Groupshow
Doing Time at South Parade
Project Info
- 💙 South Parade
- 💚 South Parade
- 🖤 Groupshow
- 💜 South Parade
- 💛 Corey Bartle Sanderson
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Georgina Hill, Boy at airport, 2023. Powder coated mild steel, 109 (H) x 76 (W) x 17.5 (D) cm
Juan Betancurth, Nydia, 2012. Polaroid (1/1), 41.5 x 31.5 cm (framed)
Juan Betancurth, Nydia, 2012. Polaroid (1/1), 41.5 x 31.5 cm (framed)
Georgina Hill, Bella, Brava, 2023. Stained glass, solder and lead, 71 x 22.5 cm
Stephen Polatch, Three Plaits, 2023. Oil on canvas, 66 x 51 cm
Melanie Smith, Aztec Stadium, 2010. Single-channel video (16:9), 10 min 29 sec, Edition of 4 + 2AP, Filming by Rafael Ortega
Tristan Higginbotham, Crab Variation (Dhalgren), 2023. Found mirror, scallop shells, muskrat skull, resin clay, flashe, acrylic, 14 (H) x 19 (W) x 7 (D) cm
Tristan Higginbotham, Crab Variation (Babel), 2022. Fish skull, resin clay, powdered graphite, acrylic, 16 (H) x 14 (W) x 6 (D) cm
Lucía Vidales, When I´m gone, 2023. Oil, acrylic and charcoal on canvas, 60 x 50 cm
Garrett Lockhart, Bath, 2023. hand-cropped inkjet print, construction pencil, lumber crayon and perforations on cardstock, metal eyelets, custom ash frame, 26.5 x 22.2 cm
Garrett Lockhart, Kitchen-1936, 2023. hand-cropped inkjet print, construction pencil, lumber crayon, inkjet print on cardstock, thread, custom ash frame, 26.5 x 22.2 cm
Garrett Lockhart, Den-1968, 2023. Hand-cropped inkjet print, construction pencil, lumber crayon, inkjet print on cardstock, thread, custom ash frame, 26.5 x 22.2 cm
Garrett Lockhart, Kitchen-1955, 2023. hand-cropped inkjet print, construction pencil, lumber crayon, inkjet print on cardstock, thread, custom ash frame, 26.5 x 22.2 cm
Georgina Hill, Woman on sofa, 2023. Powder coated mild steel, 96 (H) x 153 (W) x 17.5 (D) cm
Garrett Lockhart, untitled (33), 2023. Tie-wire starweeds, glass beads, dimensions variable
(Detail) Georgina Hill, Woman on sofa, 2023
Doing Time takes its title from an essay by the anthropologist Tim Ingold on the Taiwanese artist Tehching Hsieh (b. 1950), who is best known for his “One Year” durational performances. On 26 September 1981, he began his third in New York when he would not enter any buildings or shelter of any sort (cars, trains, tents etc).
Using Hsieh’s practice as a departure point, this exhibition draws together collage, painting, photography, sculpture and video of seven artists who explore or present time — measurements, duration and perception — through process, material and subject.
South Parade
