NOTHING PETALS CANNOT SAY, RESTING IN THE WORLDS BONE

Rooted in botanical anatomy, growth, and decay, the exhibition presents a scenario where past and distant future collide. In this context, decadence and reconstruction exist in a synchronised duality, forming a hypothetical archaeological state. Lindgren translates camouflage and protection into sculptural survival strategies, with materials and shapes mimicking a frozen metamorphosis. The exhibition transitions from the organic to the static, and from the living to the non-living through forms and expressions of survival, cycles, and transience.