Andrew Roberts
Haunted
Project Info
- đ SCAD Museum of Art
- đ Ben Tollefson
- đ€ Andrew Roberts
- đ Ben Tollefson
- đ SCAD Museum of Art
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Me persigue tu sombra, 2025. Commercial door and tables, light box, PLA 3D prints, and digital animation.
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Me persigue tu sombra, 2025. Commercial door and tables, light box, PLA 3D prints, and digital animation.
Me persigue tu sombra, 2025. Commercial door and tables, light box, PLA 3D prints, and digital animation.
Me persigue tu sombra, 2025. Commercial door and tables, light box, PLA 3D prints, and digital animation.
Me persigue tu sombra, 2025. Commercial door and tables, light box, PLA 3D prints, and digital animation.
Me persigue tu sombra, 2025. Commercial door and tables, light box, PLA 3D prints, and digital animation.
Me persigue tu sombra, 2025. Commercial door and tables, light box, PLA 3D prints, and digital animation. Detail.
Me persigue tu sombra, 2025. Commercial door and tables, light box, PLA 3D prints, and digital animation. Detail.
Me persigue tu sombra, 2025. Commercial door and tables, light box, PLA 3D prints, and digital animation. Detail.
Me persigue tu sombra, 2025. Commercial door and tables, light box, PLA 3D prints, and digital animation. Detail.
Me persigue tu sombra, 2025. Commercial door and tables, light box, PLA 3D prints, and digital animation.
Me persigue tu sombra, 2025. Commercial door and tables, light box, PLA 3D prints, and digital animation. Detail.
Me persigue tu sombra, 2025. Commercial door and tables, light box, PLA 3D prints, and digital animation.
Invocation, 2025. Poetry reading performed as a séance.
Invocation, 2025. Poetry reading performed as a séance.
Drawing elements from the horror genre and video game aesthetics, Andrew Roberts examines
the violent aspects of cultural and economic systems. His multimedia work has recently focused
on the geopolitical dynamics that have shaped the relationship between the U.S. and his home
country Mexico, as well as the effect these forces have had on his familial history. In his first
institutional solo show in the U.S., Roberts incorporates film, sculpture, and installation in a
compelling tableau that transports viewers to a ghostly simulacrum of the fast-food franchise
Jack in the Box.
The artistâs new animated film, designed with video game software, presents the restaurant
interior populated by spectral manifestations of the brandâs mascot in three forms: darkness,
liquid rubber, and red light. Pulled from the artistâs childhood memories of visiting his father at a
Jack in the Box on the U.S.âMexico border, which also served as a gathering point for migrant
workers and families separated by immigration policies, Robertsâ installation examines the
haunting realities at the intersection of policy, corporate identity, and personal experience.
Text by Ben Tollefson
Film Credits:
Written, directed, and animated by Andrew Roberts.
Original music by Espectro Caudillo (Reuben Torres).
Ben Tollefson