Lily Hargreaves

Eat Soup or Die Trying

Project Info

  • đź’™ Piccalilli
  • đź’š Steven Gee
  • đź–¤ Lily Hargreaves
  • đź’ś Lily Hargreaves
  • đź’› Corey Bartle-Sanderson

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Lily Hargreaves - Eat Soup or Die Trying (install 1)
Lily Hargreaves - Eat Soup or Die Trying (install 1)
Lily Hargreaves - Eat Soup or Die Trying (install 2)
Lily Hargreaves - Eat Soup or Die Trying (install 2)
Lily Hargreaves - Eat Soup or Die Trying (install 3)
Lily Hargreaves - Eat Soup or Die Trying (install 3)
Lily Hargreaves - Eat Soup or Die Trying (install 4)
Lily Hargreaves - Eat Soup or Die Trying (install 4)
Lily Hargreaves - Eat Soup or Die Trying (install 5)
Lily Hargreaves - Eat Soup or Die Trying (install 5)
Splitting the Red, 2024. Oil on canvas, 35 x 28cm
Splitting the Red, 2024. Oil on canvas, 35 x 28cm
It Goes, It Goes, It's Gone, 2024. Oil on canvas, 125 x 20cm
It Goes, It Goes, It's Gone, 2024. Oil on canvas, 125 x 20cm
Tomato, 2024. Oil on canvas, 40 x 30cm
Tomato, 2024. Oil on canvas, 40 x 30cm
Baby Food, 2024. Oil on canvas , 60 x 45cm
Baby Food, 2024. Oil on canvas , 60 x 45cm
When You Said I Could Be Good, I Wouldn't Have It, 2024. Oil on canvas, 45 x 35cm
When You Said I Could Be Good, I Wouldn't Have It, 2024. Oil on canvas, 45 x 35cm
Drink, Daughter, From My Side, 2024. Oil on canvas, 25 x 20cm
Drink, Daughter, From My Side, 2024. Oil on canvas, 25 x 20cm
Mill (after Meister des HostienmĂĽhlenretabels), 2024. Oil on canvas, 42 x 32cm (framed)
Mill (after Meister des HostienmĂĽhlenretabels), 2024. Oil on canvas, 42 x 32cm (framed)
Press (after Mistr Studne Zivota), 2024. Oil on canvas , 42 x 32cm (framed)
Press (after Mistr Studne Zivota), 2024. Oil on canvas , 42 x 32cm (framed)
Eat Soup or Die Trying, consists of a new body of paintings reflecting on the wellness industry in the early twentieth century; particularly the experimental fad diets and treatment centres that gained popularity in this era. This show explores the perceived link between fasting and cleansing, tracing through a long Catholic tradition of restricted eating and revisiting these worlds to consider how moralising consumption haunts contemporary conversations around food. Soup takes centre stage in this series, inspired by the liquified blends of fruits and vegetables integral to these turn of the century programmes. Colanders, sieves, and cheese cloths take figurative form; tomatoes are pulped and strained in bodily mimesis. Free-flowing fluids are stiffly sculpted as foods are forced into strict, consistent striations. The human form is absent in consideration of the psychological causes for disordered eating, self-violence put forward as a grounding distraction from an external in flux.
Lily Hargreaves

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