955, the Merkur department store had opened there on the site of the Hotel Germania (known from E. M. Remarque's novel "The Black Obelisk"), which had been destroyed during the war. Local city history, war and post-war experiences are thus placed in the context of global trade and power relations through Mahama's intervention. The building is currently being converted by the Hamburg-based project developer Home United and, as of 2024, will house not only the cross-community space "Osnabrücker Ding" but also, among others, the departments of "Art/Art Education" and "Textile Design" of the University of Osnabrück.
In addition to Mahama's installation in Osnabrück, "TRANSFER(S)" also includes an accompanying discourse programme at the Savannah Centre for Contemporary Art in Tamale (Ghana) this autumn. The SCCA Tamale is one of three institutions Mahama has established in his hometown. This autumn, the SCCA Tamale will serve as a discursive hub where the historical-political strands of the research premises will be unravelled in a series of talks, seminars, exhibitions, performances and presentations. The multi-day events are designed to create further perspectives in exchange with academics, curators, historians, musicians and artists. The project is curated by Kwasi Ohene-Ayeh (Kumasi, Ghana) and Bettina Klein (Berlin).
Funded by the TURN2 Fund of the Kulturstiftung des Bundes (German Federal Cultural Foundation). Funded by the Beauftragte der Bundesregierung für Kultur und Medien (Federal Government Commissioner for Culture and the Media). With the support of Kulturhauptstadt Europas (European Capital of Culture) Chemnitz 2025. The project is supported by Koch International Heinrich Koch Internationale Spedition GmbH & Co KG as well as by Home United as the developer of the "Osnabrücker Ding" in the former Galeria Kaufhof building.
Bettina Klein & Kwasi Ohene-Ayeh