
Baeckelandt, Baril, Bonnaz, Boulon, C. Canesson, T. Canesson, Cuvelier, Duboux, Galbreaith, Girard and Brunet, Husson, Janicot, Le Dévédec, Maurige, Fairclough, Schäfer, Slick Oner, Svireli/Fondation d’Ur, TNHCH, Tarrade, Tritz, Wallon
La grande songerie
Project Info
- 💙 CIRCUIT Centre d’art contemporain, Lausanne, Switzerland
- 🖤 Baeckelandt, Baril, Bonnaz, Boulon, C. Canesson, T. Canesson, Cuvelier, Duboux, Galbreaith, Girard and Brunet, Husson, Janicot, Le Dévédec, Maurige, Fairclough, Schäfer, Slick Oner, Svireli/Fondation d’Ur, TNHCH, Tarrade, Tritz, Wallon
- 💛 David Gagnebin-de Bons
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Wall A, with works by Martin Bonnaz, Noémie Boulon, Corentin Canesson, Damien Le Dévédec, Benjamin Husson, Camila Oliveira Fairclough, Michael Schäfer, Nino Svireli / Fondation d’Ur
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Wall B, with works by Corentin Canesson, Damien Le Dévédec, Benjamin Husson, Jean-François Maurige, Aymeric Tarrade, Marine Wallon

Benjamin Husson, fountain / pressurised scoliosis, 2023, steel, beer tap, beer, 75 × 95 × 175 cm, texts by Gilles Furtwängler

Wall C, with works by Jolijn Baeckelandt, Hélène Baril, Corentin Canesson, Céline Cuvelier, Jacques Duboux, Hilary Galbreaith, Camille Girard and Paul Brunet, Benjamin Husson, Hélène Janicot, Marine Wallon

Benjamin Husson, irrigation guest, 2023, glass, forged steel, dripping, red wine, 200 × 70 × 80 cm, text by Julie Portier

Walls C, D and B with works by Jolijn Baeckelandt, Hélène Baril, Corentin Canesson, Céline Cuvelier, Jacques Duboux, Hilary Galbreaith, Camille Girard and Paul Brunet, Benjamin Husson Hélène Janicot, Marine Wallon

Benjamin Husson, water dolorosa, 2023, silkscreen on polypropylene

Wall D, with works by Corentin Canesson, Damien Le Dévédec, Benjamin Husson

Benjamin Husson, fountain / directed ambiguous politeness, 2023, steel, glass, cocktail, 75 × 95 × 175 cm, text by various authors

Wall E, with works by Corentin Canesson, Benjamin Husson

Benjamin Husson, irrigation guest, 2023, glass, forged steel, dripping, red wine, 200 × 70 × 80 cm, text by Julie Portier

Corentin Canesson, untitled, 2023, acylic on wall, 859 × 430 cm

Benjamin Husson, belly punctuations, champagne & rucola, 2019, brass, steel, watercolor, glass, synthetic hair, 100 × 85 × 25 cm, texts by Nicole Ehrensperger

Sarah Tritz, Jeanne-Sara (Mood1), and Jeanne-Sara (Mood2), 2022, wooden boxes and mixed media, 10 × 30 × 20 cm (x2); Corentin Canesson with Thomas Canesson, untitled, 2023, acrylic on wood; Corentin Canesson, untitled, 2023, acylic on wall

Sarah Tritz, Jeanne-Sara (Mood1), and Jeanne-Sara (Mood2), 2022, wooden boxes and mixed media (x2); Corentin Canesson with Thomas Canesson, untitled, 2023, acrylic on wood; Corentin Canesson, Sleep Spaces, 2021, acrylic on canvas

Corentin Canesson, Sleep Spaces, 2021, acrylic on canvas, 200 × 140 cm; Benjamin Husson, fountain / directed ambiguous politeness, 2023, steel, glass, cocktail, 75 × 95 × 175 cm, text by various authors

Corentin Canesson, untitled, 2023, acrylic on canvas; TNHCH & Hilary Galbreaith, VALDA, 2023, LP; TNHCH, Retrospective My Eye, 2017, LP; TNHCH, Ultra, 2020, LP; Corentin Canesson with Damien Le Dévédec, untitled, 2020, acrylic on silicone

Benjamin Husson, water dolorosa, 2023, etched glasses, Éditions Circuit

Corentin Canesson, Ultra Slave, 2019, acrylic on canvas, 230 × 150 cm

Slick Oner, La grande songerie (à la mémoire de Rémy Bougennec), 2023, spray on tarpaulin, 1000 × 200 cm
Under the title La grande songerie, Corentin Canesson shows at Circuit a collection of paintings. On the move for two years already, this collection is circulating between different places and exhibition spaces. This movement can be thought of as a group of works “on tour”. At Circuit, an oral and sculptural repertoire – Benjamin Husson’s “lamentable sculptures” – now adds to the pictorial ensemble initiated by Corentin Canesson.
Corentin Canesson’s inventory of paintings is rearranged on invitation (Nice, Montbéliard, Berlin...). Since the exhibition L'amour fou, organized during the summer of 2023 at Saint-Cirq- Lapopie by the Maison des arts Georges et Claude Pompidou, this inventory has grown as other artists have been invited to join the collection.
The collection’s idea of an “evolutive polyphony” forms a bridge to Benjamin Husson’s artistic vocabulary. Drawing on his interest in ancient manifestations of collective lamentation – from the tradition of Egyptian mourners to Greek tragedy –, Benjamin Husson presents a sculptural environment that encourages the coming together of people. This resonates with the delicate balance between aesthetic and affective experiences provided by Corentin Canesson. Indeed, these sculptures are part of a desire to jointly let emerge, at Circuit, a singular experience of the exhibition, based on the diversity of the works and artists involved.