Cléo Sjölander, David Cyrenne, Adrienne Greenblatt, Nick Castonguay, Antoine Thériault, Phil Tremble, Paul McClean, Boris Panaccio

Lysis

Project Info

  • 💙 Undisclosed Off-site, Montreal
  • 💚 Marie Ségolène C Brault , David Cyrenne
  • 🖤 Cléo Sjölander, David Cyrenne, Adrienne Greenblatt, Nick Castonguay, Antoine Thériault, Phil Tremble, Paul McClean, Boris Panaccio
  • 💜 Marie Ségolène C Brault
  • 💛 William Sabourin

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Lysis, Unidentified photographic slides altered by mold, found in S. Eusebe de Verceil Church (Montreal)
Lysis, Unidentified photographic slides altered by mold, found in S. Eusebe de Verceil Church (Montreal)
An ephemeral group exhibition
David Cyrenne, "Sleep-talk incantations for world peace", 2024 Recuperated glass, solder, wood, steel on felt, aluminum  17.5 x 19.5 inches
David Cyrenne, "Sleep-talk incantations for world peace", 2024 Recuperated glass, solder, wood, steel on felt, aluminum 17.5 x 19.5 inches
David Cyrenne, "Sleep-talk incantations for world peace", 2024 Recuperated glass, solder, wood, steel on felt, aluminum  17.5 x 19.5 inches
David Cyrenne, "Sleep-talk incantations for world peace", 2024 Recuperated glass, solder, wood, steel on felt, aluminum 17.5 x 19.5 inches
Adrienne Greenblatt, "Shedding", 2024 raku clay, latex 7 x 6 x 4 inches
Adrienne Greenblatt, "Shedding", 2024 raku clay, latex 7 x 6 x 4 inches
Boris Panaccio, "Portals I", 2024 Chain, steel plate, locks, print on vinyls  16 x 20 inches
Boris Panaccio, "Portals I", 2024 Chain, steel plate, locks, print on vinyls 16 x 20 inches
Boris Panaccio, "Portals I", 2024 Chain, steel plate, locks, print on vinyls  16 x 20 inches
Boris Panaccio, "Portals I", 2024 Chain, steel plate, locks, print on vinyls 16 x 20 inches
Paula McCLean, "Onlookers", 2024 Inkjet photo, corrugated plastic, magnifying sheet 10 x 4 x 2.25 inches
Paula McCLean, "Onlookers", 2024 Inkjet photo, corrugated plastic, magnifying sheet 10 x 4 x 2.25 inches
Paula McCLean, "Onlookers", 2024 Inkjet photo, corrugated plastic, magnifying sheet 10 x 4 x 2.25 inches
Paula McCLean, "Onlookers", 2024 Inkjet photo, corrugated plastic, magnifying sheet 10 x 4 x 2.25 inches
Lysis, Installation View
Lysis, Installation View
Nick Castonguay, "Prospecting with a Geiger Counter", 2024 truck bed cover crossmember, clip-on sun visor, gypsum board, silicone, image transfers, collage Dimensions Variable
Nick Castonguay, "Prospecting with a Geiger Counter", 2024 truck bed cover crossmember, clip-on sun visor, gypsum board, silicone, image transfers, collage Dimensions Variable
Cléo Sjölander and Boris Panaccio, "Angelus", 2024 Chains, ceramic 61 x 43 x 31 inches
Cléo Sjölander and Boris Panaccio, "Angelus", 2024 Chains, ceramic 61 x 43 x 31 inches
Nick Castonguay, "Soothsayer's Visard", 2024 cast silicone, scuba mask, LED chip, steel 9 x 9 x 38 inches
Nick Castonguay, "Soothsayer's Visard", 2024 cast silicone, scuba mask, LED chip, steel 9 x 9 x 38 inches
Nick Castonguay, "Soothsayer's Visard", 2024 cast silicone, scuba mask, LED chip, steel 9 x 9 x 38 inches
Nick Castonguay, "Soothsayer's Visard", 2024 cast silicone, scuba mask, LED chip, steel 9 x 9 x 38 inches
Phil Tremble, "Untitled 3", 2024 Paper, colored pencil, wood glue and glue 6 x 9 x 0.5 inches
Phil Tremble, "Untitled 3", 2024 Paper, colored pencil, wood glue and glue 6 x 9 x 0.5 inches
Antoine Thériault, "Sub-story", 2023 Oil and graphite on papier maché, structural mortar, chicken wire and steel wire 13 x 20 x 5 inches
Antoine Thériault, "Sub-story", 2023 Oil and graphite on papier maché, structural mortar, chicken wire and steel wire 13 x 20 x 5 inches
Boris Panaccio, "Portals II", 2024 Chain, steel plate, locks, print on vinyls  41 x 52 inches
Boris Panaccio, "Portals II", 2024 Chain, steel plate, locks, print on vinyls 41 x 52 inches
Boris Panaccio and Cléo Sjölander, Installation View
Boris Panaccio and Cléo Sjölander, Installation View
Cléo Sjölander, "Angel", 2024 clay, glaze 5,5 x 6 x 3,5 inches
Cléo Sjölander, "Angel", 2024 clay, glaze 5,5 x 6 x 3,5 inches
Antoine Thériault, "Étude Horizontal", 2024 Oil and graphite on papier maché, structural mortar, chicken wire and steel wire 41.5 x 25 x 1.5 inches
Antoine Thériault, "Étude Horizontal", 2024 Oil and graphite on papier maché, structural mortar, chicken wire and steel wire 41.5 x 25 x 1.5 inches
David Cyrenne, "Trinity assunta", 2024  Recuperated glass, solder, wood, acrylic on canvas, aluminum  23.5 x 26.5 inches
David Cyrenne, "Trinity assunta", 2024 Recuperated glass, solder, wood, acrylic on canvas, aluminum 23.5 x 26.5 inches
Lysis took place on Friday, July 19th, 2024 in Montreal. This ephemeral group exhibition was based on two photographic slide found in an abandoned church. Lysis explored themes of decomposition and regeneration through mildew, light, and divine spores. Set in an undisclosed location without artificial lighting, the exhibition was on view for four hours, before and during sun set. From the Exhibition Text: "Lysis: noun: ly·​sis ˈlī-səs, plural: lyses ˈlī-ˌsēz 1. The gradual decline of a disease process (such as fever) 2. A process of disintegration or dissolution (as of cells) -lysis: noun combining form, plural: -lyses 1.Decomposition 2. Disintegration : breaking down Lysis (/ˈlaɪsɪs/; Greek: Λύσις, genitive case Λύσιδος, showing the stem Λύσιδ-, from which the infrequent translation Lysides), is a dialogue of Plato which discusses the nature of philia (φιλία). * April, 2024. The S. Eusebe de Verceil Church turns 100. Didn’t take long after the fire for plantlife to come in. Spreading out like a pair of arms, mid-yawn. No one had the money to fix it up. Neither the city, nor the congregation. They boarded up the doors, and anything that was open. But it was never that difficult to find a way in. Pigeons have been nesting in the vaulted ceilings by the hundreds. They call out to their own sound, endless echoes accompanied by rhythmic wings in flight. I swear, the dumb things get stuck inside and forget their way out. A feast for cats. Pages of prayers and faded text are scattered everywhere. Snow has fallen in and melted several times already. Mold coats whatever it can, making it hard to breathe. Children have broken everything they could get their hands on, the organ, statues, doors, benches, glass. Only the tallest stained glass windows stay untouched, specks of primary colors reflect onto the floor like water. S Eusèbe stands, regardless of its weakened foundation. "
Marie Ségolène C Brault

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