I See Everything Twice

This exhibition of new work by senior South Australian artist, Matthew Bradley, artist/curator Nicholas Hanisch, and Hamburg-based artist Harry Thring, presents anachronistic artefacts from discordant timelines. Combining sculpture, drawing and painting, this is a textually rich exhibition, drawing together different strategies of making and material play. The title references a chapter in Joseph Heller's Catch 22, which captures the wink of absurdity among the materially ambitious works.