Katiciya
La cristallizzazione
Project Info
- đ km nomadic
- đ Matvey Kalmikov
- đ€ Katiciya
- đ Matvey Kalmikov
- đ Anton Butusov
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âMoviti sul posto, vedere attraverso il cristalloâ
âMoviti sul posto, vedere attraverso il cristalloâ
âMoviti sul posto, vedere attraverso il cristalloâ
âMoviti sul posto, vedere attraverso il cristalloâ
âIl cerchio rottoâ
âUno, due, tre, quatre, cinque, Il coniglietto Ăš uscito a fare una passeggiataâ
âUno, due, tre, quatre, cinque, Il coniglietto Ăš uscito a fare una passeggiataâ
âUno, due, tre, quatre, cinque, Il coniglietto Ăš uscito a fare una passeggiataâ
âUno, due, tre, quatre, cinque, Il coniglietto Ăš uscito a fare una passeggiataâ
âLâinterruttore inaccessibileâ
âLâinterruttore inaccessibileâ
âIl riflessoâ
âIl riflessoâ
âIl riflessoâ
âLa trappola per coniglioâ
âLa trappola per coniglioâ
Crystallization is a phase transition of a substance from liquid to solid. From a physical standpoint, this is a transformation that implies a decrease in entropy.
Considering state regulation of the internet space as a process of crystallizationâa transition from entropy to rigid structureâone can observe an accelerated slowdown. The works in the exhibition capture precisely this liminal state of frozen suspense, where acuity is masked by safety and visual appeal. The works construct a world in the genre of soft horror, centered on crystals.
These crystals represent the ideal formâa pure symbol of luxury and desire.âšEncountering this ideal form, arriving as if from a cartoon, we fall under its influence; the crystal captivates us, thereby demonstrating its agency.âšIt captures our perception of reality in the moment of desireâbecoming the "gaze" (le regard) in Lacan's terms. No longer are we looking at the crystal; it is looking at us.
The dilemma "will the image catch me, or will I catch it?"âposed by the artist through the invitation to look through the crystalsâreflects a paradigm shift: from the world as a picture to the world as an optical effect in which we are immersed.âšClassical observation assumes a distance between subject and object, while "crystalline" optics erases that distance.âšObserving the external world through a crystal explores not what we see, but how the matter of the media itself predetermines the conditions of visibility. The prism of perception becomes a complex structure for capturing the viewer.
Matvey Kalmikov