Andrej Auch, Yaser Bashir, Marjan Baniasadi, The BERG, Roman Cherezov, Cheng-Hsin Chiang, Ilinca Fechete, Andrei Hâncu, Bela Juttner, Younsik Kim, Denis Klausmann, David Korbmann, Nikita Senkevych, Roman Toulany, Julia Walk

1-Euro-Shop

Project Info

  • 💙 Künstlerhaus
  • 💚 Yaser Bashir, Magdalena Shterianova & Roman Toulany
  • 🖤 Andrej Auch, Yaser Bashir, Marjan Baniasadi, The BERG, Roman Cherezov, Cheng-Hsin Chiang, Ilinca Fechete, Andrei Hâncu, Bela Juttner, Younsik Kim, Denis Klausmann, David Korbmann, Nikita Senkevych, Roman Toulany, Julia Walk
  • 💜 Magdalena Shterianova
  • 💛 Produktion Pitz

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Installation view
Installation view
Group exhibition of Munich art students and graduates
Installation view
Installation view
Installation view
Installation view
Installation view
Installation view
Installation view
Installation view
Installation view
Installation view
The BERG, « ONES » (2024)/ Opt I., Light box with photomontage on backlit paper
The BERG, « ONES » (2024)/ Opt I., Light box with photomontage on backlit paper
The BERG, « ONES » (2024)/ Opt II., , Light box with photomontage on backlit paper
The BERG, « ONES » (2024)/ Opt II., , Light box with photomontage on backlit paper
Cheng-Hsin Chiang, I Will Always Stand on The Side of the Egg, 2022, Eggs Plexiglass, transparent mirror foil and eggs
Cheng-Hsin Chiang, I Will Always Stand on The Side of the Egg, 2022, Eggs Plexiglass, transparent mirror foil and eggs

Roman Toulany, Mauerblumen, 2024, Mixed Material on canvas

Roman Toulany, Mauerblumen, 2024, Mixed Material on canvas
 
Julia Walk, Sugar Foot, Green Sugar, Blue Blob, Petrol Sugar, 2024, Fine art print behind acrylic glass with Dibond backing 


Julia Walk, Sugar Foot, Green Sugar, Blue Blob, Petrol Sugar, 2024, Fine art print behind acrylic glass with Dibond backing 

Younsik Kim, Nach dem Tod_Frozen wave, 2024, Stainless steel, ceramic, cotton, rubber and LED

Younsik Kim, Nach dem Tod_Frozen wave, 2024, Stainless steel, ceramic, cotton, rubber and LED

Marjan Baniasadi, Whispers of Time, 2024, Installation, ceramics and textile ceramics
Marjan Baniasadi, Whispers of Time, 2024, Installation, ceramics and textile ceramics
Roman Cherezov, untitled (Gefährliche Lilien), 2023, Light box with 4 fluorescent tubes, colour filter UV protected

Roman Cherezov, untitled (Gefährliche Lilien), 2023, Light box with 4 fluorescent tubes, colour filter UV protected


Denis Klausmann, Platypus 1, 2024, Bronze, glazed stoneware, wood 


Denis Klausmann, Platypus 1, 2024, Bronze, glazed stoneware, wood 

Bela Juttner, Bite dress, 2023, Nylon, readymade T-shirt (cotton jersey, digital print), horsehair, magnets, linen and rice

Bela Juttner, Bite dress, 2023, Nylon, readymade T-shirt (cotton jersey, digital print), horsehair, magnets, linen and rice

Nikita Senkevych, Die Reihe, 2023, Oil on canvas
Nikita Senkevych, Die Reihe, 2023, Oil on canvas
Ilinca Fechete, INDIVIDUATION ACCORDING TO SIMONDON I & II, 2024, Laser engraving on aluminium

Ilinca Fechete, INDIVIDUATION ACCORDING TO SIMONDON I & II, 2024, Laser engraving on aluminium

Yaser Bashir, Die Augen meiner Haut, 2024, Oil, wax and pigment on beech
Yaser Bashir, Die Augen meiner Haut, 2024, Oil, wax and pigment on beech
Andrei Hâncu, Star rating, 2023, UV printing and plexiglass
Andrei Hâncu, Star rating, 2023, UV printing and plexiglass
ChatGPT сказал: ChatGPT When you stand in a one-euro shop, you're overwhelmed by the sheer abundance of products on the shelves, without knowing which ones you can trust. Employees who can guide you through the selection are rare. Certain parallels can be drawn to the local art world, where many new artists are trying to establish themselves. How are these emerging artists supposed to position themselves in light of market realities? Our one-euro shop addresses precisely this question. The one-euro shop symbolizes the pinnacle of our capitalist-driven society. In a world where the work of artists is automatically viewed as a product to be evaluated on the art market, fundamental questions arise: How do we determine the value of art? And what standards are used to evaluate it? The exhibition is both an artistic interpretation of this phenomenon and a critical examination of the mechanisms of market logic. In a landscape where the necessary intermediaries to connect young artists with their audiences are often lacking, the importance of self-initiative becomes all the more apparent: artists must find their own ways to make their work visible and strengthen their positions. This project questions the structures of which the participants are themselves a part, highlighting the contradictions and challenges of the art market. The first edition of this traveling exhibition takes place at the Künstlerhaus and brings together a broad spectrum of artistic expressions, representing students and graduates of the AdBK Munich. Each position sheds light on a facet of creative work and reflects the diversity of media. Artists are ambassadors for life worlds that are often inaccessible to people in fixed everyday structures, as their time is distributed differently. Through the artists' works, these people gain insights into life realms they would otherwise rarely experience. Art holds an immaterial value that goes far beyond its monetary price. Norms and evaluation criteria govern a market in which art also moves.
Magdalena Shterianova

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