
Veronika Beringer, Lauren Nickou
plashy, a duo-exhibition at New Jörg in Vienna

Installation view, ceramics by Veronika Beringer, paintings by Lauren Nickou
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Installation view, ceramics by Veronika Beringer, paintings by Lauren Nickou

Installation view, ceramics by Veronika Beringer, paintings by Lauren Nickou

Installation view, ceramics by Veronika Beringer, paintings by Lauren Nickou

Installation view, ceramics by Veronika Beringer, paintings by Lauren Nickou

Installation view, ceramics by Veronika Beringer, paintings by Lauren Nickou

Installation view, ceramics by Veronika Beringer, paintings by Lauren Nickou

Installation view, ceramics by Veronika Beringer, paintings by Lauren Nickou

Installation view, ceramics by Veronika Beringer, paintings by Lauren Nickou

Veronika Beringer, Venus Cloacina, Ceramic Fountain, 122 x 150 cm, 2021

Veronika Beringer, Venus Cloacina, Ceramic Fountain, 122 x 150 cm, 2021

Veronika Beringer, Furrato, Ceramic, Silkpainting, Frottee, Styrofoam and Ceramic Figures, 17 x 13,4 cm, 2024

Veronika Beringer Fujiyama Onsen (outside), Ceramic, Silkpainting, Frottee and Ceramic Figures, 21,5 x 15 cm, 2025

Lauren Nickou, Moon over Traunsee, oil on linen, 50 x 60 cm, 2025

Lauren Nickou, Sunset at Traunsee, Black and White 4, Ink on handmade cotton paper, 36 x 25 cm, (framed: 52 x 42 cm), 2025

Lauren Nickou, Sunset at Traunsee, Pink 1, acrylic and ink on handmade cotton paper, 18 x 12 cm, (framed: 42 x 32 cm), 2025

Lauren Nickou, Sunset at Traunsee, Pink 2, Acrylic and ink on handmade cotton paper 36 x 24 cm, (framed: 52 x 42 cm), 2025

Lauren Nickou, Sunset at Traunsee, Magenta, oil on linen, 50 x 40 cm, 2025

Lauren Nickou, Sunset at Traunsee, Yellow, oil on linen, 60 x 50 cm, 2025
Dear God,
(...), (...) however this new life as a father, a messenger of sorts, has quite naturally become one of more
routine and ritual.
Every morning starts with a shower, after waking, that cleanses my body and marks the new day’s start.
The bathroom is an intimate cocoon whose confines provide shelter for thoughts that, moments before,
were dreams. Under the warm water, thoughts safely continue to float around the unconscious, but not
for very long because practical matters await and also, gas is costly!
(...) but when it’s time, I saunter to work, which takes one hour of time. This route leads me through
three city parks that all contain trees, plants, hedges and patches of grass (nature). Walking through
nature is good for the heart and for feeling more relaxed. Being out and looking at life, ‘inner’ thoughts
air and exchange with the outside, which have a way of grounding them. There’s no time for this type of
thinking quite like when sauntering through the outdoors.
Nietzsche is quoted for stating, or so I was told, among other things, that Sitzfleisch is the real sin against
the Holy Spirit. Only thoughts reached by walking have any value. Forgive me.
Sit as little as possible, do not believe any idea that wasn’t born out of free movement in the open air.
When I repeated this to a Bulgarian friend, she replied that Nietzsche should have taken his own advice!
As I’m writing this art text, I am, alas, seated. I did go out with the purpose of thinking up a text on a walk
and the weather is quite inspiring. A rare combination of springtime light and scent, on the brink of
thunder, that I must only have experienced a handful of dusks before - and now each recording is
simultaneosly summoned, in a flux, through their little antennas that stand out at specific height in my
memories. Associations agogo! Natheless it is also, alas, extremely plashy out and thus I had to find
cover for my notebook. But even if my surrounding had been a wizened droughty one - I can’t write
legibly when walking, and my short-term memory is too impaired to hold thoughts long enough to be
able to write them down later, and I don’t have long-term’s time, for, as you know, this text is due
tomorrow.
Although not on the move, at least I am sitting outside. It’s a covered terrace at a small roundabout with
a tree in its center. The tree is full of branches full of fresh green leaves. The whole thing looks like an
extremely slow explosion. Or perhaps it’s us who are very quick, making the explosion look almost
paused, except for its leaves, its flashes, that are swaying gently.
Gijs Milius