
Susanne Hopmann
Kassandra
Project Info
- 💙 Kunsthalle.Ost (Leipzig, Germany)
- 💚 Susanne Hopmann
- 🖤 Susanne Hopmann
- 💜 Ralitsa Benkova
- 💛 Gustav Franz
Share on

kho_kassandra_arm_sculpture detail
Advertisement

kho_kassandra_burnt tree_exhibition detail

kho_kassandra_composition view

kho_kassandra_detail of the art work

kho_kassandra_installation view

kho_kassandra_installation view

kho_kassandra_installation view

kho_kassandra_sculptures_close image

kho_kassandra_self-made instrument used in sound performance

kho_kassandra_self-made instrument-wood-detail

kho_kassandra_two scluptures
“Kassandra” by Susanne Hopmann
"Now my curiosity, directed also at myself, is completely free. When I recognized
this, I cried out loudly, on the crossing, I, like everyone else, miserable, battered by
the sea, wet to the skin from the splashing spray, bothered by the howling and the
emanations of the other Trojan women, not well-disposed towards me, for everyone
always knew who I am." (Kassandra, Christa Wolf)
Truthful, and unable to be otherwise, the prophetess Cassandra tries to warn her
people against the war with the Greeks and the conquest of Troy. In vain. No one
listens to her. She is cursed to speak the truth for the rest of her life, but for no one to
believe her prophecies. The myth of Cassandra and Christa Wolf's narrative are
more relevant today than ever. A tragic tale of our time, where warning voices are
ignored, and people turn away from the inevitable.
Solutions are not actively sought, even though it is known that the voices of
thousands of Cassandras worldwide speak the truth, but rather ways to dampen,
quieten, and ignore these warning signals. 'The Strong' refuses to accept this, as it
means abandoning one's own worldviews, the safest and firmest anchor of one's
own ego, changing course, taking responsibility, and acting differently. One deceives
oneself, believing that time and what lies ahead can be halted.
Susanne Hopmann skillfully conveys this message in a clear and unmistakable yet
gentle manner through her work. The individual objects materialize as components of
a larger whole, stemming from individual experiences and sensations, reflections,
and reactions to the external world and environment. The centerpiece and starting
point of the work is the narrative of Cassandra. Those who do not understand
Cassandra today choose not to understand her.
Susanne's diverse installation work will continue to evolve, change, and expand. It is
not to be seen as static but rather as a complex and constantly changing construct.
Ralitsa Benkova